A Brief History Setting the Stage for Social Success presented by » Cindy’s background » Autism & Theatre…making the connection » Growing the program Cindy Schneider » Reaching out to other geographic regions www.actingantics.org Movin & Groovin’ » Focused less on abstract language skills » Age appropriate movement based theater and music activities » Skills include following directions, learning patterns, motor skills, group behaviors, greetings,etc. Inclusive Musical Theater Actors in Action » Focused less on abstract language skills » Teen appropriate movement based theater & music activities » Skills include following directions, learning patterns, motor skills, collaboration in a group, taking a risk, building confidence Acting Antics » Youngsters/teens with social needs perform with ‘typical’ peers » Geared to youth/teens with average to above average IQ » Focus is on all aspects of putting on a musical production » Focuses on building self-esteem & social cognition » Group work, collaboration » Builds ability to read non-verbal cues, abstract language, read context etc. » Actors work on scenery, make props etc. » Culminates in performance » Involves theater games, improvisation, scene work 1 Neurological Differences » Executive Function » Sensory Processing » Social Emotional Regulation Executive Functioning » » » » » » Set Goals Plan Sequence Prioritize Organize Initiate » » » » » » Inhibit Pace Shift Self-monitor Emotional Control Complete Sensory Differences Social / Emotional Regulation Difficulties » Receive sensory information and process it differently » Hyper or Hypo-sensitive (seeker or avoider) » Can trigger significant reactions or withdrawal » Can have a great deal of trouble focusing due to unmet sensory needs » Impulsivity » Difficulty anticipating consequences of own behavior » Trouble “filtering” responses » Difficulty keeping body in check Theory of Mind Impairment » Difficulty predicting others’ behavior 20-40% of the total message is related to the specific words said 60-80% of the total message relates to what we do with our body when communicating » Difficulty in explaining own behavior. » Difficulty understanding emotions » Difficulty understanding the perspective of others BLAH… BLAH… BLAH… » Lack of understanding of social interaction Adapted from M. Winner 2002 2 Social Impact of Theory of Mind Impairment » Difficulty with ‘appropriate’ emotional responsiveness » Difficulties with conversational interactions » Inaccurate reading of contextual and/or non-verbal cues Why Theatre? » Recreational activity » Conducive to teaching social cues and interpretation » Interacting is an integral part of acting » Difficulty sustaining peer interactions » It’s fun! » Disproportionate focus on own interests » It’s not called Social Skills!! Components of being an audience » Reading body language » Reading facial expressions » Interpreting vocal tone, volume » Understanding the content and context of the situation From here on. . . » Body Language BIG 3 = » Facial Expression » Vocal Tone and Modulation Components of being an actor » Using appropriate body language » Using appropriate facial expression » Modulating vocal tone and volume » Portraying meaning and context Rules of Acting » Never hurt another actor Physically Feelings » Listen to the director 3 “Name game” » Circle formation » One actor claps across to peer using all messages and saying name » Peer then does the same to a new peer » Continue as quickly as possible “The Power” » Pass clap around circle in one direction » The person who has “the power” gets to change direction » Eventually multiple people have “the power” Bamboozle » Circle or line » Director gives a feeling word to actor » Actors use body language, facial expression, vocal tone to express emotion » Say BAMBOOZLE using that emotion Skills in the Name Game » » » » » » » » Ice Breaker Successful first group activity Giving non-verbal messages Get to know names/peers Processing time Motor planning Focus Variations? Skills in “The Power” » Works on focus and attention » Must pick up body cues for where the clap is going » Promotes the ability to “shift” » Repetition increases the ability to shift quickly Skills in Bamboozle » Begin to work on the “BIG 3” » Can scaffold easily to levels of actor » Build confidence 4 “Sell Your Partner” » Demonstrate or have actor demonstrate how a “used car salesman” might sell a common object » Model exaggerated “salesman” vocal qualities » Partners: graphic organizer “Sell Your Partner” » Partners interview one another about skills, preferences, strengths » Partners practice salesman pitch: why should WE want that person in our lives? » Used car salesperson persona? » Actors regroup to audience positions Skills in “Sell Your Partner “Flexible Phrases” » Person who is “product” sits in chair as “salesperson” gives the pitch » Then switch roles » Each team takes their turn » Getting to know peers » Assign partners in the group » Recognizing the interests of others » Give each pair receives a common phrase » Risk taking-performing without a script » Encourages creative thinking » Pairs decide on 2 or more ways to say that phrase to bring different meaning to the phrase. » Self esteem builder 5 Sample Phrases Skills in “Flexible Phrases” » Collaboration with partner » Interpreting a phrase-multiple word meanings, etc. » Using the BIG 3 » “I didn’t mean it.” » “Will you come here” » “Come over here.” » “I didn’t do it” » “You better go.” Two Phrases » One person is the “pivot person” controls the scene » Two actors on the sides are each given two phrases - that’s all they can say » Suggestion of a workplace is elicited from the audience Skills in Two phrases » Multiple meanings of words and phrases » Using “Big Three” » Acting and reacting to another person » Increasing flexibility Open Scenes Open Scene 2 » Combination of common phrases Sandy Excuse me. » Can be interpreted more than one way Maria Oh, was I in your way? Sandy Just a little. Maria So sorry. » Extension of flexible phrases activity 6 Open Scene 1 Chris Hey, cool shirt Andy Yeah, well I like those sneakers. Where’d you get them? Why, you want to get some, too? Yeah, right. Chris Andy Skills in “Scenes From A Hat” » Working with a partner » Being attentive to partner » Using verbal and non-verbal communication » REACTING to verbal AND non-verbal communication of partner » Analyzing outcomes of communication Skills in “Blah Blah” » Portray meaning without words, with non-verbals » Read meaning without words , with non-verbals » Conflict resolution » Reinforce concept that one person’s action causes a reaction Scenes from a Hat » Pair given a common scenario with a minor conflict » Actors create dialogue on the spot, reacting to one another » Must come to some resolution/ ending “Blah Blah” » More abstract version of “Scenes from a Hat” » Pair given a common scenario with conflict » Only verbalization allowed is “Blah, Blah” » Two characters have “Blah Blah” conversation about conflict » Must come to some ending Migration » Group sitting in circle » One less chair that participants » Person standing asks YES/NO question: Are you wearing…? Do you like……? Have you ever….? » If participant’s answer is Yes, they move to new chair » Person left standing asks next question 7 Skills in Migration » Focus/attention/listening Props » Provide a common object » Perspective of peers » Pantomimes using is as something other than its intended purpose » Must have answer immed.-no time to over analyze » Tries to give audience as much nonverbal info as possible » Formation of yes/no questions » Audience members raise hand if they can guess what object is supposed to be » Strategies, use of humor, etc. Skills in “Props” Infomercial » Using imagination » Start with “Props” game » Taking a risk » Build up to this game gradually » Using non-verbal communication » Use 4 or 5 props » Theory of mind practice: figuring out the audience’s perspective » Team of 3 or 4 actors Sample “kits” » Prevent hair loss kit » Insect repellent kit » Halitosis prevention kit » Fire prevention kit » No more zits kit » Work together to improv selling group of props as a kit, for example: Skills in Infomercial » Creative thinking » Teamwork » Flexibility » Reciprocity » ‘Closing’ statements 8 Slow News Day » Group of 3-5 actors » They are assigned a common object, food, etc. » Group decides who will play the different reporters » Create weather, sports, news, traffic stories with this item as the focus » Can be very whimsical, nonsensical Skills in Slow News » Cooperative group work with a structure » Compromise and negotiation » Creativity » Maintaining a topic » Sharing the “spotlight” Taxi Driver » Four chairs set up-2 front and 2 back » New person comes up to car as “driver” with a specific persona » Other members in car must emulate that same persona » Director yells “switch” and actors rotate and new driver comes in with new persona Comments about Taxi » Rehearse rotation scheme » Brainstorm different characters » Difficult for some actors especially those who are less confident to come up with a character » Option to choose from brainstorming list Skills in Taxi » Motor planning » Attending to fellow actors and emulating a persona » “Shifting”- quickly » Creative thinking » Increasing confidence so that one is willing to ‘take a risk’ 9 The Final Word Examples Theatre can offer youngsters: » Bank Robber » Politician » Elderly woman/man » Robot » Cool dude » Firefighter » Cowboy » S-L-O-W talker » Movie Star » Sports announcer » Opportunity to develop a leisure time activity that they enjoy » Build Self-esteem » Make friends » Work on social and pragmatic issues » Have fun!!! What more could we ask?! Cindy’s contact info: [email protected] Website: www.actingantics.org Cindy’s book is available at Jessica Kingsley Publishers www.JKP.com as well as at Barnes & Noble or Amazon. 10
© Copyright 2024