MENTORS Jacey Boggs Director/EiC of PLY Jacey Boggs is a spinner, a teacher, and a writer. Her passions have come together for the last decade via her website Insubordiknit, her book (Spin Art, Interweave, 2012), fiber wri$ng for various fiber and spinning magazines, her spinning DVD (Sit & Spin, 2009, self), and her monthly workshops all over the world. A magazine just seems like a natural evolu$on, don’t you think? Jacey Boggs knits like the dickens, spins like nobody's business, and eats avocados like they're going out of style. Also she writes about all that stuff. Beth Guertin Beth has been a weaver for more than thirty years, and has a strong local and regional reputa$on for her knowledge and support of weaving and the fiber arts. She has been involved with teaching weaving for more than thirty years, first through her store in Arlington (The Ba$k and Weaving Supplier), and now through her studio in Waltham (A Place to Weave – Individualized Weaving Instruc$on). Robin Russo Robin lives in Bradford, Vermont, where she teaches spinning, fel$ng, dyeing and working with exo$c fibers. She has been teaching since 1989 at gatherings of spinners, weavers, kni8ers and historical socie$es. She has been a fiber enthusiast for more than thirty-eight years and takes every opportunity to explore its poten$al. Kathleen Taylor Jane Woodhouse Kathleen is the author of 5 fiber books and 500 magazine ar$cles. She also writes exclusive designs for Knit Picks and has her pa8erns in many books of compila$ons of kni<ng pa8erns. Her books cover a variety of techniques as indicated by their $tles: Knit One, Felt Too, Yarns to Dye For, I Felt, The Big Book of Socks, and Fearless Fair Isle Kni<ng. She shares her knowledge by teaching at fiber events such as SAFF, Michigan Fiber Fes$val and others. Kathleen lives in Redfield, South Dakota, thus the name of her blog "Dakota Dreams". Jane has spent the last 32 years working as a produc$on weaver. In 1991 she earned an MFA from San Francisco State University with a concentra$on in tex$les. She currently lives in Peacham, VT on Brigid's Farm which is home to a small flock of Border Leicester X sheep, natural colored angora goats and dairy goats. Her mail order business and on-farm studio specialize in natural dyes. She teaches regularly in her studio. In addi$on, she has taught workshops at Vermont Sheep and Wool Fes$val and for groups in the midwest. Jane's other interests include spinning and kni<ng, ethnic tex$les, and surface design techniques on hand woven fabrics. Amy Tyler First a dancer, then a neuroscien$st and professor, Amy Tyler now devotes herself full$me to the fiber arts. Her fiber work is influenced by her art and science background; she has a keen understanding of learning movement skills, composi$on, pa8ern recogni$on, and systema$c explora$on. The result is her focus on spinning and kni<ng technique, texture, three-dimensional structure, and kni8ed designs that exploit handspinning techniques. She lives in beau$ful Benzie county, Michigan, and she writes on her blog, h8p://stonestockblog.blogspot.com Dining Hall Friday Night Meet and Greet A relaxing evening to enjoy renewing acquaintances and making new friends Saturday Night Book Signing Display of Class Work North Country Spinners Inc. invites you to Fibre Fallout© 2014 Our Biennial Weekend Retreat Friday – Sunday September 19 –21 Johnsonburg Presbyterian Center Johnsonburg, New Jersey Warren County WORKSHOPS FRIDAY AFTERNOON ($75 ADDITIONAL CHARGE) Watermelon Design Dyeing Kathleen Taylor Dye Self-Striping Sock Yarn that knits up into a watermelon design, without the trouble of rewinding the yarn into extra long skeins. This method uses a pre-knit, double strand, fingering weight superwash wool sock yarn bland, Proficiency Level: All Material Fees: $17 Long Draw Amy Tyler “Long Draw” spinning techniques are oOen used to create “Woolen” yarns—yarns that are airy, loOy, soO and warm! We will cover three varia$ons of long draw using commercially-prepared rovings, drum carded ba8s, and hand carded rolags. We will create samples of thick lopi-style singles, as well as thinner, plied woolen yarns. In the process, we will discuss the types of fiber that work best for different long draw techniques, how to create a hand carded rolag, and how best to use woolen yarns. Proficiency Level: Intermediate Spinner Material Fee: $12 SATURDAY 6 HOUR 9 AM - 4 PM Rhythmic Thick & Thin Coils Jacey Boggs Spinning thick-and-thin yarns - you can get it in this class! Use short fibers, a wrist twist, and knowledge of staples length to create sturdy, regular slubs and use that yarn to make the most popular (and if you are new to it, mysterious) textured yarn technique around-coils. These coils are surprisingly soO, squishy, balanced, and anchored! In this class you’ll not only learn a fun and popular spinning technique but deepen your understanding of yarn construc$on, and improve your fiber and hand control. Proficiency Level: Intermediate Spinner Material Fee: $15 Rigid Heddle Weaving—Beginners Beth Guer)n Rigid heddle looms produce plain weave cloth on a fun and portable loom. Students will weave an infinity scarf in co8on with ribbon stripes (finished size 6” X 72”). The morning will consist of threading the loom using the direct