“Skopje 2014” and Macedonia‟s ethnocracy or how to divide a... Goran Janev

“Skopje 2014” and Macedonia‟s ethnocracy or how to divide a city
Goran Janev
Max Planck Institute for the Study of Religious and Ethnic Diversity, Goettingen
“Where are you going?!” – rudely yelled at the three of us promptly stopped our laughter. We
were slowly drifting towards our favourite hanging place located just at the entrance of the
Skopje Old Bazaar before that policeman interrupted our joyful evening. Answering his direct
question we simply told him that the pub where we are heading is just twenty meters behind him
and showed it to him and he nodded in approval and stepped aside to let us continue. We all
greeted him and forgot about him at the moment we entered the semi crowded pub and ordered
our drinks from the door. He was absent from my life for almost twenty years now and I recalled
the scene as I was halfway through the writing of the pages that follow. I recalled the scene as I
was reading Steve Pile‟s account of Guy Debord‟s conception of the
“settled geographies of power relations in the city, the places where access is denied – from the gates of
government institutions, to military sites, to buildings for spies, to private houses. The city is more closed
than open … Moreover, the freedoms of the city appear to be constantly under attack in the modern city,
constantly circumscribed, constantly surveyed – often enough in the name of freedom, service and
protection (2005: 12-3).”
Following the official line of explanation, that policeman was protecting me, Macedonian citizen
of Macedonian ethnic origin living in the capital of Republic of Macedonia, freshly baked new
nation-state. The danger was coming from Macedonian citizens of Albanian ethnic origin living
in the capital of Republic of Macedonia.
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The previous weekend, on 6th of November 1992, almost twenty years ago, violent riots broke
out in this part of the town that left four killed, three Albanian men and one Macedonian curios
lady that was peeking through a window of her apartment when a stray bullet met her. The story
goes that that morning two policemen acted brutally when they tried to prevent one young street
seller of illegally procured cigarettes to escape them. The rest of the street sellers got very
irritated, were quickly joined by many others, hundreds of them, and started protesting and
trashing shops and clashed with police, setting to fire abducted police vehicles. Before the night
had set, tens of policemen and demonstrators were hurt or wounded in exchange of fire. In the
aftermath of the open clashes, heavy police forces patrolled the adjacent part of the town and
made numerous arrests on the streets or in the houses where demonstrators were escaping after
the attacks. That part of the city was sealed off for more than a week and heavily patrolled for
couple of months. They closed off that part of the town. They marked it as dangerous. They
proclaimed Albanians as dangerous. The ethnic labeling was materialised, the ethnic belonging
was located at a territory and state sent uniformed and armed personnel to patrol the unsafe
frontiers. The image of Skopje from open city was turned into divided city. It did not happened
that quickly and continuous efforts are made in this direction with the advent of ethnocratic
regime in Macedonia. Territorial claims of the two largest ethnic groups are reinforced through
various symbolic means, from waving and displaying national flags, to erecting monuments and
constructing buildings.
I use the term frontiers inspired by the work of Wendy Pullan (2011) on Jerusalem. We could
notice a great deal of similarities in terms of political processes that shape and structure
ethnonationalist states and cities. This does not mean that Macedonia has reached such a difficult
and almost irrevocable situation, but Israel and Jerusalem in particular is a perfect negative
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precedent. Pullan uses the frontier to mean zone rather than borderline, it can grow, or shrink and
moves back and forth, even above and bellow the ground as streets still remain Palestinian while
the Israelis live above them and dig beyond them in the Old City. The frontline is „inherently
contested‟ and despite the common connection between nationalism and the territoriality of state,
as Pullan argues and as I will demonstrate, it is highly rewarding if we look at the conflict in the
cities by applying the concept of frontiers to the analysis of this contestation. The wider context
is provided by the research group that organizes this conference. [of which Pullan is part, and
that is the project Conflict in Cities and the Contested State: Everyday life and the possibilities
for transformation in Belfast, Jerusalem and other divided cities.]
