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BRUUN RASMUSSEN FINE ART
C.W.
ECKERSBERG
and the Danish Golden Age
International auction 861
A U C T I O N 8 61 • N O V E M B E R 2 01 5
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C.W. ECKERSBERG
and the Danish Golden Age
AUCTION
24 November 2015 at 4 pm
PREVIEW
Thursday
19 November
3 pm - 6 pm
Friday
20 November
11 am - 5 pm
Saturday
21 November
11 am - 4 pm
Sunday
22 November
11 am - 4 pm
Monday
23 November
11 am - 5 pm
or by appointment
Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112
[email protected] · bruun-rasmussen.com
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The Opening of the Preview in Bredgade 33
Thursday 19 November 3-6 pm
Lectures in the saleroom
4 pm
“C. W. Eckersberg and the Danish Golden Age”
by Kasper Monrad, curator and senior researcher
from the National Gallery of Denmark
4:30 pm “My passion for art from the Danish Golden Age”
by Søren Østergaard, Zirkus director and art collector
The lectures can also be seen on bruun-rasmussen.dk via live streaming.
Georg Jensen Work Shop Friday 20 November at 3 pm
The Gallery on the Ground Floor
Come and experience the classic silverwork up close and meet
Claes Hansted, who will tell about his 25 years of work for Georg
Jensen and the creation of selected silverwork at the preview.
Deadline for claiming items: 16 December
Items bought at Auction 861 must be paid no later than eight days from the date of
the invoice and claimed on Bredgade 33 by Wednesday 16 December at the latest.
Otherwise, they will be moved to Bruun Rasmussen’s storage facility at Baltikavej 10
in Copenhagen at the buyer’s expense and risk. This transportation will cost DKK 100
per item VAT included, and storage will cost DKK 100 per item per week VAT included.
Lot 42
2
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BRUUN RASMUSSEN BREDGADE AUCTION 861
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DAYS OF SALE
________________________________________________________________________
FINE ART
Tuesday
24 November
4 pm
C.W. Eckersberg and the Danish Golden Age
Paintings 17th - 20th century
1 - 70
71 - 152
________________________________________________________________________
FINE ART + ANTIQUES
Wednesday 25 November 2 pm
Russian art
Furniture, clocks and bronzes Silver and ceramics Oriental carpets
153
198
308
338
-
197
307
337
381
Oriental sale
400 - 510
________________________________________________________________________
ORIENTAL ART
Thursday
26 November
3 pm
________________________________________________________________________
JEWELLERY + WRISTWATCHES
Monday
30 November
4 pm
after 7:30 pm
Jewellery and handbags Wristwatches
511 - 801
802 - 844
________________________________________________________________________
MODERN ART
Tuesday
1 December
4 pm
Modern paintings and sculptures
Wednesday 2 December
2 pm
Modern paintings and sculptures
Prints
________________________________________________________________________
NORDIC DESIGN
Wednesday 2 December
4 pm
Silver incl. Georg Jensen
Ceramics
Thursday
3 December
4 pm
Furniture and lamps
________________________________________________________________________
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Lot 51
4
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BRUUN RASMUSSEN BREDGADE AUCTION 861
02/11/15 17.43
C.W. ECKERSBERG
og Den Danske Guldalder
AUKTION
24. november 2015 kl. 16
PREVIEW
Torsdag
19. november
kl. 15 - 18
Fredag
20. november
kl. 11 - 17
Lørdag
21. november
kl. 11 - 16
Søndag
22. november
kl. 11 - 16
Mandag
23. november
kl. 11 - 17
eller efter aftale
Bredgade 33 · 1260 København K · Tel +45 8818 1111 · Fax +45 8818 1112
[email protected] · bruun-rasmussen.dk
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Åbningen af eftersynet i Bredgade 33
torsdag 19. november kl. 15-18
Foredrag i auktionssalen
Kl. 16.00 “C.W. Eckersberg og den danske guldalder”
ved Kasper Monrad, museumsinspektør og seniorforsker
fra Statens Museum for Kunst
Kl. 16.30 “Min passion for dansk guldalderkunst”
ved Søren Østergaard, zirkus direktør og kunstsamler
Foredragene kan også opleves på bruun-rasmussen.dk via live streaming.
Georg Jensen Work Shop fredag 20. november kl. 15
Galleriet i stueetagen
Kom og oplev sølvklassikere på nært hold og mød Claes Hansted, der
fortæller om sit virke for Georg Jensen gennem 25 år og tilblivelsen
af udvalgte sølvgenstande på eftersynet.
Sidste frist for afhentning: onsdag den 16. december
Effekter købt på auktion 861 skal være betalt senest 8 dage efter fakturadatoen og
afhentet i Bredgade 33 senest onsdag den 16. december. I modsat fald bliver de transporteret til Bruun Rasmussens lager på Baltikavej 10 i Københavns Nordhavn for købers
regning og risiko. Transporten koster 100 kr. pr. effekt inkl. moms, og opbevaringen koster
100 kr. pr. effekt pr. påbegyndt uge inkl. moms.
Lot 34
6
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BRUUN RASMUSSEN BREDGADE AUCTION 861
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AUKTIONSKALENDER
________________________________________________________________________
MALERIER
Tirsdag
24. november kl. 16
C.W. Eckersberg og Den Danske Guldalder
Malerier 17. - 20. århundrede
1 - 70
71 - 152
________________________________________________________________________
MALERIER + ANTIKVITETER
Onsdag
25. november kl. 14
Russisk kunst
Møbler, ure og bronzer Sølv og keramik Orientalske tæpper
153
198
308
338
-
197
307
337
381
Orientalsk kunst
400 - 510
________________________________________________________________________
ORIENTALSK KUNST
Torsdag
26. november
kl. 15
________________________________________________________________________
SMYKKER + ARMBÅNDSURE
Mandag
30. november kl. 16
efter kl. 19.30
Smykker og tasker Armbåndsure
511 - 801
802 - 844
________________________________________________________________________
MODERNE KUNST
Tirsdag
1. december kl. 16
Moderne malerier og skulpturer
Onsdag
2. december
kl. 14
Moderne malerier og skulpturer
Grafik
________________________________________________________________________
NORDISK DESIGN
Onsdag
2. december
kl. 16
Sølv inkl. Georg Jensen
Keramik
Torsdag
3. december
kl. 16
Møbler og belysning
________________________________________________________________________
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The Danish Golden Age
At the last auction of the year in Bredgade, we focus on the Danish Golden Age with a selection of the finest artists of the period, such as
C.W. Eckersberg, Martinus Rørbye and Christen Købke. In Denmark, the first half of the 1800s was characterized by a blooming artistic
and intellectual life in spite of the many problems facing Denmark at the time – the bombardment of Copenhagen in 1801, the loss of the
navy in 1807, the national bankruptcy in 1813 and the loss of Norway in 1814. The nation was in need of a recovery, and this became the
foundation for some of greatest literary and artistic works in Danish cultural history.
At the auction we will shed light on three areas, which the Danish Golden Age painters focused on in their work – marines, model studies
and southern European motifs. Eckersberg, the period’s leading artist, nourished, with a childhood on the Danish island of Als in the back
of his mind, a special love for the maritime genre. This affection is for instance fully expressed in the work with the frigate ”Nymph” from
1832, which adorns the front of the catalogue. He made extensive studies of the ships’ condition and the wind’s influence on the sails, sea
and sky, and no one mastered the genre with as much precision as Eckersberg (cat. no. 38).
Eckersberg also paved the way for the use of naked female models in the teaching at the Royal Danish Academy of Fine Arts, which seen
through contemporary eyes was highly controversial. One of his own early model studies of a young woman, who is seen weaving her hair,
has found its way to the auction. In the periphery of the group of Golden Age artists stood L.A. Smith. He was a pupil of Eckersberg and
followed in his footsteps with the offered painting of a half-naked and hair weaving woman (cat. no. 42 and 37).
The period is also characterized by the artists’ broad outlook and wanderlust. They often set off
to southern Europe to find artistic inspiration. Based on their experiences during these periods of
studying abroad they created some of the most well known Golden Age art. Rørbye is represented
with the ”Tower of the Winds” from 1839, which depicts the famous weather station from antiquity
near the Acropolis in Athens. With Købke we head to Capri with a piece from Marina Piccola from
1846, while Constantin Hansen focuses on Rome with the depiction of the Roman Forum and the
Temple of Concordia from 1846 (cat. no. 30, 51 and 49).
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C. W. Eckersberg and the Danish Golden Age
In November it will be 30 years, since I took over the responsibility and management of Bruun Rasmussen Auctioneers, after my
father had passed away. Today, my two children, Alexa and Frederik, are both employed in the company, which has later become a
family-owned stock company with the three of us as shareholders.
A year ago I began to consider how best to celebrate this 30th anniversary. In this regard, I once again extend my thanks to the
National Gallery of Denmark, which has always been helpful with advice and guidance. In this case, however, direct advice was not
given. Instead it came to my attention that the museum was planning to show C.W. Eckersberg from his best side in the special exhibition ”A Beautiful Lie - Eckersberg”. It seemed right to connect my anniversary with the museum’s exhibition to achieve a synergy
effect. Personally, I wanted to promote a subject dear to my heart, namely the Danish Golden Age of art. The period has for many
years been overshadowed by many people’s enthusiasm for more recent Danish painters - both from the artists’ colony in Skagen, the
more colourful artists from the CoBrA movement and the representatives of the taut concrete art.
I wanted to focus on Eckersberg, but that turned out to be a bit more difficult than expected. Danish and international museums
have long been aware of the artist’s unique qualities. This has meant that they have acquired a large number of his works, which in
turn has resulted in fewer and fewer paintings left by Eckersberg on the art market. I am fortunate enough to be able to remember
some of my father’s auctions of Danish Golden Age art, including the sale of Agathe and Knud Neye’s extraordinary collection, which
was spread out over four auctions. Unfortunately, it is impossible to muster a similar selection of paintings today, so I extended
the anniversary auction to include other artists of the period and chose the title ”C.W. Eckersberg and the Danish Golden Age.” And
this helped things move along! We have managed to gather a large number of significant paintings and drawings, which we are
pleased to present to you at the preview, beginning on Thursday 19 November. In all modesty, our preview actually exceeds the
exhibition at the National Gallery of Denmark in one aspect – all of our paintings are for sale, which I hope many collectors in
Denmark and abroad will find enticing.
To truly show the quality of the paintings the catalogue will this time be published in a wide horizontal format. However, this has
led to the comment: ”Are you doing this because you have so many drawing-room pieces, you want to sell?” I will let the catalogue
speak for itself on this issue, but I hope that you will bring it with you for your visit to the preview, which will take place in the newly
painted showrooms on the 1st floor at Bredgade 33 in Copenhagen. Here we will offer a rare look into the period of Danish painting,
which is probably the strongest, when the different periods in Danish art history is compared with other countries.
Jesper Bruun Rasmussen
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Den Danske Guldalder
På årets sidste auktion i Bredgade sætter vi fokus på guldalderen med et udvalg af de fremmeste kunstnere som fx C.W. Eckersberg,
Martinus Rørbye og Christen Købke. I Danmark er første halvdel af 1800-tallet kendetegnet ved et blomstrende kunst- og åndsliv
trods tidens ellers store samfundsmæssige problemer – Københavns bombardement i 1801, tabet af flåden i 1807, statsbankerotten
i 1813 og tabet af Norge i 1814. Nationen havde brug for genrejsning, og det dannede grobund for nogle af de bedste litterære og
billedkunstneriske værker i dansk kulturhistorie.
Vi kaster lys over tre områder, som de danske guldaldermalere kredsede om – mariner, modelstudier og sydeuropæiske motiver.
Periodens frontfigur Eckersberg nærede med en opvækst på Als i bagagen en særlig kærlighed til den maritime genre som til fulde
udtrykkes i værket med fregatten ”Nymfen” fra 1832, der pryder forsiden af kataloget. Han foretog indgående studier af skibenes
beskaffenhed og vindforholdenes betydning for sejlenes, havets og himlens udseende, og ingen beherskede genren med så stor
præcision som ham (kat.nr. 38).
Eckersberg banede også vejen for brugen af nøgne kvindelige modeller i undervisningen på kunstakademiet, hvilket set med datidens øjne var temmelig kontroversielt. Et af hans egne tidlige modelstudier af en ung kvinde, der fletter sit hår, har fundet vej til
auktionen. I periferien af guldalderkunstnere stod L.A. Smith, der var elev af Eckersberg og fulgte i hans fodspor med den udbudte
skildring af en halvnøgen, hårflettende kvinde (kat.nr. 42 og 37).
Perioden er også kendetegnet ved kunstnernes brede udsyn og udlængsel. De vendte i flæng næsen mod Sydeuropa for at finde
kunstnerisk inspiration, og på baggrund af deres oplevelser under studieopholdene skabte de nogle af de mest kendte guldalderværker. Rørbye er repræsenteret med ”Vindenes Taarn” fra 1839, der gengiver antikkens berømte vejr-station ved Akropolis i Athen.
Med Købke drager vi til Capri med et parti fra Marina Piccola fra 1846, mens det med Constantin Hansen gælder Rom med skildringen
af Forum Romanum og Concordia-templet fra 1846 (kat.nr. 30, 51 og 49).
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C.W. Eckersberg og Den Danske Guldalder
I november for 30 år siden overtog jeg ansvaret og ledelsen af Bruun Rasmussen Kunstauktioner, efter min far var gået bort. I dag er
mine to børn Alexa og Frederik begge ansat i firmaet, som siden er blevet et familieaktieselskab med os tre som aktionærer.
For et års tid siden begyndte jeg at fundere over, hvordan jeg bedst kunne tænke mig at fejre sådan et jubilæum. I den forbindelse
vil jeg endnu en gang rette en stor tak til Statens Museum for Kunst, der som altid er os behjælpelige med råd og vejledning. I dette
tilfælde var der dog ikke tale om et direkte råd, men det kom mig for øre, at de planlagde at vise C.W. Eckersberg fra hans bedste side
i særudstillingen ”En smuk løgn – Eckersberg”. Det ville være oplagt at koble mit jubilæum op på museets udstilling for at opnå en
synergieffekt. Personligt ville jeg gerne slå på tromme for noget, der ligger mit hjerte nært, nemlig Den Danske Guldalder. Perioden
har i en lang årrække været overskygget af manges begejstring for de senere malere – både fra kunstnerkolonien i Skagen, de mere
farverige fra Cobrabevægelsen og repræsentanter for den stramme konkrete kunst.
Jeg ville gerne sætte fokus på Eckersberg, men det viste sig at være en lidt sværere opgave end først antaget. Danske og internationale museer har for længst fået øjnene op for kunstnerens særegne kvaliteter. Det har medført, at de har erhvervet et stort antal
af hans værker, hvorfor udbuddet på kunstmarkedet er blevet mere og mere begrænset. Jeg er så heldig at kunne huske en række
af min fars auktioner over guldalderkunst, heriblandt dem med Agathe og Knud Neyes store private kunstsamling, der blev fordelt
over fire auktioner. Det er desværre umuligt at mønstre i dag, så jeg udvidede jubilæumsauktionen til at omfatte andre af periodens
kunstnere og valgte at give den titlen ”C.W. Eckersberg og den danske guldalder”. Og så gik det ligesom lidt bedre! Det er lykkedes
os at indsamle en lang række betydelige malerier og tegninger, som vi glæder os til at fremvise på eftersynet, der starter torsdag den
19. november. Sagt i al beskedenhed – på et særligt punkt overgår vores eftersyn langt udstillingen på SMK – vores værker er alle til
salg, hvilket jeg håber mange samlere i ind- og udland vil finde attraktivt.
For at værkerne for alvor kan komme til deres ret, er kataloget denne gang i bredformat. Det har imidlertid affødt kommentaren:
”Er det fordi, I har så mange sofastykker, I gerne vil sælge?” Jeg vil lade kataloget tale for sig selv, men jeg håber, at man med det
i hånden vil besøge eftersynet, der finder sted i de nymalede rum på 1. sal i Bredgade 33 i København. Her byder vi på et sjældent
godt kig ind i den periode i dansk malerkunst, der vel nok står stærkest sammenlignet med udlandet.
Jesper Bruun Rasmussen
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C . W. E C K E R S B E R G A N D T H E D A N I S H G O L D E N A G E
PAINTINGS 17TH - 20TH CENTURY
INDEX
INDEX
L O T S 1 - 70
M
A
Abildgaard, N. A.
65, 67
B
Bille, Carl
47
Brendstrup, Thorald
52
Bærentzen, Emil
8, 9
D
Dahl, I. C.
1, 17, 36
Dreyer, Dankvart
33
E
Eckersberg, C. W.
6, 7, 15, 24
29, 38, 42, 50
54, 55, 60, 61
H
Hansen, Constantin
2, 49
Harboe, Eleonore Christine
Hellesen, Hanne
Holm, H. G. F.
Lund, Bernt
Lundbye, Johan Thomas
861_malerier_s001-168.indd 12
27, 63
28
12, 21
22, 30, 53
S
Skovgaard, P. C.
Smith, L. A.
Sonne, Jørgen
Sørensen, C. F.
31, 35, 59
37, 41
58
39, 40
16
A
L
d’Agar, Jacob, ascribed to
139
Ambros, Raphael von
135
Ancher, Anna
75, 78, 85
Ancher, Michael
74, 79, 80, 81
82, 83, 84, 88, 90, 91, 92, 93
Arnesen, Vilhelm
126
la Cour, Janus
Larsen, Johannes
Locher, Carl
Lorentzen, C. A.
B
Melbye, Vilhelm
Moltke, Harald
Morland, George, after
Mølsted, Christian
Mønsted, Peder
Balen, Hendrick van, school of
145
Brendekilde, H. A.
100, 122
Bøgh, Carl
108, 109
C
Cramer, Peter
137
D
Dahl, Michael, ascribed to
149
Dahl, Siegwald
110
Drillenberg, Willem van, ascribed to146
F
Fischer, Paul
115, 116, 118
120, 121, 124
G
Gerhard, Johan Friedrich
18, 34, 43
44, 51, 57
L
12
Richardt, Ferdinand
Rosenberg, Friedrich
Rørbye, Martinus
46
5, 13, 25, 26, 56
10
Købke, Christen
Lunde, Anders
20
48
R
Thøming, Friedrich
K
Petzholdt, Fritz
Prömmel, Julius
45
69, 70
14
64
P
T
J
Jensen, C. A.
Jensen, I. L.
Marstrand, Wilhelm
Meyer, Elias
L O T S 71 - 1 5 2
141
119
117, 125
I
Italian painter, 17th century
3, 4, 23
32, 66, 68
11, 19
Johansen, Viggo
Petersen, Emanuel A.
130, 133, 134
Pillement, Jean-Baptiste, style of 143
152
Prague school, c. 1600
R
Raphael, after
Rasmussen, I. E. C.
Ring, L. A.
Ring, Ole
Rubens, P. P.
148
129
95, 96, 97
112
144
Scacciati, Andrea, style of140
T
103
73, 76
77, 94
W
Wilhjelm, Johannes
87
K
Krause, Robert
Krøyer, P. S.
131
132
136
127
98, 99, 104
105, 107, 123
P
Tuxen, Laurits
147, 150
J
62
M
S
H
Henningsen, Erik
Holsøe, Carl
102, 106, 111
113
71, 72, 89
138
86
Z
Zacho, Christian
Zahrtmann, Kristian
Zeuthen, C. O.
128
101
114
BRUUN RASMUSSEN BREDGADE AUCTION 861
02/11/15 17.44
SPECIALISTS IN FINE ART
Paintings and russian art
Martin Hans Borg
+45 8818 1128
[email protected]
Paintings
Birte Stokholm
+45 8818 1122
[email protected]
Paintings
Julie Arendse Voss
+45 8818 1127
[email protected]
Paintings
Søren K. Holmstrup
+45 8818 1003
[email protected]
Paintings and furniture
Frederik Bruun Rasmussen
+45 8818 1003
[email protected]
Silver and branding
Alexa Bruun Rasmussen
+45 8818 1091
[email protected]
Layout
Jesper Bruun Rasmussen
+45 8818 1111
[email protected]
Director of sales
Kasper Nielsen
+45 8818 1121
[email protected]
Lot 49
BRUUN RASMUSSEN BREDGADE AUCTION 861
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13
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14
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BRUUN RASMUSSEN BREDGADE AUCTION 861
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C . W. E C K E R S B E R G
AND THE
DANISH GOLDEN AGE
Tuesday 24 November
Lot 1 - 70
Lot 30
BRUUN RASMUSSEN BREDGADE AUCTION 861
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02/11/15 17.44
1
1 I. C. DAHL
b. Bergen 1788, d. Dresden 1857
View from the Elbe Valley with high cloudy sky. Unsigned. Oil on paper laid on board. 13.5 x 18.5 cm.
Provenance: Advocate of the Supreme Court Stein, his
estate auction, Bruun Rasmussen auction 9, 1949 no.
35.
DKK 75,000-100,000 / € 10,000-13,500
1
16
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BRUUN RASMUSSEN BREDGADE AUCTION 861
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2
2 CONSTANTIN HANSEN
b. Rome 1804, d. Frederiksberg 1880
"Parti af Møens Klint". View of Møens Klint. Signed and dated
C. H. 27. Oil on paper laid on cardboard. 23 x 33 cm.
Emil Hannover, A Catalogue Raisonné of the Works of Constantin
Hansen no. 26.
Provenance: Emil Hannover (1901).
One of the artist's few known early landscape studies.
