Xin Li 16896547 Locked Bag 1797 Penrith South DC NSW 1797 Australia College of Arts School of Education CREATIVE ARTS PROGRAM AND ADVOCACY ASSIGNMENT COVER SHEET Student Family Name: --LI----------------- Given Name(s):------Xin--------------- Overall Result: Student Number: ---16896547---------------------------------------------- Course ID & Name: 1608: Master of Teaching (Primary) Unit ID & Name: 101293: Primary Curriculum 2 Campus Location: Bankstown Lecturer/Tutor: -Margery Hertzberg, Janette White--------------------------- Student Phone No: -0430387917- Assignment Title: 101293: Creative Arts Program and Advocacy Project Mastery Improve Resubmit Tutorial Location, Date, Time: Tue 11am------- Scholar Email: [email protected] Date Due: -13/04/2010-------------------------------Note: If you have obtained an extension please attach the appropriate documentation. DECLARATION: I hold a copy of this assignment that I can produce if the original is lost or damaged. I hereby certify that no part of this assignment or product has been copied from any other student's work or from any other source except where due acknowledgement is made in the assignment. No part of this assignment/product has been written/produced for me by any other person except where such collaboration has been authorised by the subject lecturer/tutor concerned. Signature: ____________________________________________ Note: An examiner or lecturer/tutor has the right not to mark this assignment if the above declaration has not been signed. I would like this assignment returned. Yes No (It can be destroyed) RETURN OF ASSESSMENTS I would like feedback from academic staff. Yes No I have attached a self-addressed, postage paid envelope. Yes No I will pick-up this assignment as per arrangements outlined by the Unit Coordinator. Yes No Note: If you do not choose how your assignment is to be returned to you it will be disposed of after the required period (1 month after assessment period for assessments below 50% and assessments 50% and over to be held for a period of 12 months). -------------------------------------------------------------------------Student’s Signature Date submitted 1 Xin Li M.Teach (Primary) Module 3 Marking Criteria: 101293: CREATIVE ARTS Program Attach to Creative Arts Program and submit to Deirdre’s Assignment box 16896547 Cross out which is NOT applicable Enrolled in PP1 Enrolled in PP2 Not doing Prof Exp Name:__Xin Li_______16896547_______ Assignment should demonstrate: IMPROVE MASTERY IMPROVE MASTERY IMPROVE MASTERY IMPROVE MASTERY ACADEMIC STANDARD The assignment has reached an appropriate standard of academic writing and reflects engagement with the content of the unit, attendance, etc TEACHER’S PREPARATION Contextual description Rationale: At least 4 referenced research articles Behaviour Management Strategies Purpose of Unit General Syllabus based outcomes Preparation and clean up of materials Resources clearly detailed Reference list uses APA style accurately PROGRAMMED LEARNING EXPERIENCES Observable Specific Indicators (not direct from syllabus) Relevant introductions Effective closure activities Thematic learning experiences Valuable learning experiences Covers several weeks of work Clear links between learning experiences Effective teaching strategies All activities clearly detailed Assessment based on indicators Acceptable programming format GOOD QUALITY ADVOCACY BROCHURE/ POSTER ATTACHED (Include photo if larger than A4) Each art form clearly communicated and presented Research presented succinctly and clearly Text and graphics suitable for given age group Overall presentation: attractive and easy to read 2 Xin Li 16896547 Contextual description: The class I have been with for my Practicum is an Early Stage 1 Kindergarten class with 21 students. With the help from the class teacher, a very nice and friendly lady I have ever met, I learnt that all of the children from her class are with Non-English Speaking Background (NESB), however, with 2 of them having English as the language spoken at home. The majority of the NESB come from Vietnamese speaking background, with a total number of 14 children. Another figure shows that 10 of the 21 students are doing English as Second Language (ESL) at school. And five of the 21 students haven’t had any preschool life in child care centres before joining this kindergarten. However, concluded from what I have observed during my in-school prac days, the 21 students are doing fine in following the class or school rules, responding reasonably well to instructions in all school activities, making progress in all the Key Learning Areas (KLAs) in line with their age and stage. Even though a few of the boys and girls are still struggling with writing their names, they can read the sight words very well, they can trace very well the letters learnt in Term 1 and they are doing very good in Bingo game and story readings. They are anticipating very well in their Big Book story telling, for example, they are amused by the teacher who’s trying to manipulate the tone of voices of different characters, they