Skopje certainly fits nicely in the framework for studying these divided cities that emerged at the
fault lines of the former empires as James Anderson (2008; 2010) formulates it. In the
Macedonian case we should include the multiple fault lines of the Cold War divisions and
Huntingtonian civilizational fault lines between Christianity and Islam, and for twenty years in
the making now - the fault line between EU and the rest that does not deserves the membership,
to name just a few. This creates multiple spatial and temporal ruptures expressed as
geographical, cultural, political, economic and historical fault lines. Macedonia is to be found
deeply buried inside the Balkan constructed as exemplary other from within Europe. I am only
mentioning this to point to the devastating effects of postponed integration or prolonged isolation
of the region and of this country in particular. Cutting off Macedonia from the global and
European flows incited the local politicians to develop introvert viewpoint and contributed
towards development of a public sphere with matching narrow horizon obsessed with interethnic dynamics. There is more to be said about the complicity of the Macedonian immediate
neighbourhood and the political developments there, but I will leave it there for the time sake.
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The unfortunate developments from outside and from within contributed to the rise of the
ethnocratic regime and now it is being reflected in the spatial arrangements. While more
homogenous nation-states concerns with territoriality are most obvious at the international
borders, by applying the same logic the ethnocratic regimes in contested states are forced into
defining internal borders. Building the case for the more serious engagement with spatiality and
nationalism George White points to the cultural landscaping, whereby it is important that cultural
identity of a place reflects the identity of its inhabitants (2000: 26). Apadurai notes the similar
proceses of nationalization of all space under a given nation-state control (!996: 189). White
illustrates his point with the change of the regime in Eastern Europe and the efforts to change the
Communist landscapes. To an extent the current symbolic reconstruction of Skopje can be taken
as one such project, only, some twenty years later.
For the past two decades Macedonia slowly and with certainty was drifting towards the
establishment of ethnopolitical order. The Bit Pazar riots in 1992 set the tone for the further
development of Macedonia into ethnocratic regime. I understand ethnocracy as a political system
in which individual democratic rights are substituted for the collective ethnic rights. It is a
deviant form of multiculturalism that yields minimal social cohesion and maximizes the ethnic
segregation. The ongoing efforts of the Macedonian elites of the two largest ethnic groups
respectively, to divide Skopje along ethnic lines are very illustrative of these processes. To me
the institutional reactions to the Bit Pazar riots were divisive. As a consequence of their narrow
and ethnicised imaginary, the Old Bazaar was transformed into frontier zone. That pub,
Mondrian, remained open for another two or three years or so. My mother also kept her ceramic
studio/gallery in Bezisten, at the heart of the Old Bazaar, for another three years and I kept going
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there on regular basis all that time and I have easily managed to forget that moustached
policemen. Until that passage about restrictive city spaces brought him back.
However, soon afterwards, the Old Bazaar “became” Albanized in the popular imagination and
gradually Macedonians stopped coming across the old Stone bridge and Bazaar that I revisited
for a research after 15 years was a pale and sorrow shadow of the earlier glorious times. It was
turned into a border zone as those policemen have marked it with their patrols. I resisted
accepting that Skopje is a divided city, but many started accepting it as such, avoiding venturing
to that side of the river Vardar that cuts the city in two. In Skopje, as in western parts of
Macedonia where Albanian minority lives in greater concentration, the geographies of power
relations tend to follow ethnic lines and here lies the greatest paradox of Macedonian
ethnopolitics. As the ethnonationalist political elites try to draw those lines as clearly as possible,
the everyday reality betrays their intentions. In Skopje, as in many other parts of the country that
are allegedly divided along ethnic lines, the ethnic divisions become more blurry as we focus
closer to the ground. The residential ethnic segregation, apart from some remote rural
settlements, is hard to be found in the cities and towns. Certainly, as we will see, after 20 years in
the making, the ethnocratic regime that only recognizes ethnicity as main political force is finally
bearing fruits as divisions in the country grow more apparent. I will explore the main drivers
behind this divisive policies and responses to it. To do so I will put emphasis on the spatial
aspect of the ethnopolitics.
Let me now skip those twenty years and point to the latest incident of ethnic violence that
happened in Skopje. The Old Fortress overlooking the Old Bazaar and the central part of the
Skopje is duly scrutinized by archeologists and the government under the leadership of the
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IMRO-DPMNE is particularly keen on excavating historical evidence to prove the Macedonian
national continuity. As a part of the larger project for symbolic reconstruction of Skopje into
Grand National Capital the Old Fortress plays prominent role. The latest endeavour was the
reconstruction of a church, that was intended to be used as a museum for the excavated artefacts.