DKK 40,000-60,000 / € 5,350-8,050
BRUUN RASMUSSEN BREDGADE AUCTION 861
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17
02/11/15 17.44
3 JOHAN THOMAS LUNDBYE
b. Kalundborg 1818, d. Bedsted 1848
"Sjællandsk bondegård fra Tisvildeegnen". A farm near Tisvilde,
Denmark. Signed with monogram and dated 1842. Drawing ink
on paper. Sheet size 16 x 25 cm.
Exhibited: Kunstforeningen, "Johan Thomas Lundbye", 1954 no. 35.
Literature: Reproduced in Karl Madsen "Johan Thomas Lundbye
1818-1848", 1895, p. 97.
Provenance: Kunstforeningen (1895). Head of department
Bøgh-Andersen (1954). Bøgh-Andersen's family until today.
DKK 15,000-20,000 / € 2,000-2,700
3
4 JOHAN THOMAS LUNDBYE
b. Kalundborg 1818, d. Bedsted 1848
Cows and horses at a well. In the background Roskilde Cathedral. Signed and dated Johan Th. Lundbye 25. September
1834. Pencil on paper. 30 x 38.5 cm. Unframed.
Provenance: Bruun Rasmussen auction 259, 1971 no. 330.
DKK 10,000-15,000 / € 1,350-2,000
4
18
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BRUUN RASMUSSEN BREDGADE AUCTION 861
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5 C. A. JENSEN
b. Bredsted near Husum 1792, d. Copenhagen 1870
Portrait of Adam Oehlenschläger in buttoned black coat with
miniature decorations and a black vest. White cravat tied in a
bow. Signed and dated on the back of the chair Iensen 1834.
Oil on canvas. 26.5 x 22.5 cm.
Sigurd Schultz, A Catalogue Raisonné of the Works of C. A. Jensen
no. 240.
Exhibited: Copenhagen, "Rådhusudstillingen af Dansk Kunst indtil
1890", 1901 no. 750. Bakkehusudstillingen 1902 no. 71.
Literature: Mentioned and reproduced in Baroness Stampe's
memoirs about Thorvaldsen, Copenhagen 1912 p. 43. The Baroness'
memoirs was based on posthumous records published by her
granddaughter Rigmor Stampe (1850-1923) in 1912.
Provenance: Curator Chr. Axel Jensen, Nationalmuseet (the National
Museum of Denmark), Copenhagen (1932). Bruun Rasmussen
auction 293, 1973 no. 112, reproduced p. 13.
Adam Oehlenschläger is considered to be Denmark's first great
romantic writer. His most famous works are Denmark's national
anthem "Der er et yndigt land" and the poem "Guldhornene", dated
1802, considered to be the work heralding the beginning of
Romanticism in Denmark.
DKK 100,000-150,000 / € 13,500-20,000
5
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6 C. W. ECKERSBERG
b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853
“Luftstudie med anlagte Skibe”. A study of the sky with an outline
of ships. C. 1845. Unsigned. Oil on canvas. 15 x 29 cm.
Emil Hannover, A Catalogue Raisonné of the Works of C. W. Eckersberg
no. 587.
7 C. W. ECKERSBERG
b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853
Provenance: Presumably Eckersberg’s estate auction 1854, listed under
(in Danish) “Sketches, unfinished paintings and drawings”, no. 147153. The heirs of commodore, harbour master W. Lüders (1898).
DKK 75,000-125,000 / € 10,000-17,000
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Seascape with sailing ships. Signed E. Drawing ink and wash on
paper. Sheet size 10.5 x 16 cm.
Provenance: Julie Eckersberg, C. W. Eckersberg's daughter.
DKK 30,000-50,000 / € 4,000-6,700
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7 (Enlarged)
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8 EMIL BÆRENTZEN
b. Copenhagen 1799, d. s.p. 1868
A pair of portraits. Hartvig Frederik Emil Benzon (1816-1875), Master of the Royal Hunt and his wife Emilie Benzon (1813-1871). He
in a blue uniform jacket with gold braid. She with long ringlets and
an elegant white gown with lace. Unsigned. Oil on canvas. 29 x 25
cm and 29 x 24 cm. (2).
Exhibited: Teatermuseet i Hofteatret in Copenhagen, "Emil Bærentzen en portrætkunstner i Guldalderens Danmark", 2014 no. 27 and no. 28.
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8
Excellency Hartvig Frederik Emil von Benzon, son of a chamberlain,
landowner Christian Frederik Otto von Benzon to Christiansdal (Dalum
Convent) at Odense.
As Hartvig Frederick was not the eldest son, his father bought him an
Austro-Hungarian office patent. In 1844 he married the heir of an
estate Emilie von Dorry der Jobterhazar, née Lazar.
While he was serving in the Austro-Hungarian army, they stayed most
of the time on her estate in Hungary. After her death in 1871 he returned
to Christiansdal where he died 13 November 1875 - a few months after
his father.
Provenance: Descendants after the portrayed until today.
DKK 30,000-40,000 / € 4,000-5,350
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9 EMIL BÆRENTZEN
b. Copenhagen 1799, d. s.p. 1868
Portrait of the actress and author Johanne Luise Heiberg (18121890). Unsigned. On the reverse a letter from the artist's granddaughter mentioning the painting. Oil on cardboard. 33 x 26 cm.
The painting is a smaller repetition/study with a few variations of
Emil Bærentzen's famous portrait of Johanne Luise Heiberg. That one
at Thorvaldsen's Museum.
Johanne Luise Heiberg was one of the greatest and most famous actresses of the Romantic period. Johanne Louise Heiberg came from a
poor background but rose socially to the top after her marriage to the
writer Johan Ludvig Heiberg and through him she also got to know
contemporary poets such as Adam Oehlenschlæger and Henrik Hertz.
They wrote specific roles for her, as did her husband.
DKK 30,000-50,000 / € 4,000-6,700
9
10 I. L. JENSEN
b. Copenhagen 1800, d. s.p. 1856
White and pink roses on a sill. Signed I. L. Jensen. Oil
on panel. 22 x 28.5 cm.
DKK 30,000-40,000 / € 4,000-5,350
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12 MARTINUS RØRBYE
b. Drammen 1803, d. Copenhagen 1848
"Udsigt fra Akropolis ved Aften, Ruiner i Baggrunden,
nogle Figurer i Landskabet." A view from Acropolis in
the evening, ruins in the background, some figures in
the landscape. 1836. Unsigned. Oil on paper laid on
canvas. 30 x 41 cm.
Thorvaldsen's Museum, A Catalogue Raisonné of the Works
of Martinus Rørbye no. 132.
Exhibited: Kunstforeningen, "Fortegnelse over M. Rørbyes
arbejder", 1905 no. 86.
Provenance: The artist's estate auction 1849 no. 64. Bought
here by the Danish art collector Benjamin Wolff (17901866), his descendants until today, among others Master of
the Royal Hunt G. Wolff-Sneedorf, Grevensvænge (1905).
Benjamin Wolff expanded his fortune as a merchant
in the East Indies in the years 1817 to 1828. Back in
Denmark he purchased the manor Engelholm in 1830 and
later Grevensvænge at Mogenstrup. In 1832 he married
Juliane Louise Sneedorff.
11
11 ANDERS LUNDE
b. Copenhagen 1809, d. s.p. 1886
"Nerafloden ved Narni med Kejser Augustus' Bro". The
river Nera at Narni north of Rome with the Bridge of
Augustus. Signed A. Lunde Narni. Oil on paper laid on
canvas. 39 x 53 cm.
Provenance: Consul General Johan Hansen's collection no.
1160, his auctions, Part VI, Winkel & Magnussen 131, 1933
no. 118.
DKK 75,000-100,000 / € 10,000-13,500
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The painting has not been on the market since the artist's
estate auction, and according to the present owner the
painting has never been cleaned or the like, hence appears
in an untouched state.
The motif is actually "View towards Acropolis", and the
ruins in the background are among others Parthenon on
top of the Acropolis. This is probably why the painting in
1905 was exhibited with a question mark after the title,
which originates from the artist's estate auction.
DKK 600,000-800,000 / € 80,500-105,000
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14 WILHELM MARSTRAND
b. Copenhagen 1810, d. s.p. 1873
Study of a group of Italian women. Unsigned. Inscribed on the reverse
W. Marstrand. Oil on cardboard. 31 x 24 cm.
DKK 10,000-15,000 / € 1,350-2,000
13
13 C. A. JENSEN
b. Bredsted near Husum 1792, d. Copenhagen 1870
Portrait of Nicolaus Conrad Count de Lunzi from Zante Greece (1798-1885)
in black jacket with red rose, champagne colored vest, shirt with frill. Signed
and dated Jensen 1819. Oil on copper. 18.5 x 14.5 cm. Period frame.
Sigurd Schultz, A Catalogue Raisonné of the Works of C. A. Jensen no. 23,
mentioned p. 144.
Exhibited: Kunstforeningen, "Arbejder af Chr. Albr. Jensen", 1922 no. 6.
Bakkehusmuseet, Frederiksberg August 1990- January 1991.
Provenance: The painter Laurits Tuxen. His widow Frederikke Tuxen. Descendants
of the Tuxen family until today.
DKK 20,000-25,000 / € 2,700-3,350
14
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15 C. W. ECKERSBERG
b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853
"En falden Piges Historie". The story of a fallen girl.
Part I, The lover flees through the window. 1808. Oil on
canvas. 34 x 28 cm.
Emil Hannover, A Catalogue Raisonné of the Works C. W.
Eckersberg no. 42.
Exhibited: Kunstforeningen, "C.W. Eckersberg-udstillingen",
1895 no. 22.
Provenance: Lieutenant Mathiesen, who sold all four
paintings to wine dealer J. B. Sandberg for 60 Rigsdaler. At
the Sandberg auction in March 1871 all four were sold to
Mr. Alfred Meyer for 201 Rigsdaler. Later in the collection
of Mrs. Councillor Heyman. Sold at the Heyman auction in
April 1917, no. 88. Later in the Swedish industrialist and art
collector Falk Simon's collection.
The series "The Story of a Fallen Girl", consists of four small
paintings, which all are engraved by G. L. Lahde and by C.
F. Clemens. The titles are: Part I, The Lover Flees though the
Window; Part II, The Mother negotiates with a Gentleman
on the Girl's behalf; Part III, In a poor attic, the Girl does her
make-up before leaving for a masked ball. Part IV, The former Beauty is begging by the harbour, her old lover walks
by but he does not recognize her. The tragic story is told by
Philip Weilbach in his Eckersberg biography, 1872, p. 18.
DKK 100,000-150,000 / € 13,500-20,000
15
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16 FRIEDRICH THØMING
b. Eckernförde 1802, d. Naples 1873
View of the Bay of Naples, bright sunshine. Signed and dated
FThöming (in one word) 1842. Oil on canvas. 45 x 65 cm.
Damborg bobinet frame.
DKK 75,000-100,000 / € 10,000-13,500
16
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17 I. C. DAHL
b. Bergen 1788, d. Dresden 1857
"A ruin in the neighborhood of Castel Mare".
Signed and dated Dahl 1828. Oil on paper laid
on canvas. 32 x 44 cm. On the stretcher barony
Zeuthen's crowned wax seal.
Elisabeth Lødrup Bang, A Catalogue Raisonné of the
Works of I. C. Dahl no. 584, referred to as "Present
whereabouts unknown".
Presumably exhibited at Charlottenborg 1829 no.
199 (supplement) titled "A ruin in the neighborhood
of Castel Mare", which was an equivalent to no. 198
"Castel Mare, seen from the shore", both owned by
C. F. Zeuthen, Groom in Waiting (kammerjunker).
17
A drawing for the painting is reproduced in
Elisabeth Lødrup Bang, Vol III, plate 243 no. 584.
Here two small drawings on paper with motifs of a
man and a woman in conversation and a man with
donkeys have been attached to the drawing. The
drawing is dated 1820.
Provenance: Tølløse manor house, the SchulinZeuthen family until today.
DKK 150,000-200,000 / € 20,000-27,000
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18 CHRISTEN KØBKE
b. Copenhagen 1810, d. s.p. 1848
"Portrait af en Fiskerdreng fra Capri." Portrait of a young fisher
boy from Capri. The boy is holding a fishing rod in his left hand
and a basket in his right hand. C. 1844. Signed or inscribed
Købke Capri. Oil on paper laid on cardboard. 31 x 26 cm.
Exhibited: Kunstforeningen, "Christen Købke", 1953 no. 95 (and
not no. 96 as indicated in handwriting on the reverse of the painting). Here with the comment (in Danish): "Inscribed not with the
painter's hand: Købke Capri."
In the Catalogues Raisonné by Mario Krohn (1915) and Jørgen
Folmer and Iben From (1996) three versions of the present motif
are mentioned (in both Catalogues Raisonné no. 177, 178 and 179).
It does not seem as if the painting here is among the three - all
in private Danish collections in 1996 - of which two are cited as
unsigned (no. 177: measuring 31 x 25.5 cm and no. 179: measuring
30 x 24 cm) and one is cited as signed C. K. 44 (no. 178: measuring
29.7 x 26.2 cm).
Although the exhibition in Kunstforeningen in 1953 suggests that
the painting is no. 179 in the Catalogue Raisonné from 1915. Due
to the comment in the exhibition catalogue from 1953 (see above)
regarding the inscription Købke Capri, we are confident that the
present painting was in the exhibition and sold at Bruun Rasmussen auction 431, 1981 no. 311.
Provenance: K. J. Grønbech, wholesaler. Bruun Rasmussen auction
431, 1981 no. 311, reproduced p. 39. A Danish collection of Golden
Age paintings.
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Hans Edvard Nørregård-Nielsen refers to the motif in "Christen
Købke Italien tur-retur", p. 182 (in Danish): "The slender,
bronze-coloured young boy is the embodiment of the local population that the Golden Age painters were searching for in this part of
Italy, along the coast previously inhabited by Greeks. The boy, with
his red Phrygian cap, is the aged Greeks' descendant on his way to
replace them in doing the day's work along the coast".
The island Capri was "discovered" by artists and travellers in the
beginning of the 1820s at the time when Herculanum and Pompeii
were excavated. A great interest in and fascination of the region
around Naples, the Amalfi coast and Capri arose.
The Danish heir to the throne Christian Frederik (VIII) and his wife
Caroline Amalie visited Capri in 1820. The painter I. C. Dahl stayed
there for a longer time. The sculptor Bertel Thorvaldsen and the
painter Thöming went there in 1828. Petzholdt painted many landscapes from the region and those works inspired Købke to travel
to Capri with his friend Constantin Hansen. They spent several
months there in 1839.
Købke's enthusiasm for Capri and its people can be seen in the
many works - both studies and finished works - of the inhabitants
(the young fishing boy for instance) and the landscapes. Even his
member piece for the Royal Academy of Fine Arts was a motif from
Capri. That one to be sold as lot 51 in this catalogue.
DKK 300,000-350,000 / € 40,000-47,000
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19 ANDERS LUNDE
b. Copenhagen 1809, d. s.p. 1886
View of the Bay of Naples near Sorrento with wild olive trees.
Unsigned. Oil on paper laid on canvas. 23.5 x 36.5 cm.
A painting by the artist with the same motif, however with the
measurements 69 x 103 cm, was sold at Bruun Rasmussen auction
737, 2004, lot. no. 2022 for 220,000 DKK.
DKK 20,000-30,000 / € 2,700-4,000
19
20 FRITZ PETZHOLDT
b. Copenhagen 1805, d. Patras 1838
"Et opsadlet æsel, set fra siden". A saddled donkey, seen from the
side. Unsigned. Inscribed on the back (in Danish): "F. Petzholdt.
Belonging to G. Collin". Oil on paper laid on canvas. 15 x 21.5 cm.
Henry Tuxen's unpublished Catalogue Raisonné of 50 Works of Fritz
Petzholdt in a private collection 1942/43 no. 8.
Provenance: G. Collin.
G. Collin was Petzholdt's brother-in-law, and it is his handwriting on
the back of the canvas. G. Collin wrote on the back when he framed
Petzholdt's paintings. Works by the painter F. Petzholdt rarely come up
for sale. He was only 33 years old when he died and left only a small
production of paintings.
DKK 10,000-15,000 / € 1,350-2,000
20
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21 MARTINUS RØRBYE
The charming painting of the Greek tailor deeply focused on
the day's work, is a repetition of no. 231 in the inventory.
b. Drammen 1803, d. Copenhagen 1848
"En græsk Skrædder". A Greek tailor. Signed and dated
M. Rørbye 1848. Oil on paper laid on canvas. 24 x 32 cm.
Thorvaldsen Museum, A Catalogue Raisonné of the Works of
Martinus Rørbye no. 260.
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Martinus Rørbye's paintings were extremely popular already
in his own time, and he made several repetitions of several
of his works, the best known is "A reading abate."
DKK 250,000-300,000 / € 33,500-40,000
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22 MARTINUS RØRBYE
b. Drammen 1803, d. Copenhagen 1848
Steep cliffs at the west coast of Jutland. Unsigned. Oil on paper. 19 x 24 cm.
The motif is very similar to" The beach at Lønstrup" from 1848, that one reproduced in "Martinus Rørbye. Det nære og det fjerne", 2014, p. 53 fig. 42.
DKK 30,000 / € 4,000
23 JOHAN THOMAS LUNDBYE
b. Kalundborg 1818, d. Bedsted 1848
"Erindringstegning fra Arresø". Landscape from Arresø, drawn from memory.
Signed and dated Johan Thomas Lundbye den 4 April 1840 Kjöbenhavn.
Drawing ink on paper. Sheet size 11.2 x 18.4 cm.
Exhibited: Kunstforeningen, "Johan Thomas Lundbye", 1954 no. 23.
Literature: Reproduced in Karl Madsen "Johan Thomas Lundbye 1818-1848",
1949, p. 147.
22
Provenance: Engineer H. Claudius (1949). Head of department Bøgh-Andersen
(1954). Bøgh-Andersen's family until today.
DKK 15,000-20,000 / € 2,000-2,700
24 C. W. ECKERSBERG
b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853
"En krydsende Krigscorvet i Vending". A crossing war corvette while turning.
1832. Signed E. Inscribed by the artist "En krydsende Krigscorvet i Vending,
dens Fokkermast er fjernet 200 Alen. Skibets Diametralplan afviger 50 Gr
fra Billedets Paralel. Hoveddistancen 20 Tommer" (A crossing war corvette
while turning. Its foremast is removed 400 feet. The ship’s middle-line plane
deviates 50 degrees from the picture’s parallel. The principle distance is 20
inches). Inscribed in drawing ink N 22 and in pencil 249. Drawing ink and
wash on paper. Sheet size 24.5 x 31 cm. Unframed.
Provenance: The estate auction of the late C. W. Eckersberg January 1855 no.
249, described (in Danish) "a Corvette. Indian ink; very elaborate".
DKK 60,000-80,000 / € 8,050-10,500
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25 C. A. JENSEN
b. Bredsted near Husum 1792, d. Copenhagen 1870
Portrait of P. O. Brøndsted (1780-1842) classical archaeologist
and professor of classical philology, in double-breasted blue coat
with ribbon of the Order of Dannebrog in the buttonhole. He is
holding a book in his right hand. On his finger a signet ring with
a red gem. 1839. Signed Jensen p. Oil on canvas. 27 x 20.5 cm.
Period frame.
Sigurd Schultz, A Catalogue Raisonné of the Works of C. A. Jensen no.
329, mentioned p. 342 and 344.
Exhibited: København, "Rådhusudstillingen af Dansk Kunst indtil
1890", 1901 no. 733.
Kunstforeningen, "Arbejder af Chr. Albr. Jensen", 1922 no. 115.
Provenance: The painter Laurits Tuxen. His widow Frederikke Tuxen.
Descendants of the Tuxen family until today.
DKK 25,000-35,000 / € 3,350-4,700
25
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26 C. A. JENSEN
b. Bredsted near Husum 1792, d. Copenhagen 1870
Portrait of architect and classical archaeologist Charles Robert
Cocquerell/Cockerell (1788-1863). Signed and dated Jensen p.
London 1838. Oil on canvas. 29 x 23 cm. Period frame.
Sigurd Schultz, A Catalogue Raisonné of the Works of C. A. Jensen
no. 319.
Exhibited: Charlottenborg 1839 no. 18, painted in London for State
Councillor Brønsted.
Copenhagen, "Rådhusudstillingen af Dansk Kunst indtil 1890", 1901
no. 744.
Guildhall, London, "Exhibition of Works by Danish Painters" 1907
no. 236.
Kunstforeningen, "Arbejder af maleren Chr. Albr. Jensen" 1922 no. 111.
The painting was lent to Bakkehusmuseet, Frederiksberg August
1990-January 1991.
Literature: Kunstens Historie i Danmark, edited by Carl Madsen 19011907, reproduced. 202.
Professor P. O. Brøndsted, who was C. A. Jensen's patron in Rome
when he was a young painter, commisioned Jensen to paint some of
his British science colleagues in London among others C. R. Cockerell.
Sigurd Schultz describes in enthusiastic terms the portrait in the
biography "C. A. Jensen", 1932 p. 338 (in Danish): "The portrait of
Cockerell shines with the cordiality that was Jensen's finest personal ability as a portraitist. Cockerell was a handsome man. The
waving hair suits his quiet seriousness and the bright smile of the
eyes. His eyes are remarkably expressive. They willingly follow the
painter working in front of him." In addition, Schultz praises Jensen's
fine combination of colour in the painting.
Provenance: The painter Laurits Tuxen. His widow Frederikke Tuxen.
Descendants of the Tuxen family until today.