can do retelling by answering the teacher’s questions and most important of all, they can sequence the still-image in the story. And above all, they all show great interest in Creative Arts and its strands. For example, they were reluctant to leave the table and to clean up after making a “Me” model using play dough. The kindergarten class I talk about is one of six in a K-6 primary school. Harrington Street Primary School is located in West Sydney and it has a diverse student population of more than 900 with over 90% NESB students (the predominant groups are Chinese, Vietnamese and Khmer). In correspondence to the students’ enrolment, the school has ESL teachers. Vietnamese and Chinese community language teachers have been appointed to the school and they also teach after school classes. The school is committed to providing quality learning opportunities for all students in a positive, safe and supportive learning environment. The school is working hard to meet the needs of all students by providing programs like one Opportunity Class for gifted and talented students, three support classes for students with learning difficulties as well as strong extra curricula opportunities in all areas, including community languages, dance, public speaking, chess and sport. Rationale: Then why we teach Creative Arts in this class and in this school? As a KLA, Creative Arts is one of the six mandatory learning areas in the primary curriculum (Board of Studies NSW, 2006), in another word, all schools should have a policy to support teachers in the systematic implementation of visual arts, dance, music, drama and media. Harrington Street PS is a public school under this big umbrella. And Creative Arts is taught and learnt through out K-6 teaching programs. Creative Arts encourage an exploratory and investigative approach to learning. Different art forms have always been used in different societies and cultures, no matter how primitive or civilised they are. And they are integrated with everyday life, customs, celebrations and religious rituals. With a diverse cultural difference within the local 3 Xin Li 16896547 community, the students in Harrington Street Primary School (HSPS) can explore, investigate and learn to know their different cultures, their origins and identity. Hence they learn to respect themselves and to respect others and they acquire knowledge through the investigation and exploration. Creative Arts contribute to the growth and development of the whole child. The idea of the whole child is to give the students to grow and development through all the KLAs and keep them healthy and safe. And learning of the whole child is life-long process in which creative arts can be the best means for the students to be creative. All of these can be made possible just because creative arts develops our skills in language and communication, in using our senses and limbs, in creative thinking and problem solving, in our personal emotions and inter-personal relationships (Russel-Bowie, D. 2009). So painting their traditional pictures, doing their folk dances and wearing their traditional costumes on International Days would definitely give them a chance to better develop the students in culturally diversified HSPS. Creative Arts develop student’s ability to use symbols, materials and equipment to express ideas, observations, feelings and imagination. Let’s now have a look at the emblem of HSPS. HS, Harrington Street, can be interpreted into “Honours and Services”. Students in HSPS are on a campus that is full of signs and symbols to indicate pride, safety and identity; full of materials and equipments to be used to illustrate what they know about themselves and about others. Creative Arts develop visual literacy. Because of a large NESB enrolment in my practicum class, the fact that some children haven’t had much pre-school life in child care centres, it will be a better idea to use the universal languages, such as music, dance, visual arts, drama and media, to get learning on track. And thus Creative Arts becomes a “vital part” (Russel-Bowie, D. 2009) of education in my prac class. Creative Arts develop the students’ ability to be creative thinkers and independent learners, to solve problems and to function in an increasingly visually oriented world. Even though Creative Arts is not the only way to tamper students’ creativity and problem solving skills, it does give students the opportunities to develop their imagination and the abilities in finding out the right art form to express well themselves and others. For example, an Easter Party was held in HSPS last Thursday (1st April, 2010). The participants were amazed by the hopping Easter Bunny, the performances from some of the classes. It opened a door of “imagination” for the students to act like rabbits when they were singing the “Bunny Song”, to solve the costume problem by cutting out paper rabbits and painted them out and put on heads. All in all, Creative Arts is a very important, “vital” part in primary school curriculum; it correlates to other KLAs and integrates with them