Seeing The Psalter Bob MacDonald meafar.blogspot.com from dust In this volume, Seeing the Psalter, I have laid out the complexity of this large collection of poems, poetry with a purpose… I have examined a limited subset of internal and external patterns of word usage, • some deliberate by the author, • some deliberate by the redactors, • some perhaps not subject to human consciousness without access to a database. Contents ● Seeing? ● Three principles for in-sight ● Examples … ● Larger structures in the Psalter ● Music – future thoughts ● Why study the Psalter... Seeing? ● How can one see poetry? – ● But who will perform and in what tongue? – ● Surely it's in the performance ... To see is to begin to hear Poetry can be intimidating – Muted attentiveness is required ... Three principles for in-sight ● Parallelism – rhyming ideas – ● ● Robert Lowth (1710-87), parallellismus membrorum Prosody – arrange by 2s and 3s – Singing to speech Recurrence – the repetition of roots – Jonathan Magonet, A Rabbi Reads the Psalms, 2003 Parallelism use of different words to express the same thought ● Psalm 18:21 יהוהwill reward me for my righteousness for the purity of my hands he will turn to me – ● in this case a-b-b-a in form Psalm 18:22 for I have kept the ways of יהוה and I have not been wicked with my God – in this case a-b-a-b in form Prosody laying out poetry and singing to speech ● Two or three words to a line: Psalm 18:21 קִי ִ ְכצִד ְִ ְלנ ִי י ְהו ָה ִ ִי ִגְמ כִבֹר י ָדִי יִָשִ יב ל ִי ְ ● Psalm 18:22 כִי שָ מרְִתִי דרְ כִי י ְהו ָה הִי ָ עתִי מִאֱֹל ְִ ו ְֹלא ָרש ● Two or three – – lines to a verse verses to a stanza Recurrence repeated use of the same word or phrase ● Read with a coloured pencil ● And circle the words that repeat ● Pay attention to what is in the middle: – – What is surrounded by the recurring words? Are these words ● ● ● ● ● in sequence or in reverse usage or a spine or a focus? Psalm 18:21-22 is itself part of a section... A section of Psalm 18 וַּיֹוצִיאֵ נִי ַלמֶּ ְרחָ ב י ְחַ ְל ֵצנִי כִי חָ פֵץ בִי 20 He has brought me out into a spacious room he will rescue me for he delighted in me יִגְמְ ֵלנִי י ְהו ָה ְכצִדְ קִ י כְב ֹר י ָדַ י י ָשִ יב לִי 21 יהוהwill reward me for my righteousness for the purity of my hands he will turn to me כִי שָ מַ ְרתִ י דַ ְרכֵי י ְהו ָה ו ְֹלא ָרשַ עְ תִ י מֵ אֱ ֹלהָ י 22 for I have kept the ways of יהוה and I have not been wicked with my God כִי כָל מִ שְ פָטָ יו ְלנֶּגְדִ י ו ְחֻ ק ֹתָ יו ֹלא ָאסִ יר מֶּ נִי 23 for all his judgments are before me and his statutes I will not put aside from me ו ָאֱ הִ י תָ מִ ים עִ מֹו ו ָאֶּ שְ תַ מֵ ר מֵ עֲ וֹנִי 24 and I am complete with him and I have kept myself from my iniquity וַּיָשֶּ ב י ְהו ָה לִי ְכצִדְ קִ י כְב ֹר י ָדַ י ְלנֶּגֶּד עֵ ינָיו 25 and יהוהturned to me for my righteousness for the purity of my hands before his eyes The same section: recurring words Example 2 three voices remembering, Psalm 137 עַ ל נַהֲ רֹות ָבבֶּל שָ ם י ָשַ בְנּו1 By the rivers of Babel - there we sat גַם ָבכִינּוyea we wept when we remembered Zion ְבזָכ ְֵרנו אֶּ ת