DKK 30,000-50,000 / € 4,000-6,700
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27 FERDINAND RICHARDT
b. Brede 1819, d. Oakland, California 1895
A Danish summer landscape with a storm coming up. Signed and
dated Ferdinand Richardt 1846. Oil on canvas. 86 x 125 cm.
Presumably exhibited at Charlottenborg in 1847 no. 168 with the title
"Skovparti, uroligt Veir. Motivet taget ved Frederiksborg" (Forest scene,
changeable weather. The motif is from Frederiksborg).
DKK 40,000-50,000 / € 5,350-6,700
27
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28 FRIEDRICH ROSENBERG
b. Danzig 1758, d. Altona 1833
View of the Elbe with the country house Abbéma. Signed and dated
Rosenberg 1823. Oil on canvas. 43.5 x 72.5 cm.
The country house Abbéma was built in 1795 after the architect C. F.
Hansen's design to the Batavian ambassador Abbéma on the banks of
the Elbe. The country house was ready for habitation during the years
1796-1797. The house was sold in 1798 to the French emigrant C. l. C.
Rainville. The country house was converted into a restaurant and the
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garden was laid out in terraces down to the river. The house was demolished in 1867 and a maritime school was built on the premises and
the garden was laid out as a puplic park.
Friedrich Rosenberg is mentioned in Weilbach's dictionary of artists.
The present painting is referred to (in Danish): "View of the Elbe, Altona, Rainville, with the now demolished Haus Abbéma, designed by C. F.
Hansen." He exhibited at Charlottenborg in 1826 and 1828.
DKK 150,000-200,000 / € 20,000-27,000
39
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29 C. W. ECKERSBERG
b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853
"Landskab med en Kirke, i hvis Taarn er indsat et Uhr". Landscape
with a church with a real clock inserted in the tower. Unsigned.
Dated 1809. Oil on panel. 60 x 45.
Emil Hannover, A Catalogue Raisonné of the Works of C. W. Eckersberg
no. 55.
Provenance: Baron Schaffalitzky de Muckadell, Rynkebygård, Funen.
C. W. Eckersberg received the gold medal of the Royal Academy of Fine
Arts in 1809 and with that one in hand the opportunity to receive one
of the sought-after travel grants to study abroad. Before leaving Denmark for Paris and later Rome he went to Møen, where he spent the
summer of 1809. The result was a series of unique landscape paintings.
The present painting with a Danish village church near the sea could
be painted on the trip to Møen. It is an unusual painting by Eckersberg.
A real clock is placed in the bell tower.
A picture clock or in Danish a "skilderiur" is often seen in German and
Swiss art but is very rare in Danish art and this one painted by such a
talented painter as Eckersberg.
Outside the entrance to the church stands a stout lord with his daughter, who is pointing towards her brother, who is offering the weary
wanderer a dime.
DKK 250,000-350,000 / € 33,500-47,000
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30 MARTINUS RØRBYE
b. Drammen 1803, d. Copenhagen 1848
"Vindenes Taarn i Athen. Figurerne i Costume fra forskiellige Egne
af Grækenland". Tower of the Winds, Athens. The figures dressed
in costumes from different parts of Greece. Signed and dated M.
Rørbye 1839. Oil on canvas. 60 x 80 cm.
Thorvaldsen's Museum, A Catalogue Raisonné of the Works of Martinus
Rørbye no. 158.
Exhibited: Charlottenborg 1839 no. 274 (supplement). Purchased by
Kunstforeningen, won by war commissioner Albeck.
Kunstforeningen, "Fortegnelse over M. Rørbyes arbejder", 1905 no. 86.
Literature: Reproduced, "Samleren", 1936 p. 122. Herman Madsen,
"200 danske malere og deres værker" (200 Danish painters and their
works) vol. 1, 1946 p. 99, figure 5. "Kunst i Privat Eje" (Art in Private Collections, vol. 1, 1944, p. 301, here Herman Madsen makes the following
remarks (in Danish): "A splendid picture in the collection of mrs. Kirk is
Martinus Rørbye's sun glittering Tower of the Winds in Athens. He was
the first Danish artist of importance, who found a new and surprising
type of motifs in Greece, where a more oriental lifestyle differed greatly
from that of Italy.
Provenance: War commissioner Albreck, wine merchant J. B Sandberg,
sold at auction in 1871 to merchant C. Albreck. Albreck's widow (1905).
Emilie Kirk's art collection (1944). Bruun Rasmussen auction 227, 1968
no. 227, reproduced p. 19. Bruun Rasmussen auction 658, 1999 no. 248,
reproduced p. 95.
According to Rørbye's diary, he began a study for the painting (30 x 41)
on February 29 and he finished it on March 5 1836 (in Danish): "In the
morning I started on a small study of the Tower of the Winds, a good
motif for folkloristic scenes, because a lot of people visit the fountain
fetching water." The study is owned by Ny Carlsberg Glyptotek, Copenhagen. That one reproduced above.
42
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Martinus Rørbye: “The Tower of Winds”, study.
(Ny Carlsberg Glyptotek, Copenhagen)
In Hans Christian Andersen's novel "En digters Basar" (A Poet's Bazaar) dated 1842, Andersen describes the location seen in the painting
so exactly that he either must have seen the sketch or the exhibited
painting from 1839.
Herman Madsen recounts, in the book mentioned above, about the
Tower (in Danish): "Tower of the Winds" is located below Acropolis's
northern slope and is an interesting Prehistorical Memorial. The name
comes from a former figure on top showing the wind's direction. The
reliefs symbolize the different winds. Inside the tower there was a water clock, which indicated the time. It has in other words, been a scientific building. Rørbye's painting gives an amusing impression of the
oriental splendor that characterized urban life in Athens for more than
a century ago".
DKK 2,000,000-3,000,000 / € 270,000-400,000
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31 P. C. SKOVGAARD
b. Ringsted 1817, d. Copenhagen 1875
Landscape near Silkeborg with Himmelbjerget (Mount
Heaven!) in the background. A wanderer stands at the
edge of the lake. Unsigned. Dated 8 Sept. 1867. Oil
on canvas. 40 x 57 cm.
DKK 40,000-50,000 / € 5,350-6,700
31
32 JOHAN THOMAS LUNDBYE
b. Kalundborg 1818, d. Bedsted 1848
"Studie af en død svale". Study of a dead swallow.
Signed and dated Johan Thomas Lundbye Kallb. Juli
1837. Oil on canvas laid on cardboard. 7 x 15 cm.
Karl Madsen, A Catalogue Raisonné of the Works of J. Th.
Lundbye no. 33.
Exhibited: Kunstforeningen, "Arbejder af Johan Thomas
Lundbye", 1893 no. 17.
Provenance: Accountant C. F. Bayer. Art dealer Axel
Duckert. Professor, doctor of Medicine Johs. Bock. Sculptress Gudrun Lauesen.
DKK 30,000 / € 4,000
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33
33 DANKVART DREYER
b. Assens 1816, d. Barløse 1852
Landscape north of Assens with a view towards Emtekær Nor (cove)
and Wedelsborg peninsula. Unsigned. Oil on panel. 16 x 23.5 cm.
Provenance: The architect, professor at the School of Architecture
(Kunstakademiets Arkitekturskole) Steen Eiler Rasmussen.
The dark stacks to the left of the painting is turf or bricks. There was once
a brickyard there. The long dark line in the foreground is not a stone
wall, but something which has been spread out on the ground to dry,
presumably tuf. The bricks were dried in the white building and the tuf
dried on the soil.
DKK 40,000-50,000 / € 5,350-6,700
32
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34 CHRISTEN KØBKE
b. Copenhagen 1810, d. s.p. 1848
Portrait of Købke's sister Conradine Købke in her childhood
home at Kastellet (the Citadel) in Copenhagen. Signed and dated C. K. 1830. Oil on canvas. 94 x 64 cm.
Emil Hannover, A Catalogue Raisonné of the Works of Christen
Købke no. 46.
Mario Krohn, A Catalogue Raisonné of the Works of Christen Købke
no. 45.
Jørgen Folmer and Iben From, A Catalogue Raisonné of the Works
of Christen Købke no. 45.
Exhibited: "Raadhusudstillingen af Dansk Kunst til 1890", 1901 no.
1026.
Kunstforeningen, "Fortegnelse over Købkes Malerier, 1912 no. 45.
Kunstforeningen, "Christen Købke", 1953 no. 29.
Statens Museum for Kunst, "Christen Købke 1810-1848", 1996 no.
45, reproduced p. 65.
Literature: Peter Beck, "Nikolaj Laurentius Feilbergs levnedsløb og
kredsen omkring ham", Herning 1981 p. 19.
Provenance: Given as a present by Christen Købke to his sister Conradine and his brother-in-law Nicolaj Laurentius Feilberg at their
wedding 1830. Pastor, dr. phil. H. F. Feilberg (1901, 1912). Descendants of the portrayed until today.
Conradine was Christen Købkes favorite sister so therefore he
wanted to give the young couple the best and to him it was a full
length portrait of Conradine in her childhood home. She is standing
at the window, where the outside light brightens her young lovely
face.
DKK 1,000,000-1,200,000 / € 135,000-160,000
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36 I. C. DAHL
b. Bergen 1788, d. Dresden 1857
"Nordic landscape with a thatched cottage". Signed and dated
J. Dahl 1814. Oil on canvas. 47 x 63.
Elisabeth Lødrup Bang, A Catalogue Raisonné of the Works of I. C.
Dahl no. 52.
This painting is a classical example of Dahl's "Nordic landscapes"
from his time in Denmark, where he stayed in the years 1811-1818.
At this time Dahl was very inspired by the old baroque masters,
which he studied in the different collections in Copenhagen - in
particular in the Royal Chamber of Arts (later the National Gallery
of Denmark). The term "Nordic landscape" covers an imaginary,
but in Dahl's mind basic Norwegian landscape. Lødrup writes the
following about the painting: "The contrapostal grouping of the
features in the different picture planes derives from the baroque
landscapes Dahl could study in the great collections in Copenhagen" (Marie Lødrup Bang, "Johan Christian Dahl 1788-1857, Oslo
1987, p. 47).
35
35 P. C. SKOVGAARD
Provenance: Auction director Johan Christian Fick (1788-1864).
The Danish art collector Benjamin Wolff (1790-1866), his descendants until today.
The two art collectors J. C. Fick and Benjamin Wolff were very good
friends and knew I. C. Dahl personally. J. C. Fick was this painting's
first owner and the brother-in-law and friend of Benjamin Wulff,
the second owner of the painting. In 1825 Fick founded Kunstforeningen in Copenhagen in collaboration with among other the art
historian N. L. Høyen, the architect G. F. Hetsch and the painters
Eckersberg and J. P. Møller.
b. Ringsted 1817, d. Copenhagen 1875
View of the pond near the King's "Badstue" (bath) at Frederiksborg.
Unsigned. Oil on canvas. 65 x 76 cm.
The artist's own repetition of "Parti af Badstuedammen ved Frederiksborg",
that one signed and dated P. C. S. 1838.
DKK 30,000 / € 4,000
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Benjamin Wolff expanded his fortune as a merchant in the East Indies in the years 1817 to 1828. Back in Denmark he purchased the
manor Engelholm in 1830 and later Grevensvænge at Mogenstrup.
In 1832 he married Juliane Louise Sneedorff.
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I. C. Dahl visited Engelholm several times. Initially under the previous owner P. B. Petersen, and he stayed in the summer of 1814
at the manor. Dahl painted several works of the landscape around
Engelholm including two now at the National Gallery of Denmark
from respectively 1814 and 1816, and he improved his landscape
paintings during this stay.
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In 1844 Dahl returned to Engelholm now under the new owner
Benjamin Wolff - the two have probably known each other since
the youth - in Wolff's drawing collection is a pencil sketch of
Liselund on Møn from about 1814. Wolff himself has inscribed the
drawing (in Danish): "The first sketch is by I. C. Fick, the rest is by
Dahl" (Claus M. Smidt, ”Tegnekunst på Nivaagaard”, 1983, p. 5-11).
DKK 400,000-500,000 / € 53,500-67,000
49
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37 L. A. SMITH
b. Copenhagen 1820, d. s.p. 1906
"Pigen, der fletter sit hår". The model Catrine Nielsen, called Trine, is
plaiting her hair. Signed and dated A. Smith 1839. Oil on canvas. 74 x
60 cm. Unframed.
Exhibited: Bruun Rasmussen Kunstauktioner, "Krop og Kunst, Golden Days in
Copenhagen", September 2009.
The exhibition catalogue: "Den nøgne guldalder", Den Hirschsprungske Samling, 1994, mentions C. W. Eckersberg's art school for painting the nude. C.
W. Eckersberg started a special summer school in August-September 1839
at the Royal Academy of Fine Arts in Copenhagen. Cathrine Nielsen, called
Trine, sat as a model for 75 hours.
Eckersberg writes in his diary about the painting sessions week after week
during the summer. 1 August: "Seet i Akademiet et par unge Piger, som ville
være Modeller". (Seen in the Academy two young girls who wanted to be
models). 5 August: "I Skolen begyndtes et Billede af en quindelig Modell".
(We started to paint a female model). Many working days followed. 31 August: "Paa Malerskolen, hvor den quindelige Modell var sidste Gang". (The
last day for the female model at the painting school).
C.W. Eckersberg: The model plaiting her hair.
(Musée du Louvre, Paris, France)
Sold Bruun Rasmussen auction 488, 1986 no. 83
for DKK 200,000 / € 27,000
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C. W. Eckersberg himself painted Trine in a position similar to this, where
the model was placed near a source of light (a window). His painting was
bought by Superintendent Borch. Eckersberg writes in his diary 29 September: "Tilsendt Forstander Borch det lille Maleri, en ung Pige som fletter sit
Haar". (Sent a small painting of a girl plaiting her hair to Mr. Borch). This
painting is today owned by Musée du Louvre. Reproduced in the exhibition
catalogue: "Den nøgne guldalder" p. 109 and to the left.
Unfortunately, Eckersberg does not mention the names of the other summer
school participants of 1839 in his diary.
Today we know that another Eckersberg pupil painted Trine, almost en face.
The work was reproduced in the exhibition catalogue: "Den nøgne guldalder"
p. 111, and sold at Bruun Rasmussen auction 663, 1999 no. 322 for 100.000
kr. L. A. Smith also took part in the session, presumably standing quite close
to master Eckersberg himself, although Trine is seen a bit more en face in L.
A. Smith's version.
DKK 400,000-500,000 / € 53,500-67,000
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38 C. W. ECKERSBERG
b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853
"En Fregat "Nymfen" sejlende". A frigate "Nymfen" (the Nymph)
sailing. 1832. Unsigned. Oil on canvas. 62 x 86 cm
Emil Hannover, A Catalogue Raisonné of the Works of C. W. Eckersberg
no. 464.
Eckersberg writes in his diary 17 September 1832: "Arbeitet med
Søestykket med Fregatten" (Worked on the seascape with the frigate).
Provenance: An old label on the reverse gives the following information
(in Danish): Bought at auction after Hertzog (?) owner Th. Ste(mann?).
Manufactorer V. Ratzeburg. Bruun Rasmussen auction 128, 1961 no.
1, reproduced p. 11.
The first years after having returned from the long trip abroad to Paris
and Rome Eckersberg primarily painted portraits; but in the 1820s he
began to take an interest in marine paintings, and over the years he
became Denmark's marine painter par excellence. The motives were
not difficult to find in a country surrounded by the sea. The sea and
the sailing ships fascinated Eckersberg. It was very important for him
to present his paintings in accordance with reality, so he carefully
observed how the weather conditions influenced the sail phrase of
the ships and made sure the clouds were accurately placed in the sky.
He meticulously studied the weather, and kept a diary of weather and
wind conditions throughout life. He provided information about how a
ship should be maneuvered under various wind conditions and studied
the ship's technical details. From H. C. Ørsted he borrowed a book with
drawings of the various machine parts of the ships. This painting is
an excellent example of the national and international greatness of
Eckersberg.
DKK 1,500,000-2,000,000 / € 200,000-270,000
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39 C . F. S Ø R E N S E N
b. Samsø 1818, d. Copenhagen 1879
"Parti fra Jyllands Vestkyst ved Løkken". From the west
coast of Jutland near Løkken. 1846. Unsigned. Oil on
canvas. 68 x 93 cm.
Mona Christensen and Jan Faye, A Catalogue Raisonné of the
Works of C. F. Sørensen no. 35.
Exhibited: Charlottenborg 1846 no. 201.
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Provenance: Bought by Kunstforeningen for 80 rdl and won
by the flower painter I. L. Jensen. Anton Hansen auction 195,
1932 no. 68a, reproduced p. 22. Anton Hansen auction 199,
1933 no. 71, reproduced p. 19. Bruun Rasmussen auction 365,
1977 no. 157, reproduced p. 33. Bruun Rasmussen auction
663, 1999 no. 226, reproduced p. 87. Bruun Rasmussen auction 673, 2000 no. 345, reproduced p. 125.
DKK 60,000-80,000 / € 8,050-10,500
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40 C . F. S Ø R E N S E N
b. Samsø 1818, d. Copenhagen 1879
"Italienske fiskere med deres både og fregatten "Sjælland" i Napolibugten med Vesuv i baggrunden. Solnedgang." Italian fishermen and the frigate "Sjælland" in
the Bay of Naples, Mount Vesuvius in the background.
Sunset. Signed and dated C. Frederik Sørensen 1870. Oil
on canvas. 63 x 85 cm.
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Mona Christensen and Jan Faye, A Catalogue Raisonné of
the Works of C. F. Sørensen no. 630.
Provenance: Winkel & Magnussen 1911 no. 73. Bruun
Rasmussen auction 210, 1967 no. 207, reproduced p. 37.
Kunsthallen auction 324, 1978 no. 210, reproduced p. 18.
Bruun Rasmussen auction 454, 1983 no. 510, reproduced
p. 225.
DKK 50,000-75,000 / € 6,700-10,000
55
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41 L. A. SMITH
b. Copenhagen 1820, d. s.p. 1906
41
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Interior with mother and child at the window. The roofs of
the townhouses are seen through the open window. Signed
and dated L. A. Smith 1853. Oil on canvas. 48 x 42 cm. Period
frame.
It is very rare that paintings by L. A. Smith are for sale. He was a private student of professor C. W. Eckersberg and we know of at least
two paintings of models painted in Eckersberg's studio: "Modellen
Florentine foran et spejl" (the model Florentine in front of a mirror)
sold Bruun Rasmussen auction 727, 2003 no. 1225 for 400.000
DKK and "Pigen, der fletter sit hår" (Trine plaiting her hair). That
one to be sold as lot 37 in this catalogue.
Smith depicts an everyday scene. In the bright room, with the ivy
framing the window, the young mother is busy doing her needlework, while the little girl is watching the bird in the cage.
DKK 50,000-75,000 / € 6,700-10,000
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42 C. W. ECKERSBERG
b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853
"En qvindelig Figur, som staar ved en Seng, reder sit Haar". Woman
standing at a bed, combing her hair. Unsigned. Oil on canvas. 28,5 x
18,5 cm.
Provenance: Eckersberg's estate auction, "A collection of paintings, sketches and drawings belonging to the estate of the late ​​professor at the Royal
Academy of Fine Arts Eckersberg, Knight of the Dannebrog, going to be sold
at a public Auction, and to be held in the Art Association's premises Tuesday the 17th of January 1854 and the following days, payment to attorney
Winther, Amagertorv No. 38, 2nd Floor.", no. 106.
On the reverse an old label with the following information (in Danish): "A
female figure, which stands at a bed, combing her hair. Eckersberg's list of
models and other topics 1854 catalogue no. 106". On the stretcher also an
old label from Winkel & Magnussen and cat. no. 24.
Eckersberg has often been called both "the father of the Danish Golden Age
of Art" and "the father of the Danish art of painting". Regardless, it is at
least certain that he pioneered the use of female nudes in Danish painting.
When Eckersberg was appointed professor at the Academy in 1820, it was
neither allowed nor condoned to use a naked woman as a model for a painting. The French sculptor Saly had forbidden this when he became director of
the newly opened Royal Danish Academy of Fine Arts in 1754. Eckersberg
did not begin to use female nudes in his private teaching until 1833, and
with the so-called "summer exercises" in 1839 he initiated the use of female nudes in his public teaching at the Academy. Eckersberg, however, had
worked with the female nude on his own before this, for instance during
his stay in Paris between 1810-13. The small study in question is probably
an early piece. It is both similar to and different from Eckersberg's most
famous one: "Kvinde foran et spejl (Woman before a Mirror) from 1839
(the Hirschsprung Collection), where Eckersberg successfully managed to
make the painting more “appropriate” by covering the essential parts of the
woman’s body with the edge of a mirror and a white cloth respectively. In
both paintings, the young woman is doing her toilette, so the nudity seems
almost natural.
DKK 600,000-800,000 / € 80,500-105,000
42
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44 CHRISTEN KØBKE
b. Copenhagen 1810, d. s.p. 1848
Portrait of Margrethe Hahn, married Stougaard. Half-lenght portrait
in profile with a blue silk headscarf. Signed and dated on the reverse
C. Købke 14-9-1829, this now covered by a new canvas. Oil on canvas.
21 x 18 cm.
Emil Hannover, A Catalogue Raisonné of the Works of Christen Købke no. 16
(in the note).
Mario Krohn, A Catalogue Raisonné of the Works of Christen Købke no. 18.
Jørgen Folmer and Iben From, A Catalogue Raisonné of the Works of Christen
Købke no. 18.