The building was to dominate the linescape of the Fortress, thus to change the cityscape. This
provoked reactions from the Albanian politicians. The building was stopped. Actually, somebody
ordered the continuation of building at night. That same night the local mayor and other party
representatives and many local citizens, of Albanian ethnic origin, came with machines to cut the
steel construction for the church and chased away the construction workers. Police just watched.
One week later, on Sunday 13.02.2011 one obscure Macedonian nationalist party scheduled
protest gathering at the excavation/construction site. And one Albanian NGO announced their
presence at the fortress at the same time. When they came, they got supporters from the football
fan clubs. The Macedonian Komiti (the popular name for the rebels against the Ottoman Empire)
clashed with more prosaically named group of „Albanian‟ football club Shverceri (smugglers).
Allegedly outnumbered and improperly protected by the police the Komiti got beaten. The next
weekend when I met with my friend we already knew that the heavy police presence prevented
the „second half‟ of the fighting to happen the day before. But the genie was out of the bottle. In
the intervening week on Facebook the hatred was rampant and the evidence of it is now erased
from the servers of the social media service. This archeological battle can be expected if we read
Pullan‟s analysis of similar processes in Jerusalem: “Archeology is a favoured vehicle for
attempting to legitimate the settlers‟ presence in the Old City, primarily in order to enhance their
claim to biblical continuity. In doing so, they follow a long tradition of using archaeology for
nationalist purposes, and sometimes the excavations have resulted in violent clashes (2011: 8).”
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She can be quoted word by word to explain the situation in Skopje “where many groups and
individuals wish to impose their national and religious identities upon the city.” In its eventful
history Skopje gathered quite a few contenders.
It could be instructive if we only glimpse at events that happened in between these twenty years
of Macedonian independence and also at what was happening before that in terms of
transforming the city as the political rulers were losing and gaining ground in it. After taking the
city from the Ottomans, Serbian occupiers shifted the center of the city southwards and created
the city square. Photos
They knocked down a mosque and built an Officers‟ Club in its place and opposite of it
constructed a building for a National Bank. At the entrance of the square they put two
monuments of horse riders, The king Alexander and King Peter‟s statues. These two were
drowned in the river Vardar when Bulgarians occupied the city and were not saved after the war
when socialist revolutionaries took over the control. There is a story that they used the bronze to
cast the monument of the Freedom Fighters. When the disastrous earthquake in 1963 shook and
damaged the Officers‟ Club and the National Bank they were readily finished to the ground by
the Skopje planners. Even today many would claim that these buildings could have been saved
and reconstructed. But Macedonian national state was happier without such significant reminder
of the Serbian occupation and colonization. The new city was imagined as modern, redesigned
by the great Japanese architect Kenzo Tange who won the UN competition. Photos. His plan was
in the International Stile, with Brutalists aesthetics that became very fashionable. Photos. Postearthquake Skopje was imagined as an open city, city of solidarity, cosmopolitan and respectful
and grateful for the help that came from all over the world. Many streets still bear the names like
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Helsinki, Mexican, Athens, Prague etc. It is than that Skopje became prominently industrial city
as it is after the earthquake that the Steel factory was opened alongside many other industrial
capacities that employed tens of thousands of workers and almost tripled the population of the
city in four decades. It is these newcomers and their offspring that now claim some nostalgia for
the old Skopje, a city that they never knew and a city that never existed, a city that the current
government allegedly reconstructs and rebuilds, not according to some original blueprints, but in
some eclectic historicist style, reinventing the city according to their limited nationalist
imagination.
Skopje today is a city torn apart by segregationist planning policies as Pullan (2011: 13) aptly
defines them. More precisely, here we also see implementation of „frontier urbanism,‟
“characterized by two primary conditions: the settling of civilians as frontier populations, and the
use of urban spaces and structures to promote a particular power and to foster confrontation.”
Nevertheless, Skopje is not Jerusalim and the schismogenetic (Bateson, 1935) processes are not
that advanced, although if we pay attention to the administrative divisions and ethnonationalist
politicians that control them the potentiality is there.