and contributes a lot to the growth, wellbeing and development of the students in HSPS. Behaviour management strategies: Unlike in other lessons where the students are sitting quietly at the tables or on the floor listening to the teacher/s, in Creative Arts class the students are always moving, holding pencils, crayons and paints in their hands, using scissors and other tools, playing the musical instruments. In another word, it is more challenging for the teacher/s to manage their behaviour/s. However, Russel-Bowie (2009) suggested teacher/s to adopt 4 Xin Li 16896547 CREATIVE management strategy in Creative Arts class to engage the students in learning and to eliminate the behaviour problems. Her CREATIVE strategy is a mnemonic of Children, Rewards, rules and routines, Environment, Attitude, Time and resource management, Interactive activities, Variety and Effective communication. Talking about children, we mean we should know our students well, such as their interests, what they have learnt before, what strategy can keep them involved and make less or no troubles, how comfortable they are when grouped in a certain manner. In my prac kindy class, the classroom teacher knows the students very well, in fact, she has a students list, on which she puts all the students details, such as the language spoken at home, left/right hand, allergies, language level and afternoon pick-up information. With all the data handy, she has no difficulties in managing her class, no matter what lesson she is teaching. Rewards, rules and routines are also very important in management at school (Cope, B. 2007). My classroom teacher always rewards students’ good behaviour rather then drawing attention to bad behaviour. She uses stickers, makes comments like “Well done!”, and gives more play time to those well-behaved students. But on the other hand, she also sets up rules and puts up on the wall for the class. She uses “Hands up!” or Counting-down or sometimes simply claps her hands to draw back students’ attention. And I also noticed at the school assemblies, the principal or the deputies also raised up their hands to silence the audience. The environment at school for students includes both physical and emotional environments (Whitton, D. 2010). The physical environment is the buildings and layout of the school, the setting of the classroom, the display of the students’ works, the class rules on the wall and other decorations. The regular changes of display, the brightly coloured decorations are always attractive to the students. Environment also includes emotional environment where the students feel safe, being cared and respected. They will be engaging in the class or group activities if their needs are met, their says are heard and their efforts are encouraged. My class teacher always put the best and most colourful works of the students on the wall and she always makes sure that the temperature is comfortable and the air in the classroom is fresh. She every now and then checks to see the resources are adequate. For example, she always copies one or two more sheets of paper work for the students in case some of the students might need an extra one. She also looks around the desks to see the pencils are sharpened for her kindy children. And she greets the children every morning in a gentle voice and with a smile. Teachers need to be positive and enthusiastic with their jobs and to their students. They should have the same positive manner towards an adult and towards a child. Teachers’ modelling in some ways influence their students to keep them having a positive attitude both to themselves and to other students and people. My class teacher is optimistic that each and every student is improving and making progress at a different pace. Inspired by her attitude, all the class keeps on trying, no matter how difficult it seems sometimes. For example, she trusts the class can write down their names well, so everyone is working hard and some even ask for help from their classmates. The next thing for classroom behaviour management is that the teacher needs to be very well organized in time and resource management. My class teacher keeps a good track of the time and always plans her class activity for less than 15 minutes, which is almost doubling the students’ age and exactly the concentration span for students in 5 Xin Li 16896547 kindergarten. Sometimes if she has to prolong the time for instruction or guided reading, she pauses for a while and asks the students to stand up to stretch themselves. Good timing for the class can never make the students lose interest and get fed up. A good teacher always plans very well when to pass out the resources and when to collect them. Interactive activity is another important way to eliminate classroom behaviour issues, especially in a student-centred class. The interactivity can always keep the students engaged and too busy to do anything else. My class teacher always divides the class into three groups and each group doing a different activity at a time and she herself keeps her eyes on them and asks them