Exhibited: Guildhall, London, "Exhibition of Works by Danish Painters", 1907
no. 220, in that case with a wrong provenance: Mario Krohn. Kunstforeningen, "Fortegnelse over Christen Købkes Malerier", 1912 no. 19. Kunstforeningen, "Christen Købke", 1953 no. 14. Statens Museum for Kunst, "Christen
Købke 1810-1848", 1996 no. 18.
Literature: Hans Edvard Nørregård-Nielsen, "Christen Købke - Omkring
Kastellet", vol. I, 1996, p. 102 and 112, reproduced p. 104. Mogens Nykjær,
"Kundskabens billeder. Om Christen Købke" in "Argos. Tidsskrift for kunstvidenskab - visuel kommunikation - kunstpædagogik" no. 3, 1986 p. 27.
Provenance: Always in the possession of the family of Margrethe Hahn. Søren
Sørensen, Doctor, Thisted (1893). Jerslev, Pharmacist, Fjerritslev (1953).
43
43 CHRISTEN KØBKE
b. Copenhagen 1810, d. s.p. 1848
View towards a town with half-timbered houses and a church
tower. Unsigned. Inscribed Peter [?] Chr. Kiøbke. Pencil on paper.
12 x 18.5 cm.
DKK 10,000 / € 1,350
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Købke writes in a diary 12 August 1829: "Started to paint Grethe" and again
14 September: "Finished the painting of Grethe". (Mario Krohn, "Maleren
Christen Købkes Arbejder", 1915 p. 5).
In the summer of 1829 Købke spent a couple of months at the vicar J.
C. Hahn's home. Here Købke flirted with one of the vicar's two daughters,
Margrethe, called Grethe. He painted the present portrait for the family, and
a repetition for himself as a memory. Hans Edvard Nørregård-Nielsen, Art
Historian, charmingly describes the small, fine portrait in "Christen Købke Omkring Kastellet" p. 112 (in Danish): "Her face is like a winter apple, but with
a sweetness, that moves downwards and gathers around her mouth, while
the sadness in her eyes most certainly is due to her youth and the fact that
the two of them were about to part".
DKK 300,000-350,000 / € 40,000-47,000
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45 ELEONORE CHRISTINE HARBOE
b. Copenhagen 1796, d. Rome 1860
Portrait of Bertel Thorvaldsen in the robes of the order of Academia di San Luca. Presumably 1830s. Inscribed on the back
of the canvas: After Eckersberg painted by Eleonora Harboe.
Oil on canvas. 94 x 75 cm.
Eleonora Christine Harboe painted all her life and was specialized particularly in copying the old Dutch and Italian masters.
From 1856 on she lived in Rome until her death in 1860.
Eckersberg painted Thorvaldsen in 1814 (Emil Hannover no. 147),
that one was exhibited at Charlottenborg in 1815 and it was donated to Kunstakademiet (the Royal Academy of Fine Arts) by
the painter, where it still remains.
Furthermore exists a replica from 1832 at the National Museum
in Stockholm and another one from 1838 at the Glyptotek.
Eckersberg has not only repeated himself, other artists have diligently copied the known and admired painting. Thorvaldsen's
Museum has since 1890 been in the possession of Christian
Vogel von Vogel Stein's version of the portrait, painted in Rome
in 1814, at the same time as Eckersberg's painting and even a
young Købke has found inspiration in the portrait and copied the
upper part in 1828.
DKK 40,000-60,000 / € 5,350-8,050
45
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46 HANNE HELLESEN
b. Copenhagen 1801, d. s.p. 1844
Basket with peaches, grapes, cherries and currants on a
stone. To the left hollyhocks and poppies. Landscape in
the background. Signed and dated Hanne Hellesen 1840.
95 x 79 cm. Damborg frame with corner ornamentation
and label.
Hanne Hellesen was one of the famous Danish flower painter I. L. Jensen's female pupils, who achieved recognition and
fame in her own right and the Royal Collection of Paintings
and Sculptures, today the National Gallery of Denmark,
bought her paintings. She was also a pupil of Eckersberg, and
he taught her about perspective drawing. Her paintings were
very much inspired by I. L. Jensen and the floral decorations of
the Sèvres porcelain factory.
DKK 300,000-350,000 / € 40,000-47,000
46
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47 CARL BILLE
b. Copenhagen 1815, d. s.p. 1898
Seascape with numerous sailing ships at the harbour of Copenhagen.
Signed and dated Carl Bille 1863. Oil on canvas. 63 x 94 cm.
DKK 50,000-60,000 / € 6,700-8,050
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48 JULIUS PRÖMMEL
b. Hamburg 1805, d. Trieste 1844
Quiet day at sea with frigate, yacht and brig. Signed and dated
Prømmel 1839. Oil on canvas. 70 x 97 cm.
DKK 150,000-200,000 / € 20,000-27,000
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49 CONSTANTIN HANSEN
b. Rome 1804, d. Frederiksberg 1880
"Parti af Forum Romanum med Concordia-Templet og Septimius
Severus' Triumphbue, set fra Foden af Capitol". View from the
Roman Forum with the Temple of Concord and the Arch of
Septimius Severus seen from the foot of the Capitoline. Signed
and dated Const. H. 1846. Oil on canvas. 66 x 79 cm.
Emil Hannover, A Catalogue Raisonné of the Works of Constantin
Hansen no. 238, mentioned p. 115.
Exhibited: Charlottenborg 1846 no. 54. Kunstforeningen, "Udstillingen af C. C. Constantin Hansen's Malerier i Kunstforeningen",
1897 no. 122A entitled "Forum Romanum. I forgrunden Concordiatemplet og Septimius Severus" (The Roman Forum. In the foreground
the Temple of Concord and the Arch of Septimius Severus).
Literature: Knud Voss "Guldalderens Malerkunst", Copenhagen
1968, mentioned and reproduced p. 141 (here mistakenly listed as
belonging to Aarhus Art Museum (ARoS)). "Constantin Hansen", exhibition catalogue, Thorvaldsens Museum and Aarhus Art Museum
1991, mentioned p. 202.
Provenance: Mrs Bruun, wife of Councillor of State (1901).
DKK 800,000-1,000,000 / € 105,000-135,000
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50 C. W. ECKERSBERG
b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853
Portrait of Anna Joachimine Henriette Bruun de Neergaard (18001831) in a white dress with a red and white striped ribbon, gold chains
with pendants around her neck, her hair done with corkscrew curls.
1820. Unsigned. Oil on canvas. 34 x 28 cm.
Emil Hannover, A Catalogue Raisonné of C. W. Eckersberg's Works no.
258. The inventory no. 257 refers to Eckersberg's diary April 26, 1820 (in
Danish): "Handed mrs and miss Neergaard's portraits, sent bill ... 55 RBdr.
Each".
Anna was the oldest child in a family of four, and the only daughter. Her
father was landowner Johan Andreas Bruun de Neergaard (1770-1836)
to Svendstrup at Roskilde. His younger brother was Tønnes Christian
Bruun de Neergaard (1776-1824), landowner to Skjoldnæsholm. Tønnes
was known as a man of pleasure, who traveled a lot and was an art lover.
He was the patron of several young artists. Tønnes also had a home in
Paris, where a large part of his art collection was installed.
In 1810 Eckersberg was a young promising artist, who was in constantly
short of money before his real breakthrough, and Tønnes helped him
financially during his stay in Paris. Before leaving for Paris Eckersberg
visited Skjoldnæsholm. Here he may have met Tønnes' pretty 10-year-old
niece Anna for the first time.
19 years old Anna married the 29-year-old Christian Ludwig von Stemann
(1791-1857) later chamberlain and prefect. Within 10 years four children
were born, the youngest Catharine Elisabeth (Betzy) von Stemann was
barely one and a half years old when her mother died.
The portrait here was painted shortly after Anna got married.
19 years old Betzy von Stemann married in 1849 Eugenius Sophus Ernst
Heltzen, who was the ancestor of the Danish branch of the Heltzen family.
Provenance: In the family Heltzen until today.
DKK 100,000-150,000 / € 13,500-20,000
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51 CHRISTEN KØBKE
b. Copenhagen 1810, d. s.p. 1848
"Parti af Marina Piccola på Capri". View of Marina Piccola on Capri.
1846. Unsigned. Oil on canvas. 82 x 121 cm.
Emil Hannover, A Catalogue Raisonné of the Works of Christen Købke
no. 158.
Mario Krohn, A Catalogue Raisonné of the Works of Christen Købke no.
190 (here the later replica is wrongly reproduced instead of the present
original painting. Today, the replica is owned by Schleswig-Holsteinische
Landesmuseen, Schloss Gottorp).
Jørgen Folmer and Iben From, A Catalogue Raisonné of the Works of
Christen Købke no. 190, reproduced vol. III, p. 151.
Exhibited: Kunstforeningen, "Malerier og Studier af Christen Schiellerup
Købke", 1884 no. 96. Kunstforeningen, "Fortegnelse over Christen Købkes
Malerier", 1912 no. 188. Kunstforeningen, "Christen Købke", 1953 no.
103. The National Gallery of Denmark, "Christen Købke 1810-1848",
1996 no. 190, mentioned p. 18, 85, 94, 304, 327-329, reproduced p. 328.
Literature: Mentioned in numerous books and magazines among others
nne-Birgitte Fonsmark, "Købke på Capri" in "Meddelelser fra Ny
Carlsberg Glyptotek", 1983 vol. 39, p. 76-98. Kasper Monrad, "Hverdagsbilleder. Dansk guldalder - kunstnerne og deres vilkår", 1989, mentioned
and reproduced p. 81. Henrik Bjerre, "Købke i knibe", in Kunstmuseets
Års-skrift, LXIII, 1990, p. 102-109. Hans Edvard Nørregård-Nielsen,
"Christen Købke", vol. III, 1996, mentioned p. 152-154 and p. 186-188,
reproduced p. 151. Kasper Monrad, "Dansk guldalder. Lyset, landskabet,
hverdagslivet", 2013, mentioned p. 102f.
Provenance: Councillor I. S. Salomonsen. Mrs Dina Salomonsen. Her
grandchild Inge Ryde (1961). Her descendants until today.
This painting was rejected as the artist's member piece for the Royal
Academy of Fine Arts in Copenhagen in 1846.
DKK 1,000,000-1,200,000 / € 135,000-160,000
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52 THORALD BRENDSTRUP
b. Sengeløse 1812, d. Copenhagen 1883
The Bay of Naples with a view of Mount Vesuvius. Signed and
dated Th. B. 1877. Oil on canvas. 106 x 144 cm.
DKK 50,000-75,000 / € 6,700-10,000
52
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53
53 MARTINUS RØRBYE
b. Drammen 1803, d. Copenhagen 1848
Peasants resting in the midday heat. Unsigned. Oil on canvas.
46 x 65 cm.
Rørbye's own repetition of no. 210 in the Catalogue Raisonné of
Martinus Rørbye's Works.
Martinus Rørbye did several studies for this painting.
DKK 200,000-250,000 / € 27,000-33,500
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54 C. W. ECKERSBERG
b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853
C.W. Eckersberg: Linearperspectiven, anvendt paa Malerkunsten, en
Række af perspectivistiske Studier. Cph: C.A. Reitzel 1841. 1st. ed.
Queer folio. With 11 full page engraved plates. Orig. paperwrappers
mounted on a later paperbinding.
In 1841 Eckersberg published this important thesis on perspective, which
he had become more and more occupied with during his career. The work
naturally draws on his own experiences and began in the 1830s when he
gave classes in perspective drawing at the Academy. It gives an illustrative insight into the artistic thoughts of one of the major figures of the
Danish Golden Age of art.
DKK 10,000-15,000 / € 1,350-2,000
55 C. W. ECKERSBERG
OR ONE OF HIS STUDENTS
b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853
"Et Parti af Kirken S. Lorenzo Fuori delle Mure i Rom". View of
the church S. Lorenzo Fuori delle Mure in Rome. Unsigned. Oil on
canvas. 46 x 35 cm.
Either this painting of a very high quality is Eckersberg's own repetition
of no. 161 in Emil Hannover, A Catalogue Raisonné of the Works of C.
W. Eckersberg; or it is painted by one of his gifted students. No. 161 in
the Catalogue Raisonné was painted in 1815 and has the measurements
46 x 32 cm, that one at the The Hirschsprung Collection.
DKK 60,000-80,000 / € 8,050-10,500
55
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56 C. A. JENSEN
b. Bredsted near Husum 1792, d. Copenhagen 1870
Portrait of Privy Councillor, chamberlain Carl Emil count Moltke
(1773-1858) of Aagaard and Nørager in a dark blue coat with
yellow metal buttons. White vest, white cravat. The Grand Cross
of Dannebrog, hardly visible. Signed and dated Iensen 1837. Oil
on canvas. 24 x 21 cm.
Sigurd Schultz, A Catalogue Raisonné of the Works of C. A. Jensen
no. 309, mentioned p. 332 and reproduced p. 321.
Literature: "Danske Herregaarde ved 1920", Copenhagen 1922, reproduced vol. 1, p. 247.
DKK 20,000-25,000 / € 2,700-3,350
56
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57 CHRISTEN KØBKE
b. Copenhagen 1810, d. s.p. 1848
Portrait of merchant Andreas Reiersen (1778-1852). Oil on canvas.
Unsigned. 32 x 25 cm.
Another larger portrait of merchant Reiersen (52,5 x 25,5) is owned by
Ordrupgaard.
When he registered the collection at Ordrupgaard the director of the
museum, Leo Swane mentioned the smaller portrait as a replica of
Købke owned by iron founder Brandt and sold in 1933.
Provenance: Iron founder Brandt's collection, Winkel & Magnussen
auction 77, 1933, no. 81, reproduced p. 20. Descendants of the portrayed.
DKK 80,000-100,000 / € 10,500-13,500
57
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58 JØRGEN SONNE
b. Birkerød 1801, d. Copenhagen 1890
58
Farmer boy picking a water lily to his girlfriend on
a nice summer day. The chosen one and three small
children are watching him. Signed and dated J.
Sonne 1860. 71 x 88 cm.
Presumably exhibited Charlottenborg 1860 no. 177
with the title "Børn plukke Blomster i Engen ved Aaen",
(Children picking flowers in the meadow by the stream).
DKK 40,000-60,000 / € 5,350-8,050
59 P. C. SKOVGAARD
b. Ringsted 1817, d. Copenhagen 1875
Summer landscape with three boys on a fishing trip.
Signed and dated P. C. Skovgaard 1864. Oil on canvas.
130 x 190 cm.
DKK 150,000-200,000 / € 20,000-27,000
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60
60 C. W. ECKERSBERG
b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853
"Et Fregatskib og en Slup". A frigate and a sloop. 1835.
Unsigned. Oil on canvas. 22.5 x 32 cm.
Emil Hannover, A Catalogue Raisonné of the Works of C. W.
Eckersberg no. 505.
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Provenance: The estate auction of the late C. W. Eckersberg, 1854
no. 111. Mrs. Ferslew, née Damborg. Bruun Rasmussen auction
161, 1964 no. 60, reproduced p. 13. Bruun Rasmussen auction
243, "Fortegnelse over en samling Dansk Guldalderkunst m.m.",
1970 no. 11, reproduced p. 11.
DKK 200,000 / € 27,000
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61
61 C. W. ECKERSBERG
b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853
"Udsigt fra Batteriet imod byen". View from the battery towards
the city. Signed and dated Eckersberg fec. 1836. Inscribed on
the back Eckersberg 7 Sept. 1836. Drawing ink, pencil and wash
on paper. Sheet size 18.5 x 31.5 cm. Unframed.
Eckersberg writes in his diary 7 September 1836 (in Danish): Went
to the battery at 9 o'clock to see the Russian ships, but the wind was
not good for sailing. Went ashore with Normann and his wife at 11
o'clock and on board again with them at 1 o'clock, it became calm.
- Drew a view from the battery towards the city. (C. W. Eckersbergs
dagbøger 1810-1837, vol. 1, 2009, p. 703).
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In 1836 Eckersberg painted a small painting entitled (in Danish)
"View from the battery of Trekroner with Copenhagen in the distance" (The Hirschsprung Collection). When Eckersberg did the
painting he was standing in a different place on Trekroner than
when he did this drawing, consequently the foreground is different,
but the view of Copenhagen is almost identical.
Provenance: Presumably the drawing sold at the estate auction of
the late C. W. Eckersberg January 1855 no. 375, described (in Danish) "a view from Trekroner. Indian ink; very elaborate".
Trekroner is a fortification on a small island at the entrance to
Copenhagen.
DKK 40,000-60,000 / € 5,350-8,050
79
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62 BERNT LUND,
b. Våler in Solør in Norway 1812, d. Oslo 1885
AFTER THOMAS FEARNLEY
Spring day in Ramsau. Signed and dated B. Lund 13. Ap. 1840.
Oil on canvas. 41 x 36 cm.
Ramsau is a mountain village in Bavaria, not far from Berchtesgaden.
The town was a popular destination for Scandinavian artists who
lived in Munich. Among them for example Thomas Fearnley, Albert
Küchler, Jørgen Sonne, Fritz Petzholdt, Christian Morgenstern and
Wilhelm Bendz. Several motifs by Bendz are known including the
beautiful church. The painters visited the village in the early 1830s.
Bernt Lund was a student of Thomas Fearnley in the late 1830s, later
he studied at the Academy of Fine Arts in Düsseldorf.
Thomas Fearnley's painting is owned by The Barber Institute of Fine
Arts in Birmingham.
DKK 30,000 / € 4,000
62
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63
63 FERDINAND RICHARDT
b. Brede 1819, d. Oakland, California 1895
"Prospect af Skamby Kirke i Fyen". View of Skamby church on Funen.
Signed and dated F. Richardt 1850. Oil on canvas. 59 x 71 cm.
Exhibited: Charlottenborg 1851 no. 173.
Provenance: Bruun Rasmussen auction 164, 1964 no. 131A.
DKK 30,000 / € 4,000
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64 ELIAS MEYER
b. Copenhagen 1763, d. s.p. 1809
“Esplanaden med Søkadet Akademiet”. View
of the naval college in Copenhagen and
“Kirsebærgangen ved Vesterport”. The Cherry
Passage - a passage with cherry trees near
Vesterport in Copenhagen. C. 1800. Unsigned.
Gouache and oil on canvas. 53 x 73 cm each.
Period frames. (2).
Labels on the back with information about the
artist and the locations. The naval building still
exists today situated in Bredgade 76. In the
basement the well-known Café Petersborg.
Literature: “København. Før og nu - og aldrig”,
1990, vol. 9 p. 45, here an engraving after the
present painting of “The Cherry Passage” dated
1801 is reproduced. “Kirsebærgangen” was situated just outside Vesterport and it was a popular
place to go for a walk. Kongens Mølle (King’s Mill)
on Schack’s Bastion is seen in the background.
64
Provenance: Stockbroker Carl Otto Henriques,
Esplanaden 7 Copenhagen.
DKK 50,000-60,000 / € 6,700-8,050
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66 JOHAN THOMAS LUNDBYE
b. Kalundborg 1818, d. Bedsted 1848
A Roman Campagna hunter with his dog. Unsigned. Inscribed by the
artist “Campagnejæger 15 Dec 1845” (Campagna hunter 15 December
1845). Pencil on paper. Visible size 26 x 16.5 cm.
From 3 November to 5 December 1845 in Rome Lundbye did a series of
figure studies in pen or pencil and watercolour, which he called (in Danish)
“Costume drawings”. Common to these costume drawings is that they are
all almost without exception in full figure depicting typical common Italian
people from Rome and the surrounding area, dressed in their characteristic costumes. This drawing must be seen in connection with these costume
drawings - it is a bit later (15 December) and without watercolour, but
otherwise this is a characteristic Italian “type”, the Campagna hunter, in
full figure and with all the hunter’s characteristic attributes drawn with
great accuracy.
DKK 15,000-20,000 / € 2,000-2,700
67 N. A. ABILDGAARD
b. Copenhagen 1743, d. Frederiksdal 1809
Classical mythological figures. Cronus, Zeus and Hera at the top and
Amfitrite and Cybeles at the bottom. Signed Abildgaard. Drawing ink
and wash on laid paper. Sheet size 20 x 32 cm
DKK 15,000-20,000 / € 2,000-2,700
65
68 JOHAN THOMAS LUNDBYE
b. Kalundborg 1818, d. Bedsted 1848
65 N. A. ABILDGAARD
b. Copenhagen 1743, d. Frederiksdal 1809
"Zeus og Amor". Zeus and Amor. Signed and dated Abildgaard
1797. Drawing ink and wash on paper. Sheet size 15.2 x 11 cm.
Provenance: Engineer J. Rump's collection. His estate auction
Winkel & Magnussen 2-4 June 1932 no. 3. Kunsthallen auction
377, 1989 no. 210, reproduced p. 54.
DKK 15,000-20,000 / € 2,000-2,700
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Four hunting scenes recto and verso on two sheets of blue paper,
mounted in two frames. One signed with monogram and dated Dec. 37,
three unsigned. Inscribed respectively. "Fredag d. 15. Decbr. 37", "Løverdag d. 16.", "Søndag Morgen d. 17. Decbr." og "Søndag Aften 28. 5."
Drawing ink on paper. Sheet size 18.5 x 11.3 cm each. (2).
Both sheets were sent as a letter to "Herr Studios medc. Collien", one with
a letter text about hunting in Jægersborg and dated "Jægbg. d. 15 Decb.
37". The receiver could be Theodor Collin (1815-1902), who became a MB
in 1841.