warping method. The aOernoon will be spent weaving the scarf, cu<ng it off the loom and sewing it to make the infinity scarf - washing instruc$ons will be discussed. This is a fun but fast-paced workshop. Schacht Rigid Heddle Cricket looms will be used. Looms will be provided for student use and can be purchased from the instructor or you may use your own loom that has a 12 dent heddle /reed. Proficiency Level: All Materials Fee $20 Intermediate Spinning Robin Russo This is an in-depth class covering fibers, fiber prepara$on (including carding and combing) for woolen and worsted; spinning technique; wheel adjustments and ra$os; and finishing your skeins for a professional look. This class will help par$cipants to fine-tune their spinning skills and put to use some of the techniques they may have read about but not explored. Proficiency Level: Advanced Beginner Material Fee: $12 Spiral & Tonal Dyeing Kathleen Taylor Dye Self-Pa8erning Sock Yarn that knits up into a spiral design, without the trouble of rewinding the yarn into extra long skeins. This method is adapted from Kathleen's book, The Big Book of Socks. Then in the aOernoon have fun learning to dye yarn so that the color gradually changes throughout the skein. Process adapted from Kathleen’s book, Yarns to Dye For. This is a fun, but messy, process. In each session choose from 2 colorways, and dye enough fingering weight yarn for a pair of adult socks (yarn provided). Proficiency Level: All Material Fee: $24 Kni"ng & Spinning Energized Singles Amy Tyler Yarns that are not “balanced” can create biasing fabric when kni8ed. Most kni8ers try to avoid this effect, but yarns with extra twist energy can be used to create intriguing textural effects while using fairly simple knit s$tches. We will explore some of these possibili$es and also cover techniques on how to create balanced yarns and unbalanced yarns (with energized twist) as well as management of energized single yarns for kni<ng Proficiency Level: Intermediate spinning and kni<ng skills Material Fee: $20 Natural Dyes Jane Woodhouse This is an intensive dye workshop using natural dye extracts. We will begin with a short discussion of dye theory as it applies to both chemical and natural dyes. Dye extracts will be mixed in a 1% equivalent stock solu$on for mixing colors. We will dye in a graduated series using 5-7 dye extracts and a natural ferment indigo vat to create a pallet of colors. Students will produce approximately 75 color samples using both alum and tannin mordants on wool or a wool/mohair blend yarn. Proficiency Level: All Material Fee: $20 SUNDAY 3 HOUR 9 AM - 12 PM Big Spinning Jacey Boggs In pursuit of perfect, thin, even yarn we oOen lose the skills we started with — the skill of spinning a bulky yarn. This class will start with two fool-proof methods for spinning durable, rhythmic thick and thin yarns with just the right amount of twist. AOer thick and thin we’ll move on to all-thick—a bulky, even, low-twist single. Proficiency Level: Advanced beginner Material Fee: $15 Rigid Heddle Weaving—Lace Beth Guer)n Learn finger manipula$ve weaves and lace pa8erns using a pick up s$ck. Students will weave a sampler of different pa8erns to take home using the extra warp on the looms from the Saturday workshop. Proficiency Level: Advanced Beginner Materials Fee: $5 Exo(c Fibers~ Yak, Silk, Angora Robin Russo We will discuss each animal’s geography, history and fiber proper$es. We spin from raw fiber, commercially prepared fiber and our own fiber prepara$ons. We cover wheel adjustments, spinning techniques and fiber prepara$on. This is a very good introductory class for spinners who have been afraid to explore some of the luxury fibers. Proficiency Level: Advanced Beginner Material Fee: $8 Dyeing Worsted Wt. for Hats & Mi2ens Kathleen Taylor Learn to dye yarn so that the color gradually changes throughout the skein. Process adapted from Kathleen Taylor’s book Yarns to Dye For, published by Interweave Press, 2005. This is a fun, but messy, process. Wear old clothes or bring an apron. Choose from assorted dyes and form your own colorway and dye worsted weight yarn for a hat, or a pair of matching mi8ens (yarn provided). Proficiency Level: All Materials Fee: $12 Spinning Marl Yarns Amy Tyler Marl yarns are oOen defined as plied yarns in which the plies are different colors. We will cover techniques for making those yarns as well as making marl yarns in which the plies are from different fiber sources. In the process, we will cover strategies for controlling thickness and twist of singles and for plying to create 2– and3-ply balanced yarns. Proficiency Level: Intermediate Spinner Material Fees: $12 Indigo Jane Woodhouse We will make a simple but very reliable indigo vat using ingredients to get a fast fermenta$on vat up and running quickly. We will not be using lye, thiourea dioxide or sulfuric acid nor will we be inhaling toxic fumes from the vat. The strongest odor will be from the indigo itself. Instruc$ons will include making and maintaining a healthy vat. The class covers making a reliable natural vat that is not difficult to control. In addi$on we will produce samples of colors to overdye in the indigo. Proficiency Level: All Material Fees: $20
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