ANNUAL REPORT SAMPLE NIGHT LIVE, INC. 2011 WWW.SAMPLENIGHTLIVE.COM

ANNUAL REPORT
SAMPLE NIGHT LIVE, INC.
2011
WWW.SAMPLENIGHTLIVE.COM
BARBE MARSHALL
PRODUCER
I’m proud to write this letter today, as Sample Night Live
begins its fifth season. In 2007, this project was only an
idea, but today Sample Night Live stands tall as a unique
organization connecting artists and audiences in new
and innovative ways. In our first four seasons, we provided free promotional opportunities to more than 300
arts organizations, featured more than 1,400 individual
performers in our shows and connected nearly 6,000 audience members with art they never knew they’d love.
We’ve honed and perfected our shows with talented and
skilled staff who make it possible to present a brand new,
two-hour showcase nearly every month. In 2009, Minnesota Monthly named Sample Night Live “Best Variety
Show.” W Our vision of what Sample Night Live can do
is simple: Sample Night Live can increase public awareness for the wide array of quality arts offerings in the
Twin Cities, encourage a healthy arts ecosystem by increasing participation and raising arts visibility, and contribute to the growth of the Twin Cities performing arts
community. This vision drives every decision we make,
and in the coming year we’ll be working hard to find and
feature great new artists, spread the word further to grow
our audience and, of course, present fun, innovative and
high-quality shows. W None of these efforts would be
successful without your loyal support. Thank you for being such a vital part of Sample Night Live’s success, and
for making the work we do possible.
Barbe Marshall
March 2012
GREG VANSELOW
MANAGING DIRECTOR
It is exciting and gratifying to be able to provide you
with a summary of Sample Night Live’s success from
our first four seasons. In the best of times, it can be a
challenge to build a new organization — and the last four
years, of course, have not been the best of times. But
the strength of Sample Night Live’s mission has continually spoken to our partners and audiences who, through
their support and patronage, have built Sample Night
Live into a solid, thriving company. W Fiscal year 2011
was perhaps our most challenging year, as philanthropic
budgets continued to be tight and start-up funding for
Sample Night Live began to wane. However, the success
Sample Night Live has demonstrated and our growing
audience continues to sustain the organization and provide for the future. Furthermore, we have worked hard
to ensure Sample Night Live has a quality infrastructure
that is strong and flexible, allowing us to carefully control costs and maximize resources dedicated to delivering our mission. W As we launch our fifth season, we will
continue to focus on sound operations to support mission
delivery and a conservative fiscal strategy to minimize
risk and maximize potential. We will strengthen our existing relationships and engage new partners to grow our
audience and continue providing monthly shows unlike
anything else you’ll see in the Twin Cities. W All this
is possible with your continued support. Thank you for
believing in this idea, and we’ll see you at the next show!
Greg Vanselow
March 2012
HOW IT WORKS
It’s been called “art in a trial size,” “bite-sized art” and,
even, “a smorgasbord of art teasingly proferred like theatrical channel surfing.” However you choose to describe
it, the concept of Sample Night Live is simple: Create
a place where artists can give a free preview of their
work, and where audiences can sample a wide array of
Twin Cities arts offerings with a single ticket to see what
might interest them for their next big night out. W Movie
studios have it easy. Their product is easy to distribute
and even easier to cut down into a shorter version to lure
audiences. With the proliferation of YouTube and Facebook, live artists are beginning to have these capabilities,
but nothing can replace the experience of seeing artists
do what they do best: live entertainment. That’s where
Sample Night Live comes in. For no fee, artists have the
opportunity to present a sample of their work in front of
a live audience to promote their work and gain new fans.
It’s a turn-key marketing opportunity requiring nothing
but showing up and doing your best. W For today’s Twin
Cities audiences, the arts marketplace is crowded with
potentially jaw-dropping offerings. But where to spend
your well-earned night off? And what happens when the
play that looked so interesting turns out to be a waste
of two hours and 40 bucks? Again, that’s where Sample
Night Live can help. In a single evening, audiences can
sample a wide variety of Twin Cities performing arts
companies to find art that appeals to them. And with a
check of the box, Sample Night Live offers an easy signup to mailing lists so new fans can follow their favorite
groups and buy tickets to their next gig. W That’s what’s
special about Sample Night Live: It’s a win-win for both
artists and audiences. Read on to find out just how easy
it us to reap the benefits of Sample Night Live!
BUY A TICKET
The first step towards reaping the benefits from Sample
Night Live is, of course, reserving your spot! Ticket sales
for the 2011 season increased 6 percent over the previous year, totaling 1,872 reservations. Subtracting patrons
who weren’t able to use their reservation, and adding
participating artists who stayed to watch the remainder
of the show after their set, the total number of people
who experienced a Sample Night Live show climbed
to 1,959 — an 11 percent increase over 2010. Revenue
from ticket sales totaled $8,536, or 12 percent of all operating support. Since the 2008 season, 5,326 tickets
have been sold and 5,854 people have attended a show.