DKK 15,000 / € 2,000
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68
67
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68
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69 H . G . F. H O L M
b. Berlin 1803, d. Copenhagen 1861
"Partiet mellem Hovedvagten og St. Kongensgade". View from
Kgs. Nytorv with the shop of the watchmaker Urban Jürgensen
and Sons. C. 1854. Signed Holm. Watercolour, drawing ink and
pencil on paper laid on paper. Sheet size 19.4 x 21.8 cm.
Erik Housted, A Catalogue Raisonné of the Works of H. G. F. Holm
no. 1118.
Provenance: Watchmaker Louis Urban Jürgensen (1818-1863).
DKK 20,000-25,000 / € 2,700-3,350
69
70 H . G . F. H O L M
b. Berlin 1803, d. Copenhagen 1861
"Udsigt mod Eremitageslottet". View of the Hermitage, north
of Copenhagen. Ca. 1850. Signed Holm. Watercolour on paper.
Sheet size 13,5 x 21 cm.
Erik Housted, A Catalogue Raisonné of the Works of H. G. F. Holm
no. 6074.
Provenance: Bruun Rasmussen auction 391, 1979 no. 52, reproduced p. 52.
DKK 15,000-20,000 / € 2,000-2,700
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PAINTINGS 17TH - 20TH CENTURY
Tuesday 24 November
Lot 71 - 152
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71 CARL LOCHER
b. Flensburg 1851, d. Skagen 1915
Ships in Øresund near Kronborg. Signed Carl Locher. Oil on
canvas. 63 x 97 cm.
DKK 30,000-40,000 / € 4,000-5,350
71
72 CARL LOCHER
b. Flensburg 1851, d. Skagen 1915
Morning sunlight at Hornbæk beach. Signed and dated Carl Locher
Hornbæk 88. Oil on canvas. 42 x 55 cm.
DKK 30,000 / € 4,000
72
88
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73 P. S. KRØYER
b. Stavanger 1851, d. Skagen 1909
A girl from Hornbæk with white headscarf. Signed and dated S. K.
Hornbæk 1876. Oil on canvas. 28 x 23 cm.
Provenance: The estate of Mrs. Karen Levin, her auction Bruun Rasmussen 145, 1962 no. 152.
DKK 200,000-250,000 / € 27,000-33,500
73
74 MICHAEL ANCHER
b. Bornholm 1849, d. Skagen 1927
A young girl from Skagen with a headscarf. Signed M. A. Oil on
cardboard. 35 x 27 cm.
DKK 30,000-40,000 / € 4,000-5,350
74
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75 ANNA ANCHER
b. Skagen 1859, d. s.p. 1935
On the moor after sunset, Skagen. Signed A. A. Oil on canvas.
23.5 x 33 cm.
On the reverse a dedication from Anna Ancher (in Danish): "For the
newlyweds 6 February 1920".
DKK 60,000-80,000 / € 8,050-10,500
75
76 P. S. KRØYER
b. Stavanger 1851, d. Skagen 1909
"Alpeglød. Bjerglandskab i Tyrol". Alpine glow. Mountainous
landscape in Tirol. Signed and dated S. K. 1901 St. Valentin. Oil
on panel. 34 x 65 cm.
H. Chr. Christensen, A Catalogue Raisonné of the Works of P. S.
Krøyer no. 702.
Provenance: Winkel & Magnussen, sold to mr. Walther Ahlqvist,
Helsingfors.
DKK 100,000-150,000 / € 13,500-20,000
76
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77 LAURITS TUXEN
b. Copenhagen 1853, d. s.p. 1927
A girl strolling on the beach. Signed and dated L. T. 98 or 08.
Oil on canvas. 38.5 x 55.5 cm.
In 1908 Tuxen painted a variety of beach pictures from Skagen.
DKK 60,000-100,000 / € 8,050-13,500
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78 ANNA ANCHER
b. Skagen 1859, d. s.p. 1935
Two Skagen wives at a missionary meeting. Study. Signed A.
A. and inscribed "ncher" in pencil. Oil on panel. 24 x 20 cm.
The painting is a study for "Et Missionsmøde" (A missionary
meeting), dated 1903, that one owned by Skagens Museum.
DKK 30,000 / € 4,000
79 MICHAEL ANCHER
b. Bornholm 1849, d. Skagen 1927
78
"Interiør med Anna Ancher der læser højt for sin Moder fru Brøndum".
Interior with Anna Ancher reading to her mother Mrs Brøndum. Signed
and dated Michael Ancher 1908. Oil on canvas. 107 x 148 cm.
Provenance: Paintings by Anna and Michael Ancher belonging to the
estate of Helga Ancher, sold Bruun Rasmussen auction 178, 1965 no. 55
reproduced p. 19.
Michael Ancher has in this beautiful serene painting managed to depict
the closeness and the intimate relationship that existed between his wife
Anna and her mother the old Ane Brøndum. In a corner of the living room
lit by an oil lamp the two women are seated at a table. Ane listening with
thoughtful eyes and folded hands to Anna's reading. On the table the Bible.
DKK 600,000-800,000 / € 80,500-105,000
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80 MICHAEL ANCHER
b. Bornholm 1849, d. Skagen 1927
A woman in a national dress from Bornholm. Signed and dated
M. A. 21. Oil on canvas. 37 x 32.5 cm.
DKK 30,000-40,000 / € 4,000-5,350
80
81 MICHAEL ANCHER
b. Bornholm 1849, d. Skagen 1927
Portrait of the fisherman Peter Røntved from Skagen. Signed
and dated M. A. 96. Oil on canvas. 41 x 39 cm.
DKK 40,000 / € 5,350
81
94
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82 MICHAEL ANCHER
b. Bornholm 1849, d. Skagen 1927
Self-portrait wearing a fur-lined coat and a hat. Signed and
dated M. A. 1903. Oil on panel. 46 x 37 cm.
DKK 50,000-75,000 / € 6,700-10,000
82
83 MICHAEL ANCHER
b. Bornholm 1849, d. Skagen 1927
Portrait of the fisherman Søren Kruuse from Skagen. Signed
and dated M. A. 95. Oil on canvas. 41 x 40 cm.
DKK 40,000-50,000 / € 5,350-6,700
83
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84 MICHAEL ANCHER
b. Bornholm 1849, d. Skagen 1927
A fisherman's wife dressed in a red skirt and a blue headscarf on
the beach, Skagen. Signed and dated M. A. 21. Oil on canvas.
70 x 45 cm.
DKK 40,000-50,000 / € 5,350-6,700
85 ANNA ANCHER
b. Skagen 1859, d. s.p. 1935
"Koner, der plukker Høns". Women plucking hens. Signed and
dated A. Ancher 1915. Oil on canvas. 48 x 62 cm.
Exhibited: Charlottenborg 1915 no. 12.
Anna Ancher was very preoccupied with the motif "plucking poultry", and she painted many variations of it. One of the earliest is "To
gamle, der plukker måger" (Two old people plucking seagulls) from
1883 (Hirschsprung Collection). The figures and how many they
are, vary in each painting, but the characteristic feature of them
all is the basket or vessel placed in the foreground, in which the
feathers are gathered. In this painting it is a large copper vessel. In
her later paintings of the motif the light has changed compared to
the earlier ones. In this painting light comes in from a window on
the left and falls on the back wall where it creates a shadow play of
light and colour -this light is a very characteristic feature of many
of her best paintings. DKK 300,000-350,000 / € 40,000-47,000
84
96
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97
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86 JOHANNES WILHJELM
b. Nakskov 1868, d. Copenhagen 1938
"Pige med Hat". Girl with a hat. The artist's daughter, Sofie
Wilhjelm called Nanni, later married Jarl at the family's cottage
in Skagen. Unsigned. Oil on canvas. 84 x 51 cm.
Johannes Wilhjelm's friendship with P. S. Krøyer led him early into
the circle of painters in Skagen, which he frequently visited, before
he in 1916 settled permanently in Winther's house on Østerbyvej,
where Nanni is painted.
Provenance: The painter's family (1998). Bruun Rasmussen auction
642, 1998 no. 215 reproduced p. 217.
DKK 30,000-40,000 / € 4,000-5,350
87 VIGGO JOHANSEN
b. Copenhagen 1851, d. s.p. 1935
"Interiør fra Charlottenborg". Interior from Charlottenborg. The
artist's wife Martha in a light blue dress sitting in the honorary residence of Charlottenborg surrounded by paintings.
Above the desk can be seen Viggo Johansen's portrait of the
renowned Danish composer Carl Nielsen. Signed and dated Viggo Johansen 1919. Oil on canvas. 68 x 86 cm.
Exhibited: Charlottenborg 1935 no. 259. Kunstforeningen, "Professor Viggo Johansen - Studier og tidlige Billeder", 1936 no. 111.
Provenance: The artist's estate auction, Winkel & Magnussen 199,
1936 no. 292, reproduced p. 39.
DKK 50,000-60,000 / € 6,700-8,050
86
98
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87
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88 MICHAEL ANCHER
b. Bornholm 1849, d. Skagen 1927
"Kaptajn Hart ved Rattet i Snestorm". Captain Hart at the helm
in a snowstorm. Signed and dated Mich. Ancher 14. Oil on canvas. 90 x 81 cm.
Exhibited: "Michael Ancher's Mindeudstilling", Charlottenborg 1928
no. 104.
DKK 150,000 / € 20,000
89 CARL LOCHER
b. Flensburg 1851, d. Skagen 1915
"Storm. Skagen". Stormy weather Skagen. Signed and dated Carl
Locher 1902. Oil on canvas. 82 x 128 cm.
Exhibited: Charlottenborg 1903 no. 775.
DKK 60,000-80,000 / € 8,050-10,500
88
100
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101
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90
91
90 MICHAEL ANCHER
b. Bornholm 1849, d. Skagen 1927
A woman from Skagen with a golden headscarf. Signed M. A.
Oil on panel. 44.5 x 34.5 cm.
DKK 40,000 / € 5,350
91 MICHAEL ANCHER
b. Bornholm 1849, d. Skagen 1927
A fisherman from Skagen sitting in the sunshine, smoking his
pipe. Signed and dated M. A. 18. Oil on panel. 47 x 40 cm.
DKK 40,000 / € 5,350
102
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92 MICHAEL ANCHER
b. Bornholm 1849, d. Skagen 1927
Bonatzi and Merry Elsie. Signed with monogram and dated
1904. 55 x 66 cm.
On the stretcher an old exhibition label.
92
Bonatzi and Elsie were two well-known people in Skagen. The
painters often used them as models. Josef Bonatzi (1845-1913)
was a Bohemian shoemaker who came to Skagen in 1885. He built
a house "Lyrehuset", of what he could find of materials. After his
death the house was used for the Midsummer bonfire. Merry Elsie
Hellesen (1842-1920) was a berry picker and a maid. She picked
berries for the Ancher, the Locher and the Brøndum families. She
lost her sanity when her fiancé drowned a few days before their
wedding.
DKK 50,000-60,000 / € 6,700-8,050
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93
93 MICHAEL ANCHER
b. Bornholm 1849, d. Skagen 1927
A fisherman from Skagen sitting in the afternoon
sun on the beach. Signed M. A. Oil on canvas.
78 x 93 cm.
DKK 100,000-150,000 / € 13,500-20,000
104
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94 LAURITS TUXEN
b. Copenhagen 1853, d. s.p. 1927
"Professor Tuxens Gaard i Skagen V". Tuxen's
house in Skagen. Signed and dated L. Tuxen
Skagen 1915. Oil on canvas. 63 x 77 cm.
Lise Svanholm, A Catalogue Raisonnè of the Works
of Laurits Tuxen no. 1008 with the title (in Danish):
"Houses in Skagen".
Provenance: The estate of the late painter Laurits
Tuxen, Winkel & Magnussen auction 336, 1947 no.
296.
DKK 75,000 / € 10,000
94
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95 L. A. RING
b. Ring 1854, d. Roskilde 1933
"En Kone med tærnet Shawl, hvidt strikket Hovedtørklæde og en
Kurv på Armen, gaaende på en Landevej. Til venstre i Baggrunden
ses en Landsbys røde Tage". A woman with a checkered shawl,
a white knitted headscarf and a basket on her arm, walking on
a country road. In the background the red rooftops of a village.
Signed and dated L. A. Ring 91. Oil on canvas. 78 x 63 cm.
H. Chr. Christensen, A Catalogue Raisonné of the Works of L. A. Ring
no. 240.
Provenance: Manufacturer Joh. G. Guildal.
DKK 40,000-50,000 / € 5,350-6,700
95
96 L. A. RING
b. Ring 1854, d. Roskilde 1933
"Fra Enø. Strandskrænt i klart Vejr. Til venstre en halvmoden Kornmark; i Baggrunden blaaner Fjorden". From Enø. Beach slope in clear
weather. To the left a half ripe cornfield; in the background the fjord
fading into blue. 1909. Signed L. A. Ring. Oil on canvas. 32 x 40 cm.
H. Chr. Christensen, A Catalogue Raisonné of the Works of L. A. Ring no.
628 (here the measures are wrongly indicated as 32 x 18 cm).
DKK 20,000-30,000 / € 2,700-4,000
96
106
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97 L. A. RING
b. Ring 1854, d. Roskilde 1933
"Aftenselskab". People gathering in the home of Erik
Reinhardt in the evening. Interior with friends of L. A.
Ring. Art dealer Peter Magnussen in a rocking chair. In
the sofa cand. juris Albert Paulsen talking to a young
fair-haired woman. In front of the sofa a table with a
carafe of wine, siphon, bluish glasses and oranges. To
the right two persons that hardly can be seen. In the
background a man playing the piano and another man
singing. The room is illuminated with an oil lamp hanging above the table. 1886. Signed L. A. Ring. Oil on
canvas. 45 x 52 cm.
H. Chr. Christensen, A Catalogue Raisonné of the Works of
L. A. Ring no. 846 (1888).
Literature: Peter Hertz , "Maleren L. A. Ring", 1934, reproduced p. 183 with the title (in Danish): "Evening party in
the home of Erik Reinhardt 1886" and pp 177-183 gives a
description of L. A. Ring's ill-fated years in the mid-1880s,
when he was very poor. He had given up his job as a house
decorator and should now make a living alone by selling his
art. Ring was so poor and desperate, that he was considering emigrating to America. Through his friendship with the
painter Christian Clausen, Ring was introduced to a group
of art-loving intellectuals in Copenhagen, several of which
are depicted in this painting. These friendships and patrons
got him back on track.
97
Provenance: Consul General Johan Hansen's collection no.
1433 (1927). Not his auctions.
DKK 40,000-50,000 / € 5,350-6,700
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107
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98
108
861_malerier_s001-168.indd 108
99
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98 PEDER MØNSTED
b. Grenaa 1859, d. Fredensborg 1941
"Suseaaen, Nesbyholm". Danish summer landscape with
grazing cows at Suseåen. Signed and dated P. Mønsted
1916. Oil on canvas. 100 x 70 cm.
DKK 40,000-50,000 / € 5,350-6,700
99 PEDER MØNSTED
b. Grenaa 1859, d. Fredensborg 1941
Hilly landscape near Silkeborg. Signed and dated P.
Mønsted 1908. Oil on canvas. 79 x 56 cm.
DKK 50,000 / € 6,700
100
100 H. A. BRENDEKILDE
b. Brændekilde 1857, d. Jyllinge 1942
The blue door. An elegantly dressed girl visiting her
friend in the garden behind the farmhouse. Signed and
dated H. A. Brendekilde 1919. Oil on panel. 76 x 93 cm.
Period frame carved and gilted.
DKK 75,000-100,000 / € 10,000-13,500
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109
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101 KRISTIAN ZAHRTMANN
b. Rønne 1843, d. Copenhagen 1917
“En siddende Sabinerinde, Lovisa fra Saracinesco”. Sabine woman seated, Lovisa from
Saracinesco. Signed with monogram and dated 1877. Oil on panel. 39 x 26.5 cm.
Period frame.
H. Chr. Christensen, A Catalogue Raisonné of the Works of Kristian Zahrtmann no. 214.
S. Danneskiold-Samsøe, A Catalogue Raisonné of the Works of Kristian Zahrtmann no.
440, mentioned p. 143, reproduced p. 179.
Exhibited: Charlottenborg 1879 no. 287. Liljevalchs Konsthall, Stockholm, “Nyare dansk
konst”, 1919 no. 53. Copenhagen, Forum, “Det danske Kunststævne”, 1929 no. 547.
Literature: “Lovisa”, 1912, reproduced as no. 4.
Provenance: Paintings by Kristian Zahrtmann auctioned 1888, sold to Karl Madsen, curator. W. Salomonsen, merchant. Julius Hertz, merchant. Peter Hertz, curator and Hjalmar
Bruhn, shipbroker. Bruun Rasmussen auction 103, 1959 no. 259, reproduced p. 21. Bruun
Rasmussen auction 381, 1978 no. 138, reproduced p. 17.
DKK 30,000-40,000 / € 4,000-5,350
101
102 JANUS LA COUR
b. Ringkøbing 1837, d. Odder 1909
Rocky coast at Capri. Signed and dated J. l. C. Capri
15. Aug. 1874. Oil on canvas. 40 x 57 cm.
DKK 15,000-20,000 / € 2,000-2,700
102
110
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103
103 ROBERT KRAUSE
b. St. Petersburg 1813, d. Munich 1885
View from the Bay of Naples with Italian fishermen and boats
at the beach. Mount Vesuvius in the background. Signed and
dated Rob. Krause 1856. Oil on canvas. 87 x 128 cm.
DKK 25,000-35,000 / € 3,350-4,700
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111
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104
104 PEDER MØNSTED
b. Grenaa 1859, d. Fredensborg 1941
View from Tremosine at Lake Garda in Italy. Signed and dated
P. Mønsted Tremosine 1909. Oil on canvas. 51 x 84 cm.
DKK 50,000-60,000 / € 6,700-8,050
112
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105 PEDER MØNSTED
b. Grenaa 1859, d. Fredensborg 1941
A peasant family outside their cottage in the outskirts of
Bordighera in Italy. Signed and dated P. Mønsted Bordighera
1902. Oil on canvas. 70 x 118.
DKK 200,000-250,000 / € 27,000-33,500
105
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113
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106
106 JANUS LA COUR
b. Ringkøbing 1837, d. Odder 1909
"I Landsbyen. Vinterdag med klart Frostvejr". A winter day in
clear frost and "Ved Vintertid uden for en Bondegaard". A winter
day at a farm. Signed and dated respectively J. la Cour 1885 and
J. la Cour 1886. Oil on canvas. 60 x 95 cm each. (2).
Janus la Cour painted the two works for Baron Güldencrone. They
depict the farm Langballegaard seen from either side of the road that
runs in front of the farm, on days with different winter weather. The
artist acquired Langballegaard in 1888 and moved in shortly after.
Exhibited: Charlottenborg (supplement) 1886 no. 566 and no. 567.
Århus Kunstforening, "Janus la Cour", 1969 no. 73 and no. 70.
Literature: Rikard Magnussen, "Landskabsmaleren Janus la Cour
1837-1909", Copenhagen 1928, mentioned p. 118-120, both reproduced p. 120.
Provenance: Baron Güldencrone of Vilhelmsborg. This family until
today.
DKK 80,000-100,000 / € 10,500-13,500
106
114
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107
107 PEDER MØNSTED
b. Grenaa 1859, d. Fredensborg 1941
Two children picking anemones in a beech forest on a spring
day. Signed and dated P. Mønsted Vallø 1935. Oil on canvas.
50 x 70 cm.
DKK 100,000-150,000 / € 13,500-20,000
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115
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109 CARL BØGH
b. Copenhagen 1827, d. s.p. 1893
"Kronvildt i Dyrehaven". Deer in Dyrehaven (The
Deer Park north of Copenhagen). Signed and dated
Carl Bøgh 1889. Oil on canvas. 158 x 212 cm.
Exhibited : Charlottenborg 1890 no. 76. "Made by the
order of HM the King of the Hellenes".
Provenance: The Royal Family, then acquired by forest
owner Troensegaard, whose family had owned it until
recently.
108
108 CARL BØGH
b. Copenhagen 1827, d. s.p. 1893
"Kronvildt. Motiv fra Rold Skov". Red deer in Rold Forest,
Jutland. Signed and dated Carl Bøgh 1887. Oil on canvas.
100 x 143 cm.
Exhibited: Charlottenborg 1887 no. 60.
DKK 40,000-50,000 / € 5,350-6,700
116
861_malerier_s001-168.indd 116
About this painting and the white Wurzburg deer
the following story was told: Christian IX's son-inlaw, Tsar Alexander II of Russia, who was married to
Princess Dagmar of Denmark, participated in a hunt
in Dyrehaven, the Deer Park north of Copenhagen,
although he was an incompetent shooter. When the
hunt was called off and the day's prey was displayed,
Alexander II had nothing to show. Resolutely he shot
Christian IX's white favorite deer, the depicted tame
Wurzburg deer, which used to come to the King and
eat from his hand. When the King heard the news and
saw the painting, he threw his small silver-cane up in
the painting which resulted in a gash - the painting's
upper clouds are the result of the restoration.
The king ordered the painting dismantled and removed, and he never saw it again.
DKK 150,000-250,000 / € 20,000-33,500
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109
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117
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110 SIEGWALD DAHL
b. Dresden 1827, d. 1902
"Waldpartie bei Abendbeleuchtung". Forest scene in an evening light.
Signed and dated Siegwald Dahl 1893. Oil on canvas. 83 x 65 cm.
On the stretcher a label inscribed "S. Dahl Nachlaß" (S. Dahl's estate).
DKK 25,000-30,000 / € 3,350-4,000
111 JANUS LA COUR
b. Ringkøbing 1837, d. Odder 1909
"Efteraarsdag ved Skovmølleaaen". An autumn day at a stream
(Skovmølleåen). Signed and dated Janus la Cour 1904. Oil on canvas. 120 x 154 cm.