צִּיֹון עַ ל עֲ ָרבִים בְתֹוכָּה2 on willows in the midst of her תָ לִינּו כִנ ֹרֹותֵ ינּוwe hung our harps כִי שָ ם שְ אֵ לּונּו שֹובֵינּו דִ ב ְֵרי שִ יר3 for there our captors asked us the words of a ו ְתֹו ָללֵינּו שִ מְ חָ הsong שִ ירּו לָנּו מִ שִ יר צִּיֹוןand our tormentors mirth Sing to us a song of Zion אֵ יְך נָשִ יר אֶּ ת שִ יר י ְהו ָה4 how will we sing such a song of יהוה עַ ל ַאדְ מַ ת נֵכָרon alien ground? אִ ם אֶּ שְ כָחֵ ָך י ְרּושָ ָלִם5 If I forget you Jerusalem תִ שְ כַח י ְמִ ינִיlet my right hand forget תִ דְ בַק לְשֹונִי לְחִ כִי6 let my tongue cleave to my palate אִ ם ֹלא אֶּ זְכ ְֵרכִיif I do not remember you אִ ם ֹלא ַאעֲ לֶּה אֶּ ת י ְרּושָ ָלִםif I do not offer you up Jerusalem עַ ל ר ֹאש שִ מְ חָ תִ יover my ultimate mirth זְכ ֹר י ְהו ָה ִל ְבנֵי אֱ דֹום7 Remember יהוהof the children of Edom אֵ ת יֹום י ְרּושָ ָלִםin the day of Jerusalem הָ א ֹמְ ִריםthose saying עָ רּוExpose עָ רּו עַ ד הַ י ְסֹוד בָּהexpose her to the foundations בַת ָבבֶּל הַ שְ דּודָ ה8 Devastating daughter of Babel אַ שְ ֵרי שֶּ י ְשַ לֶּם לְָךhappy the one who makes peace with you אֶּ ת גְמּולֵָך שֶּ גָמַ לְת לָנּוeven rewards you as you rewarded us אַ שְ ֵרי שֶּ ּי ֹאחֵ ז וְנִפֵץ9 happy the one who grasps and smashes אֶּ ת ע ֹ ָל ַלי ִָך אֶּ ל הַ סָ לַעyour babies on the cliff Example 3 Psalm 145: √כas a drum beat With the 25 words ending in kaf together with the 17* repeated 'all', Psalm 145 sounds like 'k' everywhere *18 with the missing Nun reconstructed Example 4 Psalm 149 • Verse 2b uses only words from Psalm 2* • Verses 7 to 9 use six words from Psalm 2 in sequence, one word in each of its 6 lines לַעֲ שֹות נְקָ מָ ה בַגֹוי ִם7 making vengeance in the nations and corrections in the tribes תֹוכֵחֹות ַבלְאֻ מִ ים לֶּאְ ס ֹר מַ ְל ֵכיהֶּ ם ְבזִקִ ים8 to bind their sovereigns in chains these glorious ones with iron fetters וְנִ ְכבְדֵ יהֶּ ם ְב ַכ ְבלֵי ב ְַרזֶּל לַעֲ שֹות בָהֶּ ם מִ שְ פָ ט כָתּוב9 to make in them judgment inscribed this honour to all הָ דָ ר הּוא ְלכָל Word and gloss בגויםin the nations under his mercy חֲ סִ ידָ יו בלאמיםin the tribes מלכיהםsovereigns Hallelu Yah הַ לְלּו י ָּה ברזלiron משפטjudgment לכלto all *An integrated reading of Psalms 1 and 2 Robert Cole JSOT 98 (2002) 75-88 123456 ░ ░ ░ ░ ░ ░ Vs 7 7 8 8 9 9 Root גוי לאם מל ברזל שפט כל Example 5 Psalm 11 – showing how the tables are constructed Example 6 - Psalm 86 based on Exodus 34:6 Word and gloss * first usage 1 2 3 4 5 6 Vs Root ░ אתהyou 2 אתה ░ חנניbe gracious to me 3 חנן ░ אדניmy Lord 3 אדון ░ אדניmy Lord 4 אדון ░ אתהyou 5 אתה ░ אדניmy Lord 5 אדון ░ ורבand abundant in 5 רב ░ 5 חסד חסדloving-kindness ░ תחנונותיmy supplication 6 חנן ░ אדניmy Lord 8 אדון ░ אדניmy Lord 9 אדון ░ אתהyou are 10 אתה ░ אתהyou 10 אתה ░ 11 אמת באמתin your truth ░ אדניO Lord 12 אדון ░ 13 חסד חסדyour loving-kindness ░ ואתהbut you 15 אתה ░ אדניO Lord 15 אדון ░ וחנוןand gracious 15 חנן ░ ורבand abundant in 15 רב ░ 15 חסד חסדloving-kindness ░ 15 אמת ואמתand truth וחנניand be gracious to me ░ 16 חנן ░ אתהyou 17 אתה Those 6 words account for 24 words of the 147 in the psalm in 15 of the 17 