to swap with another group as soon as she finds out that each group is ready to do the next activity. Variety is another thing that teachers will be always keeping in mind in classroom management. The students are always different from one another and they also enjoy that the teacher would cater to their needs and alter the ways of instruction. The students will be amazed and fully involved in the guided reading if the teacher speaks fast sometimes and then speaks slowly, or lower his/her voice sometimes. And the teacher can also gain students’ interest by using various teaching aids, like Interactive White Board (IWB) or Over-Head Projector (OHT) or other multimedia equipments. My class teacher is always speaking in a gentle voice and clearly and explicitly gives directions to the students because clear and effective communication is an important aspect in classroom management. If the directions are clearly given, the students would never have misunderstandings and do something else or just make some noise or troubles instead. All in all, the teacher can get ready before the lesson each of CREATIVE strategy, he/she can always keeps his/her class engaged and hence eliminates the occurrence of behaviour problems. Purpose of unit of work: This program is based on the “Me” unit in Connected Outcomes Group (COGs) (B) and is aiming to help the kindergarten students to develop understanding of different parts of the body using the form of visual arts—drawing and play dough. It also combines other art forms like music, dance and drama to show physical movements of our body. The “Modelling me” teaching and learning activity link with numeracy by saying “round head” and “legs are longer (than arms)”. And it also links with literacy when the students show the teacher and other classmates how they managed to make “themselves”. The other lessons cover topics “Me as Part of Australia”, which is also included in COGs (B) for Early Stage 1. This is to give the students understanding and identification of Australian symbols like kangaroo, Koala, didgeridoo, Opera House and Australian Flag. Students can cut out the symbols and stick them to the outlined Map. General syllabus based outcomes At the end of the class students can make a “me” out of the play dough using hands or simple tools successfully by meeting the following outcomes: VAES 1.1 Makes simple pictures and other kinds of artworks about things and experiences. (talks about significant features and relationships within their sculpture.) VAES 1.2 Experiments with a range of media in selected forms. (explores the qualities of play dough to model themselves) 6 Xin Li 16896547 CUES 1.1 Communicates some common characteristics that all people share, as well as some of the differences. ★identifies some Australian icons and symbols ★learns the words to the Advance Australia Fair WES1.9 Engages in which writing texts with the intention of conveying an idea or message. SGES1.1 Manipulates, sorts and represents three-dimensional objects and describes them using everyday language. Preparation and clean up The teacher’s preparation (general): 1. Obtains program information from the class teacher and decides what to teach. 2. Observes and identifies the students’ prior knowledge and previous learning experience. For example, from observation, I learnt that the students have already done drawing of the family members and self-portraying and they knew how to use the play dough. It would be easier for the students to go on to the “Modelling Me”. 3. Gets ready all the resources that would be used as teaching materials in the classroom. For example, the outline map, the play dough, the paper, scissors, glue, music, etc. The materials can be obtained in the class store room, from the library and from the internet. 4. Discusses with the class teacher for her advice after drafting out the teaching plan. Most of the cases, two minds work better than one. 5. Rehearses the class before the class to check out if there is anything missing or to time the teaching process. And also one needs to think about the alternatives in case something might happen. For example, extra paper, behaviour problems. Clean up: After the students finish their work, the teacher asks the students to put the play dough back for the next group to work on and to put the rubbish in the bin. The teacher needs to train the students in doing things properly themselves. Details of Resources Music: the Australian National Anthem and a song called “Head, Shoulders, Knees and Toes” and download into the mobile phone (later found it was a good idea because the CD player in the classroom was broken). Visual Arts: 21*outline Map of Australia, paper, play dough, scissors, pencils Dance: room to move, and the song “Head, Shoulders, Knees and Toes” Drama: one student standing as a statue Reference List Russel-Bowie, D. (2009) MMADD about the arts! An introduction to Primary Arts Education (2E). Frenches Forest NSW, Pearson Education Australia Board of Studies NSW, (2006) Creative Arts K-6 Syllabus. Board of Studies NSW Vygotsky, L (1978). Mind