Rikard Magnussen, A Catalogue Raisonné of the Works of Janus la Cour
no. 837.
Exhibited: Charlottenborg 1904 no. 113.
DKK 60,000 / € 8,050
110
118
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111
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119
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112 OLE RING
CD
b. Baldersbrønde 1902, d. 1972
"Fra Borup ved Rønnede". From Borup near Rønnede. Early
spring. Signed Ole Ring. Oil on canvas. 60 x 90 cm.
The painting has been reproduced by Egmont H. Petersen Kgl.
Hof-Bogtrykkeri (the Royal book printer). Label on the back with
the information, that the painting has been exhibited at Charlottenborg.
DKK 40,000 / € 5,350
112
113 JOHANNES LARSEN
CD
b. Kerteminde 1867, d. s.p. 1961
Winter in Kerteminde with great titmouse and chaffinch. Signed
with monogram and dated 1911. Watercolour on paper. 48 x 61 cm.
Literature: Ernst Mentze, "Johannes Larsen. The painter's Memoirs", p.
127, here is a similar motif from the artist's sketchbook reproduced.
DKK 30,000 / € 4,000
113
120
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114
114 C. O. ZEUTHEN
b. Kastrup 1812, d. Frederiksberg 1890
Summer day in Toldbodvej (Esplanaden). Signed and dated
Zeuthen 1879. Oil on canvas. 84 x 135 cm.
DKK 30,000-40,000 / € 4,000-5,350
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121
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115 PAUL FISCHER
b. Copenhagen 1860, d. s.p. 1934
The actress Oda Nielsen dressed in black sitting in the artist's
living-room at Sofievej. Signed Paul Fischer. Oil on canvas.
51 x 45 cm.
Oda Nielsen (1851-1936) was a Danish actress with commitment at the Royal Danish Theatre in Copenhagen.
Provenance: Bruun Rasmussen auction 115, 1960 no. 113.
DKK 60,000-80,000 / € 8,050-10,500
115
116 PAUL FISCHER
b. Copenhagen 1860, d. s.p. 1934
An elegant lady is buying flowers at Højbro Plads in Copenhagen. Signed Paul Fischer. Oil on panel. 25 x 20.
DKK 30,000-50,000 / € 4,000-6,700
116
122
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117 CARL HOLSØE
b. Aarhus 1863, d. Asserbo 1935
Evening interior. A maid lights the candles before
dinner. Signed C. Holsøe. Oil on canvas. 93 x 90 cm.
DKK 250,000-300,000 / € 33,500-40,000
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117
123
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118 PAUL FISCHER
b. Copenhagen 1860, d. s.p. 1934
Two young women bathing from the rocks. Signed Paul Fischer.
Oil on canvas. 50 x 55 cm.
DKK 80,000-100,000 / € 10,500-13,500
118
119 ERIK HENNINGSEN
b. Copenhagen 1855, d. s.p. 1930
Street scene from Copenhagen with children watering a horse.
Signed and dated Erik Henningsen 1925. 54 x 50 cm.
Presumably exhibited at Charlottenborg in 1925 as no. 176 with
the title "Drikkekumme" (drinking fountain).
Exhibited: Københavns Bymuseum 1969.
DKK 30,000-40,000 / € 4,000-5,350
119
124
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121
120 PAUL FISCHER
121 PAUL FISCHER
b. Copenhagen 1860, d. s.p. 1934
b. Copenhagen 1860, d. s.p. 1934
"Carmen". Signed Pavl Fischer. Oil on canvas. 47 x 23 cm.
Around 1900 Fischer also spelled his first name Pavl. See Steffen Linvald, "Paul Fischer-københavnernes maler" for other
examples pp. 112-115. DKK 25,000-35,000 / € 3,350-4,700
Elegant ladies and a yellow tram in Øster Farimagsgade.
To the right Kommunehospitalet (the Municipal Hospital).
1890s. Signed Paul Fischer. Oil on canvas. 43 x 65 cm.
DKK 150,000-200,000 / € 20,000-27,000
120
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125
02/11/15 17.50
122
122 H. A. BRENDEKILDE
b. Brændekilde 1857, d. Jyllinge 1942
"Susaaen ved Næstved." A mother with her little girls picking
flowers at the riverbank of Suseåen. Signed H. A. Brendekilde.
Oil on canvas. 58 x 85 cm.
DKK 75,000 / € 10,000
126
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123 PEDER MØNSTED
b. Grenaa 1859, d. Fredensborg 1941
Summer day at the lake (Bondedammen) in Hellebæk.
Signed and dated P. Mønsted Hellebæk 1891. Oil on canvas.
82 x 119 cm.
DKK 75,000-125,000 / € 10,000-17,000
123
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127
02/11/15 17.50
124
128
861_malerier_s001-168.indd 128
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124 PAUL FISCHER
b. Copenhagen 1860, d. s.p. 1934
Fresh fish! Fishviwes selling fish at Gammel Strand in Copenhagen. Signed and dated Paul Fischer 1919. Oil on canvas.
58 x 74 cm.
DKK 150,000-250,000 / € 20,000-33,500
125 CARL HOLSØE
b. Aarhus 1863, d. Asserbo 1935
Interior with a young woman peeling fruit. Signed C. Holsøe.
Oil on canvas. 46 x 41 cm.
DKK 100,000-125,000 / € 13,500-17,000
125
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129
02/11/15 17.50
126
126 VILHELM ARNESEN
CD
b. Flensburg 1865, d. Copenhagen 1948
The Battle of Køge Bay in 1677 during the Scanian War.
Signed Vilh. Arnesen. Oil on canvas. 99 x 132 cm.
DKK 30,000-50,000 / € 4,000-6,700
130
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127
127 CHRISTIAN MØLSTED
b. Dragør 1862, d. s.p. 1930
"Havnen ved gamle Knippelsbro 1893. Solnedgang, i September".
The old Knippelsbro in Copenhagen 1893. Sunset, September. Signed
and dated Chr. Mølsted 1893-1930. Oil on canvas. 106 x 137 cm.
Exhibited: Charlottenborg 1930 no. 324.
DKK 50,000-60,000 / € 6,700-8,050
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131
02/11/15 17.51
128
128 CHRISTIAN ZACHO
b. Grenaa 1843, d. Hellerup 1913
"La Tournette. Bjerglandskab i Savoyen ved Lac d'Annecy".
La Tournette. Mountain landscape in Savoy at Lac d'Annecy.
Signed and dated Chr. Zacho 1910. Oil on canvas. 85 x 123 cm.
Exhibited: Charlottenborg 1910 no. 521.
DKK 25,000 / € 3,350
132
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129
129 I. E. C. RASMUSSEN
b. Ærøskøbing 1841, d. The Atlantic Ocean 1893
A summer day on Svendborgsund. Signed and dated J. E. C. R.
1893. Oil on canvas. 37 x 54 cm.
DKK 30,000 / € 4,000
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133
02/11/15 17.51
130
130 EMANUEL A. PETERSEN
CD
b. Frederiksberg 1894, d. Farum 1948
Three-master off Kronborg. Signed Em. A. P. Oil on canvas.
70 x 100 cm.
DKK 25,000-35,000 / € 3,350-4,700
131 VILHELM MELBYE
b. Helsingør 1824, d. Roskilde 1882
Seascape with numerous sailing ships near a rocky coast.
Signed Vilh. Melbye. Oil on canvas. 40 x 62 cm.
Provenance: Bruun Rasmussen auction 26, 1951 no. 78.
DKK 25,000-30,000 / € 3,350-4,000
131
134
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132 HARALD MOLTKE
CD
b. Helsingør 1871, d. Frederiksberg 1960
A sealer's wife carrying her child on her back standing
in a Greenlandic landscape next to a fiord. Signed with
monogram. Oil on canvas. 115 x 97 cm.
DKK 50,000-60,000 / € 6,700-8,050
132
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133 EMANUEL A. PETERSEN
CD
b. Frederiksberg 1894, d. Farum 1948
Morning atmosphere amid fog and sunny haze. Signed
Emanuel A. Petersen. Oil on canvas. 70 x 100 cm.
DKK 30,000-40,000 / € 4,000-5,350
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134 EMANUEL A. PETERSEN
CD
b. Frederiksberg 1894, d. Farum 1948
Sunset at Christianshåb (Quasigiannguit). Signed Emanuel A.
Petersen. Oil on canvas. 70 x 100 cm.
DKK 30,000-40,000 / € 4,000-5,350
134
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135 RAPHAEL VON AMBROS
b. Prague 1855, d. Gutenstein 1895
Street scene from Cairo. Signed and dated R. Ambros 93
Au Caire. Oil on panel. 32 x 20.5 cm.
DKK 50,000-60,000 / € 6,700-8,050
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138
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136 GEORGE MORLAND, AFTER,
EARLY 19TH CENTURY
"Slave Trade" and "African Hospitality". Unsigned. Oil on canvas.
43 x 58 cm each. (2).
In 1788 George Morland exhibited the painting "Execrable human
traffic" or "The affectionate slave", later known with the title" Slave
Trade", at the Royal Academy in London and in 1790 he exhibited
"African Hospitality ". Already in 1790 the printmaker J. R. Smith
offered two prints after the two paintings, and the first ones were
printed in London in 1791. The painting "Slave Trade" was probably
the first painting against the slave trade publicly exhibited in England, and it is no coincidence that this took place just a year after
the Society for the Abolition of the Slave Trade was founded in 1787
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in London. There was a strong growing sentiment in the population
against slavery, and the two paintings clearly try to appeal to those
feelings. It is therefore not surprising that the two prints quickly became very popular and sold well - often as a pair, one depicting a
black African man's compassion and helpfulness to a shipwrecked
European family, and the other depicts the white European man,
who brutally removes an African man from his family to sell him
as a slave. The prints popularity made the motifs widely known and
copied. These two paintings are two very early copies after the
prints after the paintings of George Morland.
DKK 40,000-60,000 / € 5,350-8,050
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137 PETER CRAMER
b. Copenhagen 1726, d. s.p. 1782
Winter landscape with men by a hole in a frozen lake. In
the background a tower ruin. Unsigned. Oil on canvas.
64 x 80 cm.
DKK 25,000 / € 3,350
138 C. A. LORENTZEN
b. Sønderborg 1746, d. Copenhagen 1828
Portrait of a young Danish naval officer in a rococo costume holding a map of Zeelandia (Sjælland) in his hand.
In the background a globe. Signed and dated C. A. Lorentzen 8 Mertz Kiö... 1777. Oil on canvas. 79 x 62 cm.
The map on the table is the first one published in 1777
by the navigation director Carl Christian Lous. He and his
brother had a monopoly on the sale of charts until 1784,
when the Royal Map Archive was founded.
137
Who is the young man in his blue naval officer dress with
gold embroidery? It has been suggested that it depicts Poul
de Løwenørn (1751-1826), who became naval officer in
1776.
DKK 25,000-35,000 / € 3,350-4,700
139 JACOB D'AGAR, ASCRIBED TO
b. Charenton near Paris 1642, d. Copenhagen 1715
Portrait of a noblewoman in a white dress and a blue
taffeta shawl. Her hair decorated with flowers. In her
hand she holds a tame cockato. On a table a jardiniere with flowers and fruit. Unsigned. Oil on canvas.
80 x 65 cm.
DKK 30,000 / € 4,000
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140 A N D R E A S C AC C I AT I , S T Y L E O F,
18TH CENTURY
Still life with flowers and a parrot. Unsigned. Oil on portal
shaped canvas. 132 x 69 cm. Period frame.
DKK 50,000 / € 6,700
141 JOHAN FRIEDRICH GERHARD
b. Franconia after 1695, d. Copenhagen 1748
A pair of portraits of Johan Sigismund Count Schulin
(Prichsenstadt, Franconia 1694-1750). Count, Privy Council
and Secretary under the kings Christian VI and Frederik V,
and his second wife Catharina Maria von Møsting (Copenhagen 1714-1770). He dressed in flowered vest and red velvet
coat carrying the Grand Cross of the Order of Dannebrog. She
standing in a park wearing a floral dress and red shawl. In her
right hand she is holding a hat. The left arm resting on a basket of flowers. Unsigned. Oil on copper. 33 x 23.5 cm. Richly
carved gilded rococo frames.
The gifted Schulin started his career as a steward under the
Franconian-born Danish Crown Princess Sophie Magdalene's
brothers. Later he moved to Denmark and worked for Christian VI.
Schulin had a long career especially in foreign policy.
Johan Friedrich Gerhard was like Schulin born in Franconia.
They knew each other well and it was Schulin, who arranged the
contact to the Danish royal family in 1741, where Christian VI
bought a work by Gerhard. In 1742 the painter received Danish
citizenship and was paid for two paintings painted on copper. It
could be the present portraits. He always painted on copper.
Provenance: Tølløse manor house, the Schulin-Zeuthen family
until today.
DKK 75,000-100,000 / € 10,000-13,500
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142
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143 J E A N - BA P T I S T E P I L L E M E N T, S T Y L E O F,
18TH CENTURY
142 FLEMISH PAINTER, 17TH CENTURY
Abraham's sacrifice of Isaac. Signed with monogram RAL on
the knife. Oil on canvas. 99 x 155 cm.
DKK 40,000 / € 5,350
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Two scenes from the Orient. Summer day with a man courting a woman
holding a fruit platter and A distinguished lady at her morning toilette
in the garden. Unsigned. Oil on canvas. 158 x 100 cm each. (2).
DKK 100,000-150,000 / € 13,500-20,000
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145
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144 P. P. RUBENS
b. Siegen 1577, d. Antwerp 1640
Saint Catherine. C. 1620-1630. Inscribed in print P. Paul Rubens
fecit. Etching and burin on fine laid paper with watermark
"Arms of Amsterdam". Hollsteins third and final state. Indistinct collector's inscription upper left corner verso. Sheet size
300 x 198 mm. Unframed.
A dark and well printed impression of this rare print.
Literature: Kristin L. Spangenberg (red), "Six Centuries of Master
Prints: Treasures from the Herbert Green French Collection", Cincinnati Art Museum 1993, p. 151-152.
DKK 30,000 / € 4,000
145 H E N D R I C K VA N BA L E N , S C H O O L O F,
17TH-18TH CENTURY
The Rape of the Sabine Women. Unsigned. Inscribed H. van
Balen. Oil on canvas. 192 x 243 cm.
Hendrick van Balen (1575-1632) played an important role in the
renewal of Flemish painting in the 17th century. He had a large
workshop with many pupils, among others, Anthony van Dyck. He is
also known for his collaboration with Jan Brueghel the Elder (15681625). They painted several mythological, allegorical and biblical
motifs together. As a figure painter van Balen painted the figures,
and Brueghel painted the landscape and the many still-life elements in the works. In this painting the figure composition is very
much inspired by van Balen's often very complex compositions with
full and half naked people in extreme positions with perspectively
foreshortened limbs and twisted bodies.
DKK 200,000-300,000 / € 27,000-40,000
144
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146 WILLEM VAN DRILLENBERG,
ASCRIBED TO
b. Utrecht 1635, d. 1677
A view of Utrecht. Unsigned. Inscribed Dort. Oil on panel.
59 x 84 cm.
DKK 25,000-35,000 / € 3,350-4,700
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147 ITALIAN PAINTER 17TH CENTURY
View of Napoli di Romania. Unsigned. Oil on panel. 12 x 18 cm.
Napoli di Romania is a seaport town in the Peloponnese in Greece that has
expanded up the hillsides near the north end of the Argolic Gulf. The town was
an important seaport held under a succession of royal houses in the Middle
Ages as part of the lordship of Argos and Nauplia, held initially by the de la Roche following the Fourth Crusade before coming under the Republic of Venice
and, lastly, the Ottoman Empire.
DKK 40,000-50,000 / € 5,350-6,700
148 RAPHAEL, AFTER, 17TH CENTURY
"La Madonna del Divino Amore". Unsigned. Oil on canvas. 142 x 114 cm.
Verso two red wax seals, one inscribed Firenze.
The original painting by Raphael from about 1516-1518 is at the Museo
Nazionale di Capodimonte in Naples. DKK 50,000-60,000 / € 6,700-8,050
147
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149
02/11/15 17.52
149 MICHAEL DAHL, ASCRIBED TO
b. Stockholm 1656 or 1659, d. London 1743
Portrait of an English nobleman with a dog and a gun in his
right hand. C. 1710. Unsigned. Oil on canvas. 128 x 106 cm.
Michael Dahl was a Swedish portrait painter who lived and
worked in London most of his career.
DKK 30,000 / € 4,000
150
150 ITALIAN PAINTER, 17TH CENTURY
Portrait of a noble lady. Unsigned. Oil on canvas. 95 x 70 cm.
Provenance: Bruun Rasmussen auction 460, 1984 nr. 12a, here
catalogued as painted by Alessandro Maganza (1556-1630) and
as signed AM on the bracelet.
DKK 40,000-50,000 / € 5,350-6,700
149
150
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151 FLORENTINE PAINTER,
17TH CENTURY
Youth with bouquet of flowers and red and white feathers
in his hair. Unsigned. Oil on canvas. 75 x 62 cm.
DKK 30,000 / € 4,000
152
152 PRAGUE SCHOOL, C. 1600
David with Goliath's head. Unsigned. Oil on panel.
69 x 54 cm.
DKK 30,000-40,000 / € 4,000-5,350
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Vilhelm Hammershøi: Interior. Strandgade 30. 1904.
Oil on canvas. 70 x 54 cm.
Estimate: DKK 4,000,000-6,000,000 / € 535,000-805,000
Vilhelm Hammershøi: Landscape with trees.
Pencil on paper. Visible size 38 x 54 cm.
Estimate: DKK 75,000-100,000 / € 10,000-13,500
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VILHELM HAMMERSHØI
Upcoming Auction - 1 March 2016
We are currently looking for artwork for our
Hammershøi theme auction. All the works will
be shown at exhibitions in London and Paris.
Consignment deadline: Monday 25 January
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ORIENTAL ART
26 November 2015, 3 pm
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JEWELLERY
30 November 2015, 4 pm
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MODERN ART
1 and 2 December 2015
Pablo Picasso: “Tripode”, 1951. Numbered 10/75.
Estimate: DKK 1,200,000-1,500,000 / € 160,000-200,000
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DESIGN
3 December 2015, 4 pm
Finn Juhl: “FJ 45”.
Estimate: DKK 250,000-300,000 / € 33,500-40,000
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KØBSKONDITIONER
§ 1. BUDGIVNING
Køber er den byder, der får hammerslag. Den, der byder for andre, hæfter som selvskyldnerkautionist
for berigtigelsen af købet.
På opfordring fra Bruun Rasmussen Kunstauktioner (herefter benævnt Bruun Rasmussen), skal
alle bydere, hvadenten de ønsker at afgive et bud ved personligt fremmøde på auktionsstedet eller
afgive en kommission pr. brev, fax eller hjemmeside eller byde direkte pr. telefon eller hjemmeside,
kunne dokumentere deres betalingsdygtighed samt til enhver tid identificere sig. Bruun Rasmussen
er altid berettiget til at nægte at acceptere et bud, hvis på forlangende ikke tilstrækkelig sikkerhed
er stillet eller en passende à conto betaling har fundet sted.
Bud afgives af byderen ved personligt fremmøde på auktionsstedet eller ved skriftlig kommission
enten pr. brev, fax eller hjemmeside. På online-auktioner afgives bud direkte fra hjemmesiden.
Afgivelse af bud pr. telefon er muligt under visse forudsætninger, der afgøres af Bruun Rasmussen.
Bruun Rasmussen påtager sig intet ansvar for eventuelle fejl eller fejltagelser, der måtte opstå ved
brug af denne service. Auktionarius bestemmer overbuddets størrelse og træffer ligeledes afgørelse i
alle tvivlstilfælde om budgivningen.
For at kunne byde på Bruun Rasmussens auktioner kræves forud-gående registrering af byders betalingskort-/kreditkortoplysninger.
§ 2. BETALING
Ved køb på alle traditionelle auktioner tillægges hammerslagsprisen 30% (for vin, mønter og
frimærker 25%), der dækker salær på 24% samt moms af salæret.
Ved køb på alle net-auktioner tillægges hammerslagsprisen 25%, der dækker salær på 20% samt
moms af salæret.
Visse numre handles efter særlige regler til fuldmoms, så udover auktionsomkostninger på 24% (for
net-auktioner, vin, mønter og frimærker dog 20%), beregnes moms på 25% af både hammerslag og auktionsomkostninger. Disse numre er mærket med en stjerne (*).
Danske momsregistrerede købere skal overfor Bruun Rasmussen oplyse deres SE-/CVR-nr. (momsnr.), da dette skal anføres på de fakturaer, hvor varen købes i fuld moms.
For visse udenlandske købere gælder der særlige regler for afgiftsfritagelse jvf. § 4. Afgiftsfritagelse
omfatter ikke EU private købere, som ligestilles med danske købere jvf. gældende dansk lovgivning
om handel med brugte varer, kunstgenstande, samlerobjekter og antikviteter.
Købesummen forfalder til betaling ved tilslaget. Der kan betales kontant op til DKK 50.000 eller
med Dankort, banknoteret check, rejsechecks, Visa-, Master-, Diners Club- eller Eurocard. Personlige
udenlandske checks kan kun anvendes efter forudgående aftale.