verses. Summary: Psalm 1.1 parallelism, prosody, and recurrence ַאש ְֵׁרי ָהאִיש עִים ִ ָאֲשֶׁ ר ֹלא הָלְך בִעֲצִת רְ ש עמָד ָ אִים ֹלא ִ ט ָ בִדֶׁ רֶׁ ְך ח ְ ּו צִים ֹלא י ָשָ ב ִ בִמֹושב ל ְ ּו Happy the person who does not walk in the advice of the wicked and in the way of sinners does not stand and in the seat of the scornful does not sit a-b b-a b-a, 3 x 3, not-not-not Larger structures in the Psalter ● On the surface: 150 poems in 5 books – Each book is marked with a short closing doxology ● Psalm 41:14 Bless יהוה, the God of Israel from the everlasting and unto the everlasting Amen and Amen ● The sandwich structure ● The overall structure ● The acrostics On the surface The sandwich structure Books 2 and most of Book 3 (to psalm 86) are called the Elohist Psalter The overall structure ● ● [Opening: Psalms 1 and 2 – [Book 1 David – [Books 2 and 3 [Korah [Asaph [David [harvest] ● David] Asaph] Korah [David*] Korah (Ethan)]] – [Book 4 Prayer of Moses … David Prayer David ...] – [Book 5 … to 112 … to 119, Songs of Ascent, David]] Closing: Psalm 149] – ● ● Part of the final doxology (Psalms 146-150) *Note – David, beloved, has at least 1 psalm in every book. The acrostics ● Only in Books 1 and 5 ● All of them in Book 1 are defective ● All of them in Book 5 are perfect ● All of the Acrostics follow a Psalm of significance and act as celebratory markers. ● – Psalm 8 (9-10); Psalm 24 (25); Psalm 33 (34); Psalm 36 (37) – Psalm 110 (111-112); Psalm 118 (119); Psalm 144 (145) – What is a mortal? מָהִאֱנֹושOracle - נְאֻם, – Oracle, What is this humanity? מָהִָאדָ ם Of the substantial 176 (22x8) verse eight-fold acrostic, Psalm 119, Pascal writes: – Cette supplication déroule lentement ses 176 versets en un long récitatif et n'est en son fond que la même protestation d'amour indéfiniment répétée sous diverses formes. (cited in Les Psaumes, Desclée de Brouwer) The poems prior to the acrostics Psalms 1 and 2 are the intro to the Psalter and have no inscription; Psalm 10 is the second part of Psalm 9 and as such has no inscription. Music – future thoughts Psalm 1:1 as interpreted by Suzanne Haik-Vantoura The text contains signs that for 1000 years have been considered punctuation. In the past century, SHV tested by experimentation a musical mapping based on the idea that the signs were hand signals or chironomy, an ancient sign-language for conductors. She has achieved a remarkable deciphering key. The jury is out. The deciphering key ‘poetry’ in this case refers to the three books: Job, Psalms, and Proverbs. These are traditionally known as the books of truth since their first letters: aleph-mem-taf spell ‘truth’. David’s lament for Absalom An example from the former prophets of how appropriate SHV’s music is for the text. Why study the Psalter? ● to be part of the song and conversation ● between poet and community – between poet and reader – between God and the elect (Epistle to the Hebrews) to learn חסד, covenant mercy – ● to form the חסידים, a world that has learned such kindness (the quality of mercy …)
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