in society: The development of higher psychological processes. Cambridge, MA: Harvard University Press. Cope, B. (2007) How to Plan for Behaviour Development and Classroom Management—Maximising Student Engagement. (2E) Frenches Forest NSW, Pearson Education Australia Whitton, D. (2010). Lecture: Lesson Planning. (Microsoft powerpoint). Retrieved March, 2010, from University of Western Sydney vUWS, 101581 Learning for Teaching. Whitton, D. (2010). Lecture: Learning Environment. (Microsoft powerpoint). Retrieved March, 2010, from University of Western Sydney vUWS, 101581 Learning for Teaching. Program Proforma to follow (next page) 7 Xin Li Programming Proforma for: Music Observable Specific Indicators (not from syllabus): GRADE: KD 16896547 THEME: Me as Part of Australia Students can identify Australian symbols from a group of different images. Students can stick the symbols on the outline map within different State or Territory. Students can hum along the “Advance Australia Fair”. WES1.9 Engages in which writing texts with the ● ● ● ● ● ● * Structure English Talking with students about “Where do you live?”—from the intention of conveying an idea or message. Developing the Theme: * Dynamics Tone Colour Pitch Introductory Activities suburb to the City then to the country. * Syllabus Outcomes (abbreviated): Elements: Duration Apprec iating Mov ing Play ing Sin ging Making Performing Learning experience/activities: Repertoire Activity Areas: ● Listen to song “Advance Australia Fair” and asked the students where they have heard of the song. Talk briefly on where the students have heard of the song and ask them further “What do you know about the song?” Teach the students the words by writing down on the board “Advance Australia Fair” and explaine the basic meanings and the origins of the song. . Play the song again and ask the students to clap hands to tap along and hum along. Show the students other symbols and ask them to identify which are of Australian origin. Divide the class into three groups, and ask each group to do different things. For example, one group cut out the symbols and colour them and stick them on the big map. When supervising from group to group, ask the students to tell why they put the picture there and why. HSIE * * CUES 1.1 Communicates some common characteristics that all people share, as well as some of the differences. ★identifies some Australian icons and symbols ★learns the words to the Advance Australia Fair Closure Activities ● ● Ask the students to verbally communicate to the group. And the teacher can show the class the best work from the students. Listen to song “Advance Australia Fair” again. Resources: the song “Advance Australia Fair” in CD/in mobile phone (in case of electricity failure or CD player malfunctions) Assessment: the song “Advance Australia Fair” in CD/in mobile phone (in case of electricity failure or CD player malfunctions) Activity Areas = Performing (Singing, Moving, Playing Instruments), Making (Organising Sound), Appreciating (Listening); Repertoire = Vocal Music: Songs and rhymes, Instrumental Music, Student Compositions, Movement; Elements = Duration, Pitch, Dynamics; Tone Colour; Structure 8 Xin Li Programming Proforma for DANCE (To cover several weeks’ work); Grade: KD 16896547 Theme: My Body Can Move Observable Specific Indicators (not from syllabus): Students can identify Australian symbols from a group of different images. Students can stick the symbols on the outline map within different State or Territory. Students can hum along the “Advance Australia Fair”. Activity Area Per Ma Contexts of Dance Dance Learning Experiences App Ac Dy Teacher Introductory Activities directed dances Introduce the class by asking the students “What do you do when you are very happy, * * ● ● Closure Activities ● Ask the students to verbally state what dance/s they liked most and why. Re St dance activities and Developing the Theme: ● Sp DAES1.1 Participates in the air and to smile. . Ask the whole class to do some warm-ups by bending and stretching different body parts. Ask the whole class to stand in a circle and play the song “Hocky Pocky”. Ask the students to act out by putting hand, foot in and out and turn around when the song comes to “And I turn myself about”. Remind the students the safe space from the desks and chairs and other people. Beat the tambourine and ask the students to follow the fast or slow rhythm when walking around in the classroom Ti (abbreviated) Creative Arts: dance for example, you won a game?” And then ask the students to jump, to hold hands in ● Outcomes Dance Elements demonstrates awareness of body parts, control over movement and expressive qualities DAES1.2 Explores * movement in response to a stimulus to express ideas, feelings or moods. English TES1.2 Demonstrates basic skills of classroom and group interaction, makes brief oral presentations and listens with reasonable attentiveness Resources: Some children’s music for dance, such as “Hocky Pocky”. Assessment: Students can explore the ways in which the body can dance using locomotive and non-locomotive