På de traditionelle auktioner i Bredgade skal betaling af købte emner finde sted under eller umiddelbart efter auktionen og under alle omstændigheder senest 8 dage efter fakturadatoen. På
net-auktionerne trækkes købesummen automatisk på det af kunden oplyste betalings-/kreditkort i
forbindelse med, at det købte emne udtages til transport (ca. 12 timer efter dagens salg). Samtidig
tilsendes køber faktura og transportoplysninger.
Betales købesummen ikke rettidigt, skal der svares rente heraf med 1,5% pr. påbegyndt måned.
Betales købesum og renter ikke inden 8 dage efter at Bruun Rasmussen har afsendt påkrav herom til køber, er Bruun Rasmussen berettiget til at annullere købet og bortsælge det købte på ny
auktion hos Bruun Rasmussen eller underhånden og afkræve køber ethvert herved opstået tab. Et
eventuelt overskud tilfalder den, der har indleveret det købte til auktion.
Har den misligholdende køber tilgodehavender fra salg af effekter hos Bruun Rasmussen, er Bruun
Rasmussen berettiget til at berigtige ethvert tilgodehavende hos køber ved modregning.
Har den misligholdende køber indleveret andre effekter til salg, er Bruun Rasmussen berettiget til
at bortsælge sådanne effekter på auktion hos Bruun Rasmussen uden at være bundet af en af
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den misligholdende køber fastsat mindstepris. Den misligholdende køber er ikke berettiget til at
kræve udlevering af effekter indleveret til salg, så længe forfalden gæld til Bruun Rasmussen ikke er
betalt, uanset om værdien af sådanne effekter må anses at overstige forfalden gæld.
Bruun Rasmussen er berettiget til at afvise bud afgivet af en køber, der er i misligholdelse med sine
betalingsforpligtelser over for Bruun Rasmussen eller et bud afgivet af en anden på den pågældendes
vegne, ligesom Bruun Rasmussen er berettiget til at kræve et depositum som betingelse for accept af
fremtidige bud.
§ 3. FORTRYDELSESRET
A. Ved køb på alle traditionelle auktioner er der ikke fortrydelsesret. Køb kan derfor ikke fortrydes,
uanset om budafgivning er via web-kommissionsbud, live-bidding eller på anden vis.
B. For privatkøb af emner på en online-auktion gælder loven om fjernsalg, herunder også 14 dages fortrydelsesret. Eventuelle omkostninger forbundet med transport af købte emner retur fra
køber, betales af køber selv.
Såfremt køber benytter sig af sin fortrydelsesret, refunderer Bruun Rasmussen betalingen
umiddelbart efter, at varen er sendt retur og modtaget af Bruun Rasmussen. Bruun Rasmussen
gør opmærksom på, at det herefter er op til bankerne/kreditkortselskaberne, hvornår refusionen
indgår på købers konto.
§ 4. AFGIFTSFRITAGELSE
Udenlandske købere, der opfylder en af nedenstående betingelser, betaler de gældende salærsatser jf.
ovenstående, men bliver ikke belastet af dansk moms. Den danske moms deponeres dog hos Bruun Rasmussen, indtil eksporten er gennemført på dokumenteret lovpligtig vis.
A. Købere, som er momsregistreret i et andet EU-land, kan fritages for at betale dansk moms, når det
kan dokumenteres, at købet er transporteret til den adresse, som køber har angivet over for Bruun
Rasmussen og som er anført på fakturaen. I sådanne tilfælde skal der afregnes moms i henhold til de
gældende regler i det land, hvor virksomheden er momsregistreret. Det tilrådes at søge oplysning hos
de lokale myndigheder.
B. Købere med bopæl uden for EU kan fritages for dansk moms, når det kan dokumenteres, at købet
er transporteret ud af EU. Bruun Rasmussen udsteder så vidt muligt de fornødne eksportpapirer, som
skal fremvises ved toldmyndighederne, og forbeholder sig ret til at opkræve et gebyr herfor.
Foretages eksporten af en af Bruun Rasmussen godkendt speditør skal momsen ikke deponeres. Se listen
over godkendte speditører
§ 5. AFGIFTSBETALING
A. Momsregistrerede virksomheder i andre EU-lande kan undlade at gøre brug af muligheden for
momsfritagelse og i stedet betale dansk brugtmoms/fuldmoms. Dette skal meddeles Bruun Rasmussen inden kl. 10 dagen efter købet.
B. Momsregistrerede virksomheder i Danmark kan vælge at betale fuldmoms jf. ovenstående. Dette
skal meddeles Bruun Rasmussen inden kl. 10 dagen efter købet.
§ 6. UDLEVERING
Købesummen skal være betalt, inden det købte kan udleveres til køberen. Det købte henligger fra
hammerslaget for købers regning og risiko. For varer, der ikke afhentes ifølge aftale efter hammerslaget, vil blive kørt på fjernlager på købers regning og risiko. Købte varer, der er betalt, men ikke
afhentet, vil efter 1 år blive videresolgt for købers regning ved auktion eller underhånden.
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§ 7. FORSENDELSE
Såfremt Bruun Rasmussen påtager sig at emballere og fremsende købte varer, sker dette på købers
regning og risiko. Bruun Rasmussen kan således ikke drages til ansvar for skader forvoldt på købte
varer under forsendelse eller for forsvundne forsendelser.
§ 8. KUNSTNERAFGIFT TIL COPY-DA N
CD
Ifølge gældende dansk lovgivning om ophavsret skal der opkræves følgeretsvederlag for værker af
nyere danske og visse udenlandske kunstnere, som enten er nulevende eller ikke har været døde i mere
end 70 år. Følgeretsvederlaget opkræves af Bruun Rasmussen på vegne af kunstnernes organisation
Copydan. Disse værker er mærket (CD) for Copydan ud for katalognummeret.
Den såkaldte Copydan-afgift tillægges hammerslagsprisen inkl. salær, når beløbet overstiger €300.
Copydan-afgiften er:
• 5% af den del af hammerslagsprisen og salæret (ekskl. moms), der udgør indtil €50.000.
• 3% af den del af hammerslagsprisen og salæret (ekskl. moms), der ligger mellem € 50.000
og € 200.000.
• 1% af den del af hammerslagsprisen og salæret (ekskl. moms), der ligger mellem € 200.000
og € 350.000.
• 0,5% af den del af hammerslagsslagsprisen (ekskl. moms), der ligger mellem € 350.000
og € 500.000.
• 0,25% af den del af hammerslagsprisen (ekskl. moms), der ligger over € 500.000.
Copydan-afgiften kan ikke overstige € 12.500 for det enkelte kunstværk.
Euro-kursen er fastsat af Copydan i 2015 til kurs 744,01 pr. € 100.
behæftet med væsentlige fejl, der har medført en væsentlig højere hammerslagspris, end en korrekt
beskrivelse må antages at ville have resulteret i, er køber berettiget til at annullere købet, hvorefter
den samlede erlagte købesum tillagt auktionsomkostninger og evt. moms, vil blive refunderet køber.
Væsentlige fejl i beskrivelsen relateret til mål eller vægt erstattes kun procentuelt i forhold til differencen.
Retten til under de her anførte betingelser at annullere et køb kan kun udøves af den, der købte
den pågældende effekt hos Bruun Rasmussen og er betinget af, at krav om annullering fremsættes
skriftligt over for Bruun Rasmussen inden 2 år efter købsdagen, og af at det købte inden samme
frist returneres til Bruun Rasmussen i den samme stand i enhver henseende, som det købte var i på
hammerslagstidspunktet.
Køber kan i tilfælde af annullering ikke gøre krav på betaling af renter af købesummen og er ej
heller berettiget til at kræve anden udgift eller tab, herunder eventuel mistet videresalgsfortjeneste,
dækket.
Et køb kan ikke kræves annulleret efter ovenstående bestemmelser, såfremt:
a. beskrivelsen i katalog eller på hjemmesiden på hammerslagsdagen var i overensstemmelse med
den på dette tidspunkt gældende opfattelse blandt lærde og eksperter.
b. den eneste måde til på salgstidspunktet at få fastslået et falskneri var iværksættelsen af videnskabelige processer, hvis gyldighed først blev anerkendt efter salgstidspunktet, eller som ville have
været uforholdsmæssigt omkostningskrævende eller uigennemførlige uden beskadigelse af den
pågældende effekt.
I tillæg til ovenstående frist gælder de almindelige forældelsesregler i forældelsesloven, efter hvilke
køber ikke under nogen omstændigheder kan gøre noget krav gældende over for Bruun Rasmussen,
når der er forløbet mere end 5 år fra købsdagen.
Bruun Rasmussen Kunstauktioner
Jesper Bruun Rasmussen, Auktionsholder
Jørgen Byriel, Auktionsleder
§ 9. EKSPORTTILLADELSE
Kulturværdiudvalget er blevet ansøgt om eksporttilladelse, hvor dette kræves iflg. gældende dansk
lovgivning om sikring af kulturværdier i Danmark. Foreligger en sådan ikke, vil dette blive meddelt
den udenlandske køber umiddelbart efter hammerslaget. Derefter vil Bruun Rasmussen igen ansøge
Kulturværdiudvalget på købers vegne, nu hvor prisen kendes. Gives eksporttilladelse ikke, er Kulturværdiudvalget forpligtet til at overtage det købte til den opnåede pris, hvilket betyder at købet
bliver hævet for køber.
§ 10. BESKRIVELSE AF EMNER
Alt sælges i den stand, hvori det ved hammerslaget er at forefinde og som beskrevet i katalog eller
hjemmeside med senere offentliggjorte ændringer og modifikationer.
Beskrivelsen er foretaget efter bedste overbevisning og under anvendelse af de anførte katalogiseringsprincipper.
De solgte effekter er ofte af en alder eller af en art, der bevirker, at de kan være behæftet med fejl,
mangler, restaurering eller beskadigelser, der ikke nødvendigvis angives i katalog eller på hjemmesiden. Afbildninger i katalog eller på hjemmesiden er blot til identifikation og kan ikke anvendes til
vurdering af effekternes stand.
Enhver der ønsker at byde på auktion, bør derfor ved selvsyn på de før auktionen afholdte eftersyn
forvisse sig om de ønskede effekters stand.
Beskrivelsen er udtryk for den på salgstidspunktet blandt lærde og eksperter herskende opfattelse.
Skulle der efter købet opstå tvivl om det købtes ægthed eller dettes overensstemmelse med beskrivelsen, skal dette straks meddeles til Bruun Rasmussen.
Såfremt det må erkendes, at det købte er en forfalskning, eller såfremt beskrivelsen har været
BRUUN RASMUSSEN BREDGADE AUCTION 861
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KOMMISSIONER
Bruun Rasmussen påtager sig at byde i kommission for bydere, der ikke kan være til stede ved auktionen. Det er en forudsætning, at kommissioner indleveret pr. brev eller fax er Bruun Rasmussen i
hænde i 24 timer før auktionens start, så om nødvendigt bydernes kreditværdighed kan undersøges.
Via hjemmesiden er denne deadline 3 timer. Bruun Rasmussen påtager sig intet ansvar for eventuelle
fejltagelser, der måtte opstå ved brug af denne service
KONDITIONSRAPPORTER
Bruun Rasmussen påtager sig, hvis det er muligt, at orientere nærmere om numrenes kondition
og tilstand. Dette er ment som en service for kunder, der ikke selv har mulighed for ved selvsyn at
undersøge numrene på eftersynet. Det understreges, at de givne oplysninger ikke kan gøres til genstand for reklamationer; her henvises til beskrivelsen.
FRITAGELSE FOR DANSK FULDMOMS
Købere skal ifølge § 2 betale fuldmoms af de varer der i katalog eller på hjemmesiden er markeret
med stjerne (*).
Når virksomheder, der er momsregistrerede i andre EU-lande, køber hos Bruun Rasmussen og
videresælger til private, skal der ikke betales dansk moms, men moms i henhold til de regler der
gælder, hvor den udenlandske virksomhed er momsregistreret. Det tilrådes at søge oplysning hos de
lokale myndigheder.
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CONDITIONS OF PURCHASE
§ 1. BIDDING
The buyer shall be the highest bidder at the “hammer price”. Any person bidding on behalf of a
third party shall be liable in surety for completion of the sale.
At the request of Bruun Rasmussen Kunstauktioner (hereinafter called Bruun Rasmussen), all bidders, whether they wish to make bids in person at the place of auction or commission bids by letter,
fax or the homepage direct telephone bids or the homepage, should be able to document their
ability to pay and be able to provide proof of identity at any time. Bruun Rasmussen is entitled to
refuse to accept a bid if, when requested, adequate security or adequate payment on account has
not been rendered.
Bids should be made by the bidder in person at the place of auction or by written commission by
letter, fax or the homepage. For online auctions alle bids are submitted via the homepage. Telephone bidding is possible within certain conditions made out by Bruun Rasmussen. Bruun Rasmussen is not to be held responsible for any errors that may occur using this service. The auctioneer
shall have absolute discretion as to the increment of the bids. The auctioneer will also make decisions in all cases of doubt regarding the bidding.
Credit/debit card information must be registered with Bruun Rasmussen before bids can be submitted.
§ 2. PAYMENT
Purchases made at all Bruun Rasmussen traditional salesroom auctions are subject to a 30% fee (for
wines, coins and stamps 25%), which covers 24% buyer’s premium plus VAT of the premium.
Purchases made at all Bruun Rasmussen online auctions are subject to a 25% fee, which covers
20% buyer’s premium and VAT of the premium.
Certain lots are sold in accordance with specific rules on normal VAT arrangement (hereinafter
called normal VAT), so that the purchase price is the hammer price plus an additional 24% (for
online auctions, wines, coins and stamps 20%) in buyer’s premium and VAT of 25% levied on both
the hammer price and the buyer’s premium. The lots subject to Full VAT are indicated as such in
the catalogue and on the homepage with an asterisk (*).
Danish VAT registered buyers shall provide Bruun Rasmussen with documentation of their SE-/CVR
-number (VAT No.) as this has to be quoted on the invoice for goods bought at full VAT.
For some foreign buyers, specific VAT-exemption rules apply (cf. Article 3). VAT-exemption does
not apply to private buyers from the EU who are considered as Danish buyers (cf. current Danish
legislation on Special VAT Scheme for Sales of Works of Art, Collectors’items and Antiques by Public Auction).
The purchase price falls due for payment when the goods have been knocked down. Payment may
be made in cash up to DKK 50,000, by Dankort, banker’s cheque, traveller’s cheque, Visa-, Master-,
Diners Club- or Eurocard. Personal foreign cheques may only be used for payment by prior arrangement.
At traditional auctions payment for purchased items must be made during or immediately after the
auction. Under all circumstances payment must be made no later than eight days from the date of the
invoice. With online auctions, payment automatically takes place when the items are prepared for dispatch (circa 12 hours after the purchase has been made) using the credit/debit card details submitted
by the purchaser. At the same time an invoice and dispatch information will be sent to the purchaser.
Should the purchase price not be paid by the due date, interest at 1.5 % per new month will be
charged.
If the purchase price and interest are not paid within eight days after Bruun Rasmussen has sent its
demand to the buyer, Bruun Rasmussen shall be entitled to rescind the sale and resell the goods at
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861_malerier_s001-168.indd 160
a Bruun Rasmussen auction or privately, and to demand reimbursement of any related losses from
the defaulting buyer. Any further profit on the sale shall be payable to the person who had deposited the goods for sale by auction.
If the defaulting buyer is entitled to proceeds from a sale of goods by Bruun Rasmussen, Bruun Rasmussen shall be entitled to set off its receivables against its payables to the defaulting buyer.
If the defaulting buyer has deposited other goods for sale, Bruun Rasmussen shall be entitled to sell
such goods at a Bruun
Rasmussen auction without being bound by the reserve stipulated by the defaulting buyer. The
defautling buyer shall not be entitled to demand the surrender of goods deposited for sale as long
as the debt payable to Bruun Rasmussen has not been discharged, regardless of whether the value
of such goods may be deemed to exceed the debt payable.
Bruun Rasmussen shall be entitled to refuse a bid made by a buyer who is in default in respect to
his payment obligations to Bruun Rasmussen, as well as a bid made by a third party on behalf of
such a defaulting buyer. Bruun Rasmussen shall further be entitled to demand a deposit as a condition of accepting any future bids from such a purchaser.
§ 3. MONEY-BACK GUARANTEE
A. Purchases made on all traditional salesroom auctions are uncoditional and can not be cancelled
regardless of the type of bid such as absentee web bid, live-bidding or otherwise.
B. Online purchase of items by private individuals is subject to Danish consumer law, which extends
14 days of money-back guarantee. The purchaser is liable for any costs related to the transport
of returned items.
Should a purchaser seek to avail himself or herself of the money-back guarantee, Bruun Rasmussen will refund the payment on receiving the returned items. Please note that the date on
which accounts are debited is subject to the policy of the purchaser’s bank/credit card company.
§ 4. EXEMPTION FROM VAT
Foreign buyers who meet the following conditions pay the applicable auction fees, cf. above, but are not
charged Danish VAT. However, the Danish VAT must be deposited at Bruun Rasmussen until documentation has been provided to show that the goods have been exported as required by law.
A. Buyers who are VAT-registered in another EU country are exempt from paying Danish VAT when
it can be documented that the item purchased has been transported to the address declared by
the buyer to Bruun Rasmussen and specified on the invoice. In such cases, VAT must be settled in
accordance with the rules in force in the country where the company is VAT-registered. It is advisable
to check with the relevant local authorities.
B. Buyers domiciled outside the EU may be exempt from Danish VAT when it can be documented that
the purchase has been transported out of the EU. As far as possible, Bruun Rasmussen issues the
necessary export documents to be presented to the customs authorities, and reserves the right to
charge a fee for doing so.
If the goods are being exported by a freight forwarder authorised by Bruun Rasmussen, the VAT
need not be deposited. See the list of approved freight forwarders
§ 5. PAYMENT OF TAXES AND DUTIES
A. VAT-registered businesses in other EU Member States may opt out of exercising the option of
VAT exemption and instead pay Danish VAT on second-hand goods/full VAT. Bruun Rasmussen
must be informed of this before 10 am on the day after the purchase.
B. VAT-registered businesses in Denmark may choose to pay full VAT, cf. above. Bruun Rasmussen
must be informed of this before 10 am on the day after the purchase.
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§ 6. COLLECTION OF PURCHASES
The purchase price must be paid in full before the purchased lot can be passed over to the buyer. From
the time of the lot being knocked down to the buyer, until its collection, the purchased lot will be held
at the buyer’s own expense and risk.
A storage fee will be charged for lots which have not been collected according to agreement. Lots which
have been paid for but not collected will be storaged at buyers expense. Lots not collected within 1 year
will be resold at auction or privately at the buyer’s expense.
§ 7. DISPATCH
Should Bruun Rasmussen undertake the packaging and forwarding of purchased goods, this shall
be done at the buyer’s own expense and risk. Bruun Rasmussen shall thus not be held liable neither
for any damage caused to purchased goods during dispatch nor for any missing consignments.
§ 8. DROIT DE SUITE
In accordance with Danish copyright law, an additional royalty fee is to be paid for the purchase of works
by contemporary Danish artist and some international artists who are either still alive or who have been
dead for less than 70 years. The additional royalty fee will be collected by Bruun Rasmussen on behalf of
Copydan, which is a Danish-based joint collecting society. Such works are marked with (CD) for Copydan
next to the lot number.
The Copydan royalty fee is added to the auction price including the buyer’s premium when the total
exceeds €300.
Copydan royalty fees:
• 5% of the auction price and buyer’s premium (excluding VAT) totalling up to €50,000.
• 3% of the auction price and buyer’s premium (excluding VAT) of totals between €50,000 and
€200,000.
• 1% of the auction price and buyer’s premium (excluding VAT) of totals between €200,000 and
€350,000.
• 0.5% of the auction price and buyer’s premium (excluding VAT) of totals between €350,000 and
€500,000.
• 0.25% of the auction price and buyer’s premium (excluding VAT) of totals above €500,000.
Copydan royalties must not exceed €12,500 for an individual artwork.
The euro exchange rate has been set by Copydan for 2015 at DKK 744,01 per €100.
§ 9. EXPORT LICENCE
Applications for an export licence must be made to the Danish Cultural Assets Committee when
required in accordance with current Danish legislation on the protection and preservation of cultural assets in Denmark. Where such a licence has not been obtained, the foreign buyer will be
informed thereof immediately after the lot has been knocked down to the buyer. Another application will subsequently be sent to the Danish Cultural Assets Committee by Bruun Rasmussen
on behalf of the buyer, now that the price is known. Should an export licence not be granted, the
Danish Cultural Assets Committee would be obliged to acquire the purchased lot at the purchase
price, and the buyer would thus not be bound to the purchase.
§ 10. DESCRIPTION OF LOTS
All lots are sold in the condition in which they are found when knocked down and as described
in the catalogue and on the homepage with subsequently published changes and modifications.
Description is done according to the best of Bruun Rasmussen’s knowledge and on the cataloguing
principles stated.
The lots auctioned are often of some age or of a kind which makes it possible that they may contain defects, deficiencies, or may have been subject to restoration or damage not necessarily stated
in the catalogue and on the homepage. Pictures are for identification only and cannot be used for
an evaluation of the condition of the goods.
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Any person who wishes to bid at an auction should therefore sa-tisfy himself of the condition of the
lots for which he intends to bid by personal inspection at the preview held prior to the auction. The
description is an indication of the prevailing opinion of scholars and expert at the time of the sale.
If any doubts should arise after the purchase regarding the genuineness of the purchased lot or its
conformance with the description, Bruun Rasmussen should immediately be informed thereof.