W Promotions aimed at introducing Sample Night Live
to new audiences have been key to the success. Our partnerships with the Saint Paul Public Library and MELSA
Libraries provide free tickets to library card holders, and
engaging local charities to promote their missions at the
shows draws their constituents and enables the Sample
Night Live community to make a difference beyond the
arts scene.
$7,817
$8,110
$8,536
$2,633
816
2008
Ticket Revenue
1,314
2009
Attendance
1,765
1,959
2010
2011
SHOW UP
One you’ve reserved your ticket, the next important step
is coming down to the theatre. W While Sample Night
Live’s main focus is live performing arts, the move to the
History Theatre in December 2008 allowed us to expand
both the benefits we can offer to participating artists and
the type of artist who can be a part of Sample Night Live.
Arts organizations presenting a sample on stage have the
option of creating a lobby presence to further promote
their work by distributing literature, selling merchandise
or just working the crowd. Sample Night Live also offers lobby space to visual artists — painters, sculptors,
woodworkers, crafters, etc. — who can display and even
sell their work before the show and during intermission. W Sample Night Live begins as soon as you walk
through the doors, with this carnival-like atmosphere full
of amazing art and opportunities to learn more about and
support the artists you meet. At some shows, magicians
and comedians even set up to entertain the pre-show
crowd. The American Association of Woodturners annually makes a lobby appearance and creates beautiful
turned-wood masterpieces on the spot, in addition to offering wonderful pieces for sale. And, most memorably,
Sample Night Live hosted Cirque du Soleil’s Whooza
Kooza Crew in July 2009. The costumed Cirque du Soleil performers worked the crowd to promote the touring
Kooza show, delighting audience members with their antics and even snapping photos with fans.
ENJOY SAMPLES OF A
DOZEN PERFORMING
ARTS EVENTS
Now here’s where we get to the meat and potatoes of what
Sample Night Live is all about. Take your seat, relax and
let the art come to you. Every show features Sample
Night Live’s amazing house band, The Smarts, as well
as a professional host to introduce each performance
and keep the evening moving along. The first half of
each show features family-friendly performances; the
second-half performances may contain adult content,
themes or language. Tickets to Sample Night Live are
good for either or both halves of the show, and parents
can purchase half-price tickets to bring their children to
the first half only (children always get in free). W Sample
Night Live employs a network of curators to seek out
artists in a variety of genres to fill each show. Theater,
classical music, dance, novelty acts, vocalists, puppetry,
stand-up comedy, improv, jazz, film, spoken word, bands
— nothing is off limits. We bring our audiences a fastpaced, fun-filled show featuring the best artists from a
huge variety of genres. In 2011, we featured 100 artists
and arts organizations 147 times, including performances
by 380 individual performers.
USE OUR PLAYBILL TO
OPT-IN, VOTE AND WIN!
Playbills at each Sample Night Live show feature a ballot
insert, allowing audience members — with a simple
check of the box — to provide their contact information
to the featured arts organizations they like and want to
hear from. Sample Night Live takes care of providing
each participating artist with all their sign-ups in one
easy report, streamlining the process for both artists and
audiences, and making it painless for artists to reach out
to their new fans. W On the same insert, each patron votes
for their favorite artist of the show. The winner is invited
to perform at the annual Audience Favorites Show in
December, which is the finale of each season featuring the
best of the best — the performances our audiences loved
most throughout the year. The Audience Favorites Show
is our most popular event each year, drawing nearly 20
percent of our entire audience for 2011. W Participating
artists have the opportunity to provide prizes for the
audience — CDs, T-shirts, free tickets and even prints
from visual artists. Each ticketholder has a chance to
win prizes throughout the show, and everyone who turns
in a ballot is eligible for the evening’s grand prizes: free
tickets to shows at the Guthrie and the Ordway!
COME BACK NEXT MONTH!
But wait — there’s more! Sample Night Live does this
nearly every month, with a brand-new show of amazing
art and a fun evening unlike anything else out there.