movements. Activity Areas: Performing, Composing, Appreciating. Contexts of Dance: Students’ Compositions, Teacher Directed Dances, Cultural/Historic Dances; Elements: Action, Dynamics, Time, Space, Relationships, Structure 9 Xin Li 16896547 Programming Proforma for DRAMA; Grade: KD Theme: My Body Can Move Observable Specific Indicators (not from syllabus): Students can identify Australian symbols from a group of different images. Students can stick the symbols on the outline map within different State or Territory. Students can hum along the “Advance Australia Fair”. Activity Area Types of Drama Drama Learning Experiences Per Ma Ap Te Drama Games Outcomes Drama Elements F M Ti C Sy (abbreviated) Sp P Introductory Activities Drama Introduce the class by asking the students to line up in a circle and playing the song DRAES1.3 Dramatises experiences using movement, space and objects. “Head, Shoulders, Knees and Toes”. Developing the Theme: Movement and ● Listen to song “Head, Shoulders, Knees and Toes” and ask the students about how many parts are sung in the song. . Mimes ● * ● ● ● ● Encourage the students by saying that “What about we touch the body parts when we listen to it?” Ask the students “My mouth can sing the song, What can my eyes do?”. List the students’ answers on the blackboard. And ask the students to act out. For example, bending body, stretching arms, hopping, standing still, sitting. . Use smileys to show facial expressions to demonstrate anger, happy, disgust and hatred. Divide the class into two groups and ask them to face the other group by lining up hand-in-hand and ask them to model the movement of sea wave and to mime a bird flying. Ask them to venture what else they can do to imitate natural movement. Closure Activities ● Play another song “Hocky Pocky” to the students and ask the whole class to stand up in a circle and act out. . . PDHPE DAES1.7 Moves in * response t various stimuli English * * TES1.2 Demostrates basic skills of and group classroom interaction, makes brief oral presentations and listens with reasonable attentiveness Resources: Songs “Head, Shoulders, Knees and Toes” and “Hocky Pocky”; smiley. Assessment: Students can explore and act out movements like wave building and birds flying. . Activity Areas = Performing, Making, Appreciating; Forms of Drama = Drama games, Improvisation, Storytelling, Readers’ Theatre, Puppets and Masks, Movement and Mime, Video/audio Drama; Play building. Elements = Tension, Focus, Mood, Time, Contrast, Symbol, Space, Performance 10 Xin Li Programming Proforma for VISUAL ARTS; Grade: KD 16896547 Theme: Modelling Me Observable Specific Indicators (not from syllabus): Students are to learn to make a clay “me”, based on prior knowledge of self-portraying. Students know how to knead, roll and pinch the play dough and join parts together to make a “me”. Activity Area Des Mak Forms of Art Visual Arts Learning Experiences App Pe ThreeDimensional Introductory Activities ● ● * ● * ● ● * ● Ask one student to stand as a statue. Ask other students to come to the front to demonstrate how to use the play dough to make shapes, introducing the vocabulary like “roll”, “pinch”, and “knead” Set the criteria and tell the students that he/she will take a picture and put it in their folder and will decide which body is the most beautiful one.. . Divide the class into smaller groups of four or five, and ask them to make a “me” out of the play dough together. The teacher will supervise and offer some help if needed.. Take a picture of the finished work and printed out and put it into the students’ folder. When supervising from group to group, ask the students to tell why they make their legs longer. Closure Activities ● The teacher can ask the students the way why and how they design and make their body.. LT Ob Pl (abbreviated) Ev Creative Arts: Introduce to the students about self-portrait they have done before to link with the modelling using play dough. Ask the students about the main body parts, eg, head, torso, and limbs. Developing the Theme: ● Outcomes Subject Matter * VAES 1.1 Makes simple pictures and other kinds of artworks about things and experiences. (talks about significant features and relationships within their sculpture.) VAES 1.2 Experiments with a range of media in selected forms. (explores the qualities of play dough to model themselves) English: TES1.1 Communicate with peers and known adults in informal situations and structured activities dealing briefly with familiar topics. Mathematics: SGES1.1 Manipulates, sorts and represents three-dimensional objects and describes them using everyday language. Resources: paper, play dough, scissors, pencils Assessment: The students can make a “Me” model out of the play dough and can verbally communicate to the group for the coloured dough they want and explain the way how they can make the model. . Activity Areas = Designing, Making and Appreciating; Forms = Drawing, Painting, 3-D, Printmaking; Subject Matter = People, Living Things, Objects, Places, Events 11
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