Should the purchased lot be proved to be a forgery, or if the description contains material errors
which lead to a considerably higher hammer price than that which a correct description would presumably result in, the buyer shall be entitled to cancel the purchase, after which the buyer shall be
reimbursed for the total purchase price paid plus buyer’s premium and VAT, when applicable.
For material errors in the description in respect to measurements or weight, compensation shall
only be paid on a percentage basis in proportion to the difference.
The right of cancellation of a purchase in pursuance of the present conditions can only be exercised by the party who has bought the lot in question at Bruun Rasmussen and shall be subject to
the presentation of a claim for cancellation in writing to Bruun Rasmussen within 2 years of the
purchase date and to the purchased lot being returned to Bruun Rasmussen in the same condition
in any and all respects which the purchased lot was in at the time of the lot being knocked down
to the buyer.
In the event of cancellation the buyer shall not be entitled to claim payment of interest on the
purchase price nor shall the buyer be entitled to claim compensation for any other expenses or loss
incurred, including any possible loss of profit in connection with reselling.
It shall not be possible to state cancellation of a purchase in pursuance of the above provisions if:
a the description on the day the lot was knocked down to the buyer was in accordance with the
then generally accepted opinion of scholars and experts;
b the only way of establishing whether the lot was a forgery at the time of the sale was the
implementation of scientific processes, the validity of which was only acknowledged after the
time of the sale, or which would have required a disproportionate amount of cost, or which
would have been impossible to carry out without damaging the lot in question.
In addition to the time-limits stated above, all purchases are subject to the Statute of Limitations
stipulated by danish law by which Bruun Rasmussen is under no circumstance liable for purchases
after 5 years from the date of purchase.
Bruun Rasmussen Auctioneers
Jesper Bruun Rasmussen, auctioneer
Jørgen Byriel, officially appointed external supervisor
COMMISSION
Bruun Rasmussen undertakes to execute commission bids for bidders who are unable to be present
at the auction. It is a prerequisite that Bruun Rasmussen receives the commissions by letter, fax or
telephone 24 hours before the start of the auction for the bidders’ credit to be checked, if necessary. Bids by the homepage are to be recieved a minimum of 3 hours before the start of the auction. Bruun Rasmussen is not to be held responsible for any errors that may occur using this service.
CONDITION REPORTS
Bruun Rasmussen undertakes to provide further information about the state and condition of the
lots if possible. This is regarded as a service for customers who are unable to make a personal
inspection of the lots at the preview. Bruun Rasmussen stresses that the information given cannot
be used as the basis for complaints; complaints can only be based on the description.
EXEMPTION FROM VAT
Buyers shall, according to § 2, pay full VAT on lots marked with an asterisk (*).
No Danish VAT is to be paid when VAT registered companies from other EU countries buy at Bruun
Rasmussen and resell to private buyers, The private buyer then only has to pay VAT according to
the rules in force in the country where the foreign company is VAT registered. For further information please consult your local authorities.
The above is an English translation of the Danish version of the Conditions of Purchase. In case of dispute, only the Danish version of the present Conditions of Purchase of Bruun Rasmussen is valid.
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INFORMATION
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CITES EKSPORT TILLADELSE
CITES EXPORT PERMIT
Møbler, der er lavet af palisander eller indeholder dele af træsorten, kræver
et CITES-certifikat for at kunne blive eksporteret fra Danmark til et land
uden for EU. Købere med fast bopæl uden for EU er forpligtet til at indhente denne tilladelse. Yderligere information kan fås på opfordring.
Pieces of furniture that are made of Brazilian rosewood or contain parts of
it, require a CITES export permit in order to be exported from Denmark to
a country outside The European Union. Buyers residing outside the EU are
required to obtain this permit. More information is available upon request.
Katalognumre, der indeholder palisander, er markeret med en (¥ )
Lots containing Brazilian rosewood are marked with an (¥ )
AFHENTNING
DISPATCH
Afhentning af effekter købt på traditionel auktion SKAL SKE senest 2 uger
efter sidste auktionsdag.
Collection of purchases bought at traditional auctions must be no later
than 2 weeks after the last auctionday.
Uafhentede effekter vil herefter uden yderligere varsel blive sendt til
opbevaring for købers reg­ning og risiko.
Uncollected items will without further notice be sent into storage at the
expence and risk of the buyer.
SALGSRESULTATER
SALES RESULTS
Hammerslagspriser fra de seneste auktioner kan ses på vores hjemmeside:
bruun-rasmussen.dk
Sales results from the latest auctions are available at our website:
bruun-rasmussen.dk
FOTO
PHOTO
Fotos af alle effekter kan ses på vores hjemmeside: bruun-rasmussen.dk
Photos of all items are available at our website: bruun-rasmussen.dk
EURO
EURO
Der bydes og faktureres i danske kroner.
Bids and invoicing are made in DKK.
Ved omregning fra DKK til Euro er anvendt Nationalbankens officielle
valutakurs på tids­punktet for udarbejdelse af kataloget.
For the conversion from DKK into Euro, Bruun Rasmussen has used the
official rate of exchange from Denmarks Nationalbank (the Danish National
Bank) at the time of preparation of the catalogue.
Beløbet i Euro er afrundet til et tal, der efter Bruun Rasmussens skøn
fremtræder på en præsentabel måde i forhold til beløbet i DKK.
BEVARINGSTILSTAND
Bruun Rasmussen henleder opmærksom­heden på, at katalognumrene som
udgangs­punkt ikke er forsynet med oplysninger om tilstand (jvf. købskonditionernes § 10). Vi henviser imidlertid til vores hjemmeside: www.
bruun-rasmussen.dk, hvor der under det enkelte katalognummer ofte er
oplysninger om bevarings­tilstand, reparationer o. lign. Er disse oplysninger
ikke tilstrække­lige kan én af afdelingens sagkyndige kontaktes for yderligere
informationer.
The amount in Euro is, in Bruun Rasmussen's judgment, roughly adjusted
to presentable figures.
CONDITION
Bruun Rasmussen draws attention to the fact that, as a rule, no information
is provided regarding the condition of the lots (cf. conditions of purchase
§ 10). However, we refer to our website: bruun-rasmussen.dk where infor­
mation regarding condition, repairs, etc. can usually be found for the individual lot. Should this information be insufficient, further details can be
obtained by contacting one of the experts of the department.
BANKFORBINDELSE
BANKERS
Danske Bank · Konto: 30014310970638
IBAN: DK4130004310970638
Swift-BIC DABADKKK
Danske Bank · Account: 30014310970638
IBAN: DK4130004310970638
Swift-BIC DABADKKK
VIRKSOMHEDSREGISTRERING
BUSINESS REGISTRATION
CVR-nr. DK25472020
CVR-nr. DK25472020
BRUUN RASMUSSEN BREDGADE AUCTION 861
02/11/15 17.53
MOMS OG KUNSTNERAFGIFT
VAT A N D C O P Y- DA N I N F O R M AT I O N
STANDARD AUKTIONSOMKOSTNINGER
BUYER’S STANDARD PREMIUM
30% - BRUGT MOMS
30% AUCTIONEERS’ MARGIN SCHEME
1. januar 1995 trådte nye love i kraft i EU vedrørende moms ved handel på auktion
med brugte varer, kunst­genstande, samler­objekter og antikviteter, der nu kan handles til
brugt moms.
As of 1 January 1995 new EC regulations came into effect regarding the sale of secondhand goods, works of art, collector’s items and antiques; these items may now be traded
under the Auctioneers’ Margin Scheme.
Efter de nye regler er det kun auktionsomkostninger, der skal tillægges moms, og ikke
som tidligere varens fulde pris. I auk­tionsomkostninger er indregnet ikke fradragsberettiget moms.
Under the Auctioneers’ Margin Scheme the premium only is subject to VAT, i.e. the
hammer price is exempted from VAT. The buyer’s premium of 25% will thus henceforth
include non-refundable VAT.
FULD MOMS *
FULL VAT *
anvendes for visse varer som ikke kan handles i brugt moms. Disse er mærket med en
stjerne *. Købere skal betale 24% i auk­tionsomkostninger, hvortil lægges 25% moms af
hammerslaget og auktionsomkostningerne.
will be charged on goods that cannot be traded under the Auc­tioneers’ Margin Scheme.
These lots are marked with an asterix *. The buyer pays the auction premium of 24%
plus 25% VAT on the hammer price as well as the buyer’s premium.
REDUCEREDE
AUKTIONSOMKOSTNINGER 24%
BUYER’S REDUCED PREMIUM 24%
is paid by buyers fulfilling the following terms/conditions:
betales af købere der opfylder følgende betingelser:
1. Danske momsregistrerede købere kan vælge at betale 24% i auktionsomkostninger +
25% moms af hele (fuldmoms). Moms­beløbet kan køber modregne, og betaler derved
24% i auktionsomkostninger.
2. Momsregistrerede købere i andre EU-lande kan, ved at anvende deres EU-momsnr.,
undgå den danske moms og derved betale 24% i auktionsomkostninger.
3. Alle købere med bopæl i et land uden for EU, der op­fylder de danske toldmyndigheders krav i forbindelse med eksport, betaler derved 24% i auktionsomkostninger (se
købskonditioner, §4, Afgiftsfritagelse).
KUNSTNERAFGIFT TIL COPY-DAN
1. Danish VAT registered buyers may choose to pay the 24% buyer’s premium + 25%
VAT on the total amount (Full VAT). The buyer may have the total VAT refunded and
thus pays 24% in buyer’s premium only.
2. VAT registered buyers in other EU countries may avoid Danish VAT by using their
VAT registration number and thereby pay a buyer’s premium of 24% only.
3. Residents of countries outside the EU meeting the Danish customs authorities’
requirements regarding the export of goods pay the buyer’s premium of 24% only
(see Conditions of Purchase §3, Exemption from VAT).
ARTISTS’ ROYALTIES
PAYABLE TO COPY-DAN
CD
CD
Ifølge gældende dansk lovgivning om ophavsret, skal der opkræves 5% i kunstnerafgift
af hammerslagsprisen med tillæg af auktionsomkostninger på 24% excl. moms på værker af alle nyere danske og de fleste udenlandske kunstnere. Disse værker er mærket for
Copy-Dan ud for katalognummeret.
Pursuant to current Danish legislation on copyright an artists’ royalty of 5% of the total
price exclusive of VAT (i.e. hammer price plus buyer’s premium 24%) shall be collected
on works of modern art by all Danish and most foreign artists. These works are marked
for Copy-Dan next to the lot number.
For nærmere information henvises til købskonditionerne.
For further information please refer to the Conditions of Purchase.
CD
BRUUN RASMUSSEN BREDGADE AUCTION 861
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CD
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KOMMISSIONSBUD
COMMISSION BIDS
Det er muligt at afgive kommissionsbud, hvis De ikke selv kan være til stede på auk­tions­­dagen.
Denne service er gratis.
Når De afgiver en kommission, beder De vores kundeservice på Deres vegne byde op til et af Dem
bestemt beløb i hammerslag.
Der kan opstå den situation, at en anden køber allerede har budt det beløb, som De ønsker at
afgive. Er De da villig til at gå et bud højere eller er De indforstået med at nummeret sælges til
anden side?
Ønsker De ikke at byde højere så skriv “Max” ud for beløbet. Er De i tvivl om hvor højt De vil byde,
kan De hæve budet med op til ca. 15% eller ca. 25%.
Salgsprisen kan blive højere eller lavere end vurderingen, så der er også mulighed for at købe til
under den angivne vurdering. Vor kun­deservice køber altid så billigt som muligt til Dem, som havde
De selv været tilstede på auktionen.
Alle kommissioner behandles strengt fortroligt.
Kommisionsbud skal være Bruun Rasmussen i hænde senest 24 timer før auktionens start.
It is possible to leave commission bids if you can not be pre­sent at the auction yourself. This service
is free of charge.
SÅDAN BYDER DE:
HOW TO MAKE A COMMISSION BID:
Udfyld blanketten kommissionsbud med alle oplysninger.
Angiv katalognummer.
Angiv beløbet De ønsker at byde.
Er dette Deres absolutte maximum bedes De anføre “Max” i kolonnen.
De kan også forhøje Deres bud med henholdsvis ca. 15% eller ca. 25%, ved at ind­ikere dette i kolonnen.
tager den
De bedes underskrive kommissionsblanketten og sikre Dem, at Bruun Rasmussen mod­
senest 24 timer før auktionens start.
Hvis Deres oplysninger ikke er tilstrækkelige, kan Bruun Ras­
mussen undlade at byde for Dem,
ligesom Bruun Rasmussen ikke kan gøres ansvarlig for fejl ved budgivningen.
Complete the commission form with all pertinent information.
INTERNET:
When leaving a commission bid, you are instructing our customer service to bid up to a specified
amount on your behalf.
The situation can occur that another buyer has already bid the same as you were prepared to. Are
you then willing to bid further? If not the lot will be sold to another buyer.
If you do not wish to exceed your bid then write “Max”, for maxi­mum, next to the amount. You
can also allow us to raise your bid by approx. 15% or approx. 25%.
The hammer price may be higher or lower than the estima­ted price, so it is possible to buy below
the estimate. Bruun Rasmussen will always buy at the lowest price possible, as if you yourself had
been present at the auction.
All commission bids are strictly confidential.
Commission bids must be submitted no later than 24 hours prior to the start of the auction.
Indicate the lot number.
Indicate the amount you are prepared to bid.
Should this amount be the absolute maxi­mum, please write “Max” in the ap­pro­priate column.
You can also allow us to bid by up to approx. 15% or approx. 25% more by indicating so.
Sign the commission form and make sure that Bruun Ras­mussen receives it 24 hours prior to the
start of the auction.
If the information should be insufficient, Bruun Rasmussen can abstain from bidding. Bruun Rasmussen can not be held responsible for error in bidding or failure to execute bids.
INTERNET:
Kommisionsbud kan afgives på hjemmesiden bruun-rasmussen.dk direkte fra siden med den effekt, De
ønsker at byde på.
Seneste afgivelse af bud via hjemmesiden er 3 timer før auktionens start.
Afgivne bud kan ses på hjemmesiden under “Deres bud”, når de er logget ind. Kontakt teknisk support på 8818 1114 for spørgsmål om registrering og budgivning via internettet.
For yderligere information, se “Købskonditioner”, §1.
Commision bids can be submitted via website bruun-rasmussen.dk directly from the page with the item
you want to submit a bid for.
TELEFONBUD:
TELEPHONE BIDDING:
Såfremt De ønsker at byde pr. telefon, bedes De oplyse Bruun Rasmussen Deres navn og telefonnummer samt hvilke katalognumre, De ønsker at byde på, senest 3 timer før auktionens start. De vil
så blive ringet op kort før, den aktuelle vare kommer under hammeren, og De kan på denne måde
deltage i auktionen uden selv at være til stede.
For yderligere information, se “Købskonditioner” på bruun-rasmussen.dk under “Guide”.
Should you wish to bid at auction by telephone, please inform Bruun Rasmussen of your name and
telephone number, as well as which catalogue numbers you are interested in, no later than 3 hours
prior to the start og the auction. You will then be contacted shortly before the relevant lot comes
under the hammer, thereby allowing you to participate without being in the auction room yourself.
For additional information, please consult “Conditions of Purchase” §1.
164
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Deadline for submissions of bids via the website is 3 hours prior to the start of the auction.
Submitted bids are shown under “Your bids” when you are logged in. Please contact technical support on +45 8818 1114 for questions about the registration and submission of bids on the website.
For additional information, please consult “Conditions of Purchase” §1.
BRUUN RASMUSSEN BREDGADE AUCTION 861
02/11/15 17.53
KOMMISSIONSBUD
COMMISSION BIDS
Skal være Bruun Rasmussen i hænde senest 24 timer før auktionens start.
Must be submitted no later than 24 hours prior to the start of the auction.
BREDGADE
AUKTION NR AUCTION NO:
861
Navn Name: * ...................................................................................................................................................................................
Adresse Address: * .............................................................................................................................................................................
Postnr./by City: * ...............................................................................................................................................................................
Land Country: * ........................................................................ Fax: ............................................................................................
Tel: * ....................................................................................................................................................................................................
e-mail: ........................................................................................ CVR-nr. VAT No.: ......................................................................
Bank: ........................................................................................... Konto nr. Acct. No.: .................................................................
Adresse Address: .................................................................................................................................................................................
Postnr./By City: ......................................................................... Land Country: ..........................................................................
Tel: .............................................................................................. Kontaktperson Contact: ..........................................................
Obligatoriske felter er mærket med en stjerne * Mandatory fields are marked with an asterix *
Undertegnede giver hermed fuldmagt til Bruun Rasmussen Kunstauktioner A/S om på mine vegne at købe
nedennævnte katalognumre så fordelagtigt som muligt, inden for det af mig anførte beløb, i hammerslag.
I hereby request that Bruun Rasmussen bid on my behalf on the following lots up at the prices indicated below.
Undertegnede har udfyldt ovennævnte med de ønskede oplysninger, samt har accepteret købskonditionerne.
The undersigned has supplied the required information and agrees to be bound by the conditions of purchase.
"
Signatur: * .................................................................................. B.R. kunde-nr. Client No.: .......................................................
Jeg ønsker at modtage salgsresultater på de emner jeg har budt på via email
I wish to receive sales results on the items I have been bidding on via e-mail
dagligt
every day
efter auktion
after the auction
på e-mail adressen on this e-mail address: ................................................................................................................................
B RUUN RA SM USSE N KUN STAUKT ION E R A /S
Bredgade 33 · DK-1260 København K · Tel +45 8818 1111 · Fax +45 8818 1112 · [email protected] · bruun-rasmussen.dk
Fortsættes næste side Please turn over
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KOMMISSIONSBUD
COMMISSION BIDS
Beskrivelse
Description
Bud kr.
Bid DKK
Max +15%+25%
Ret til ændringer forbeholdes © 2015 Bruun Rasmussen Kunstauktioner
Foto: Bent Lange Tryk: Cool Gray
Grafik og dtp: Jorge Figueiredo & Lene Søbo
Katalog nr.
Lot. No.
BREDGADE
AUKTION NR AUCTION NO:
166
861_malerier_s001-168.indd 166
861
BRUUN RASMUSSEN BREDGADE AUCTION 861
02/11/15 17.53
KO N TA K T D I R E K T E
C O N TAC T D I R E C T LY MØNTER / COINS
Michael Fornitz
HOVEDNUMMER / MAIN NUMBER
Bruun Rasmussen Auctioneers
+45 8818 1111
ADMINISTRATION
Jakob Dupont, CEO
[email protected]
+45 8818 1081
KUNDESERVICE / CUSTOMER SERVICE
[email protected]
[email protected]
KOMMISSIONER / COMMISSIONS
Lise Winther Wobido
[email protected]
Anja Bering Hansen
[email protected]
+45 8818 1010
+45 8818 1010
+45 8818 1013
+45 8818 1028
BESTILLING AF KATALOGER / CATALOGUE REQUESTS
Kundeservice / Customer service
+45 8818 1111
AUKTIONSRÅDGIVNING / AUCTION GUIDANCE
Franziska Kampmann
[email protected]
+45 8818 1026
TRANSPORT / TRANSPORTATION
[email protected]
+45 8818 1055
VURDERING OG INFORMATION / VALUATION AND INFORMATION
INDBOVURDERINGER / VALUATION AT YOUR HOME
David Utzon-Frank
duf@ bruun-rasmussen.dk
[email protected]
Kasper Nielsen
Casper Behrendtzen
[email protected]
Hans Ruben
[email protected]
Ralph Lexner
[email protected]
+45 8818 1221
+45 8818 1121
+45 8818 1235
+45 8818 1231
+45 8818 1161
BØGER / BOOKS
Lærke Bøgh
[email protected]
+45 8818 1217
FRIMÆRKER / STAMPS
Lars Godsk Jørgensen
[email protected]
+45 8818 1211
BRUUN RASMUSSEN BREDGADE AUCTION 861
861_malerier_s001-168.indd 167
[email protected]
+45 8818 1201
MODERNE DESIGN / MODERN DESIGN
Peter Kjelgaard Jensen
[email protected]
Ole Ravn
[email protected]
+45 8818 1191
+45 8818 1192
MODERNE KUNST / MODERN ART
Niels Raben
[email protected]
Niels Boe Hauggaard
[email protected]
+45 8818 1181
+45 8818 1182
PORCELÆN, GLAS OG ORIENTALSK KUNSTINDUSTRI /
CERAMICS, GLASS AND ORIENTAL WORKS OF ART
Ralph Lexner
rl@ bruun-rasmussen.dk
Charlotte Hviid
[email protected]
+45 8818 1161
+45 8818 1162
RUSSISK / RUSSIAN
Martin Hans Borg
[email protected]
+45 8818 1128
SMYKKER / JEWELLERY
Katrin Mikkelsen Sørensen [email protected]
+45 8818 1174
SØLV / SILVER
Amalie Hansen
[email protected]
+45 8818 1194
TÆPPER / CARPETS
Henrik Schleppegrell
[email protected]
+45 8818 1145
VIN / WINE
Morten Stenør Larsen
[email protected]
+45 8818 1207
VÅBEN / WEAPONS
David Utzon-Frank
duf@ bruun-rasmussen.dk
+45 8818 1221
ÆLDRE KUNST / FINE ART
Kasper Nielsen
Birte Stokholm
[email protected]
[email protected]
+45 8818 1121
+45 8818 1122
ÆLDRE MØBLER / FURNITURE
Anders Fredsted
[email protected]
Henrik Schleppegrel
[email protected]
+45 8818 1142
+45 8818 1145
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FINE ART
168
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BRUUN RASMUSSEN BREDGADE AUCTION 861
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