FINANCIAL PERFORMANCE
In 2011, Sample Night Live’s revenue totaled $54,402, a
36 percent decrease over 2010. Of this $30,000 decrease,
$15,000 from a one-time grant and $10,750 of other
foundation and corporate contributions were received in
2010 but restricted for use in 2011. This increased total
2010 revenue above what was expected to be received
in that fiscal year. As these funds were released and used
to fund operations as restrictions were satisfied, they
decreased net assets. Some of this decrease was offset
when recurring gifts were made at the end of 2011 for use
in 2012; however, the $15,000 one-time funding was not
replaced with other sources, contributing to an overall
decrease in assets for fiscal 2011. The organization’s
financial performance for the two-year period ending
Dec. 31, 2011 resulted in an increase of net assets
totalling $8,332. W The organization was, in particular,
very successful in continuing to increase support from
individuals, creating greater diversity amongst revenue
channels. Individuals, through charitable gifts or ticket
purchases, generated more than 30 percent of the
organization’s total revenue for 2011, up from 21 percent
in 2010 and an area on which mangement will continue
to focus as our biggest revenue opportunity. W Despite
being a growth year programmatically, expenses for
the organization were kept essentially flat to minimize
risk from potential underperformance in key revenue
areas. Overall expenses for the year totalled $62,253,
a decrease of 10 percent from 2010. This decrease is
mainly attributable to one-time facility rental charges in
2010 that the organization did not incur in 2011.
FINANCIAL PERFORMANCE
2011
2010
Revenue and Support
Support from Institutions
Support from Individuals
Earned Income
Others
Total Revenue and Support
37,620
8,129
8,536
117
54,402
66,450
10,183
8,110
239
84,982
Expenses
Production Expenses
Marketing & Promotion
Administrative & Operating
Others
Total Expense
6,740
7,818
47,695
0
62,253
10,183
8,300
50,314
0
68,798
Total Increase (Decrease) in
Net Assets
(7,852)
16,184
Total Operating Expenses
FINANCIAL PERFORMANCE
Total Operating Revenue
W
Shows
2008 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
2009 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
2010 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
2011 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Total Shows . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Attendance
2008 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 816
2009 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1,314
2010 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1,765
2011 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1,959
Total Attendance . . . . . . . . . . . . . . . . . . . . . . . 5,854
Donors
Institutional . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Individual . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Total Donors . . . . . . . . . . . . . . . . . . . . . . . . . . 117
SPONSORED BY
FEATURING HOUSE BAND
2-color option – PMS171 (orange) & PMS1955 (red)
PARTNERS & SUPPORTERS
1-color option – PMS1955 (red)
DONORS
Christina Akers
Brian Alexander
Archie D. and Bertha H. Walker Foundation
Barbara Ashton
Ronai Brumett
Jeff Bullerman
Ben Chadwick
City of Saint Paul
Hiram and Liz Cochran
Mary Cochran
Brenda Cornelius
John, Jr. and Sage Cowles
Samantha Crosby
Norajean Crowley
Corey de Danann
Sandra Derheim
Nancy and Fred Dietze
Don McGuire Real Estate Co., Inc.
PJ Doyle
Katie Driscoll
Steve and Coleen Ebner
Ronelle K. Ewing
Ecolab, Inc.
F. R. Bigelow Foundation
Danielle and Michael Ferrin
Laurie Flanigan-Hegge
Ann Forstie
Peter Goedert
Greta Grosch
Doug Hill
Jean Iwen
Jennifer and Brian Johnsen
Shauna and Randy Johnsen
Haley Johnson
Sue Kappenmann
Laurel Lapore
Jerry Lee
Jonathan Liang and Jennifer Gavin Liang
Paula Manzuk
Barbe Marshall
Judy and Ron Marshall
Rod and Marilyn Marshall
Metropolitan Regional Arts Council
Sandra and Steve Meyer
Minnesota Historical Society
Padilla Speer Beardsley Inc.
Nancy Pajunen
Jeanne Papin
Janis Peabody
Jeff Peterson and Jill Catherwood
Amy Pfankuch
Dale Pfeilsticker
Bill and Kitty Pursley
Linda and Peter Quinn
Shona Ramchandani and Matthew Sherman
Tom Reed
Rhen Marshall, Inc.
Tess Samudio
Bill and Susan Sands
Jarrod Schoenecker
John Schomaker
Kurt Schultz
Connie Shaver
Barbara Shelton
Richard Shields
Tonia and Neil Anthony Shupien
Steve Soler
Kathleen Spehar
Noel and Rhianna Stave
Chuck Steffel
Dan Steiskal
Kathy Steiskal
Pam and Wally Swanson
The Saint Paul Foundation
Megan and Tom Tarnow Family
The Travelers Companies, Inc.
Laura Toth
Tiffany Ann Tripp
Andrew and Corinna Troth
Betsy and Kevin Vanselow
Greg Vanselow
VSA Minnesota
Kathrine Walter
Will Weisert
Western Bank
Lisa Westmiller
Kimberly and Todd Williams
Laura Williams
Maria and Roger Wolfsteller
Mary Wright
Abby Zimmer
Visit SampleNightLive.com for show dates and line-ups.
Cover photo: Kristen Lancaster W Production photos: daniel j. moore