However, it is the reaction to these developments that actually interests me. As I was torn
between actual fieldwork and writing up for this project I was not in Skopje when the
government promoted the video clip “Skopje 2014” a grandiose, expensive and nationalist
project that would transform the central part of the city beyond recognition. They even started
with dressing up some Modernist buildings into baroque facades. I was confined to follow the
reactions via new social media, especially Facebook and here I present some of the artworks and
other creative reactions that followed. Photos. From the interviews with some of the organizers
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of the protests against the not-transparent and aggressive remaking of the central public spaces it
is clear that the media is only that a medium, but at this age of immediacy it has quite
transformative role exactly for the capacity to communicate instantly. As Apadurai points to the
two problematic sources for the imposition of homogenous national state, the neighbourhood and
virtual neighbourhood (1996: 190-191) we can trace the reactions in Skopje in spatial practices
of its citizens and in the space of internet. In just three days after the video clip was first aired the
fan group “Skopje 2014, no thank you!” got over 12 thousand members. It is a clash between
two different imaginaries of the city, one that is simplistic and reductionist as promoted by the
ethnonationalist politicians and the other that acknowledges diversity plurality and multiplicity
and respects it.
“Skopje 2014” is not an odd project because of its discourse or scale, nationalist and grandiose as
it is a project that had happened elsewhere, or should I put it everywhere, when new regimes
were established and new capitals built.1 The oddity is in the timing, 20 years after the
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The practice or remaking capitals after the regime changes has been established on a regular base throughout
Europe‟s eventful history and the region of Central and Eastern Europe that received greater share of regime shifts is
quite illustrative in this regard (Damljanovi*c and Makaš 2010; Czaplicka, Gelazis, and Ruble 2009). It can also be
safely assumed that greater the disparity between the two regimes, greater the change in the look of the new capital.
Damljanović and Makaš (2010) illustrate quite well the transformation of capital cities as Grand National Capitals
after the two empires, Habsburg and Ottoman, collapsed in the age of nationalism. They note that due to the shared
architectural heritage, or „urban topography‟ in their wording, Central European cities evolved more easily into
national capitals. Their counterparts from Southeastern Europe had first to destruct Ottoman urban fabric, where the
construction of national identities by means of architecture and urban planning coincided with modernization as in
Central Europe, yet here it “was also synonymous with the notion of Europeization“ (2010: 9). Further and quite
frequent regime changes were unavoidably accompanied by remaking of capitals.
Following the destruction of the WWII and the transformations of Central and Eastern European capital cities that
came with socialist revolutions, the collapse of communist regimes triggered new set of changes. Geladis, Czaplicka
and Ruble (2009) start their analysis of post-communist transformations in East Europe by rehearsing Anselm
Strauss‟ question, „What time is this place?‟ They identify several crosscutting vectors of identity, global, European,
national, local, and personal, that guide the processes of cultural, economic, and political reorientation (2009: 2).
According to them the post-communist setting presents us with exemplary urban admixture, best captured by
concepts of heterotopias and heterochronias. The basic concepts of place and time are simply coordinates of history,
while the urban admixtures of post-communist cities results from building and redesigning, conserving and
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independence and well into the twenty first century on the model from nineteenth. Most striking
is the failure to see the potentiality for breeding conflict, if it is not doubtlessly „frontier
urbanism‟ that we are observing in this case. But cities are not made of buildings only or of those
who inhibit them at the moment. It is in traces, shadows and resonances (van Loon: 2002),
phantasmagorias ghosts and magic (Pile: 2005). Cities (Amin and Thrift: 2002) and spaces
(Massey: 2008) are constructs of multiple layers, temporal, spiritual and material and this urban
assemblages (Farrias and Bender: 2010) are hardly susceptible to ethnopolitical simplifications.
For those to function, as Jerusalem or Belfast shows us a great amount of sustained organized
violence is needed.
It is at the intersection between the public space and public sphere, or the concerns about public
space as expressed and shaped within the public sphere, mediated and co-constructed by the new
social media where we can see the most important fault line that shapes the future of divided
cities. It is this clash between the essentialist ethnopolitical reading of the city and poor
imaginary against the creative, multiple and unbound public sphere that has been transformed
from controlled into self-generating and uncontrollable field of urban civil imaginary that holds
the promise of the imminent failure of the anachronistic political projects.
renovating that are „political acts making history in these cities‟ (2009: 3). At present one such project is unfolding
in the heart of the Balkans and there are certain peculiarities that make this Macedonian case interesting.
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