Celostna obravnava
objektov arhitekturne
dediščine 20. stol.
Multidisciplinary study of the
architectural heritage
of the 20th century
13. 11. 2013, Ljubljana, Slovenija
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NLB-TR3. Foto: Arhiv Ambient
Zavod za gradbeništvo Slovenije
Slovenian National Building and Civil Engineering Institute
Celostna obravnava objektov arhitekturne dediščine 20. stoletja
Multi-disciplinary study of the architectural heritage of the 20th
century in Slovenia
9:00
Eva Sapač: Zavod za varstvo kulturne dediščine in problematika arhitekture 20.
stoletja (The Slovenian Institute for the Protection of Cultural Heritage and the
issues of 20th Century architecture)
Neža Čebron Lipovec: Raziskava o stanju ohranjenosti arhitekturne dediščine 20.
stoletja v Obalno-kraški regiji (Research into the state of conservation of the 20th
Century architectural heritage in the coastal and Karst regions of Slovenia)
Martina Malešič: Posebnosti ohranjanja stanovanjske gradnje modernizma
(Specific conditions for the preservation of modernistic residential buildings )
Franci Lazarini: Umetnostnozgodovinski pogled na raziskovanje in ohranjanje
arhitekture 20. stoletja: nekaj izbranih primerov (An art-historical view of
research and preservation of 20th Century Architecture: a few selected cases)
Marija Režek Kambič: Večstanovanjska gradnja v Ljubljani: vzdrževanje in
obnova (The conservation of apartment buildings in Ljubljana: practical experience
related to maintenance and renewal work)
Anita Kranjc: Urbana regeneracija v območju nekdanjih vojašnic v Postojni (Urban
regeneration in the area of the former military barracks at Postojna)
Tatjana Adamič: Konservatorska izhodišča za prenovo opuščenega tovarniškega
območja: primer Rog (Conservation guidelines for the revitalization of an
abandoned industrial site: the case of the ROG bicycle factory in Ljubljana)
Ajda Purger: Povzetki raziskave o stanju modernistične kiparske dediščine
na prostem v slovenskih obalnih občinah (A summary of research into the
state of conservation of the open-air modernistic sculptural heritage in the coastal
municipalities of Slovenia)
Marija Jenko:Tekstilni nagovori v urbanem prostoru (The appearance of textiles in
urban areas)
11:20
Francesca da Porto, Elena Stievanin: Experimentalne raziskave historičnih
armirano-betonskih konstrukcij (Experimental investigations of historical
reinforced concrete structures)
Alenka Mauko: Moderni kamniti fasadni sistemi (Modern stone facade systems)
Dušica Drobnič: Analiza stanja elementov armiranobetonskih konstrukcij
(Analysis of the state of elements of reinforced-concrete structures)
Tomaž Pazlar: Pregled in ocena stanja lesenih konstrukcij (Review and assessment of
the state of wooden structures)
Karmen Fifer Bizjak: Stabilnost tal pri sanaciji objektov (The stability of foundations
in the case of building renovation works)
Helena Cvenkl: Energetska učinkovitost in obnovljivi viri energije v starejših
stavbah (Energy efficiency and renewable energy sources in older buildings)
Friderik Knez, Sabina Jordan: Energetska sanacija objektov moderne arhitekturne
dediščine (Energy rehabilitation of buildings of the modern architectural heritage)
Luka Škrlep, Andrijana Sever Škapin, Andreja Pondelak: Nanoutrjevalci za
mineralne površine (Nano-sized consolidation agents for mineral surfaces)
Martin Krštinc, Mirko Brnič Jager:Plečnikova kritina in koncept betonskih
strešnikov v spomeniško varovanem okolju (Plečnik’s roofing designs and the
concept of concrete tiles in culturally protected areas)
Mateja Golež, Vladimir Bras: Razvoj strešnikov iz reciklirane historične betonske
kritine (The development of replacement roofing tiles by the recycling of tiles
obtained from historic buildings)
13:30
Ana Mladenovič, Mateja Golež: Mikrostrukturna karakterizacija historičnih
betonov (The microstructural characterization of historic concretes)
Aljoša Šajna: Proizvodi in sistemi za zaščito in popravilo betonskih konstrukcij
v standardih serije SIST EN 1504 (Products and systems for the protection and
repair of concrete structures in the SIST EN 1504 set of standards)
Ljubo Lah: Interpretacija mednarodnih priporočil o zaščiti arhitekturne dediščine
20. stoletja (Interpretation of the international recommendations for the protection of
the architectural heritage of the 20th century)
Maruša Zorec: Slovenska moderna arhitektura - zakaj jo varovati in kako
prenavljati (Slovene modern architecture - why it needs protecting and how it
should be renovated)
Matevž Čelik: Arhitektura 20. stoletja v Muzeju arhitekture in oblikovanja (20th
Century architecture in the Museum of Architecture and Design)
Tina Potočnik: Spanje razuma ustvari pošasti: problematika vrednotenja
arhitekture povojnega modernizma (Monsters created by a sleeping mind: issues
regarding the evaluation of post-war modernistic architecture)
Okrogla miza/Round table: 14:30 – 16:00
Janko Rožič: Arhitekturna dediščina med starim in novim (Architectural heritage
between the old and the new) - uvodno predavanje/Introduction; Eva Sapač,
Friderik Knez, Franci Lazarini, Matevž Čelik, Tina Potočnik, Ljubo Lah,
Mateja Golež
V prostorih ZAG-a bo ob tej priložnosti na ogled razstava akademskega kiparja
Anžeta Jurkovška/Exhibition - Anže Jurkovšek
ZVKDS OE Maribor/ The Slovenian Institute for the Protection of Cultural Heritage
(Regional Office Maribor)
Slomškov trg 6, 2000 Maribor
[email protected]
Eva Sapač, od leta 2000 zaposlena na Zavodu za varstvo kulturne dediščine
Slovenije (OE Maribor), sodi med prve konservatorje na slovenskem, ki so uvedli
evidenco in metodologijo varovanja modernistične arhitekturne dediščine.
Kot terenska konservatorka se ukvarja s praktičnimi prenovami spomenikov
modernizma, ko tudi spomenikov vseh ostalih obdobij (dobitnica Steletovega
priznanja za leto 2010 za obnovo gradu Hompoš za sedež Fakultete za kmetijstvo
in biotehnološke vede UM). Ukvarja se tudi s teorijo in zgodovino konservatorstva
s poudarkom na zgodovini urbanizma in arhitekture 20. stoletja. Leta 2010 je
končala doktorsko disertacijo z naslovom: Urbani razvoj Maribora v 20. stoletju.
Umetnostnozgodovinsko in spomeniškovarstveno vrednotenje urbanistično
oblikovalskih kvalitet mesta.
Eva Sapač, from 2000 engaged at the Institute for the The Slovenian Institute for the
Protection of Cultural Heritage (Regional Office Maribor), is one of the pioneers of creating
registers and metods of protecting modern architecture and urban layouts in Slovenia. As
practical conservator for the monuments of modernist architecture and all other periods, she
won the national Stele price for managing the reneval of teh castle Hompoš for the Faculty of
Agriculture and Life Sciences. Her research is focused on the theory and history of protection
of cultural monuments, especially of twentieth century heritage. In 2010 she completed
her dissertation entitled Urban development of Maribor in the twentieth century: An art
history– and monument protection–oriented evaluation of the city’s urban planning and
design qualities.
asist. mag. Neža Čebron Lipovec, univ. dipl. prof. um. zgod.
in ital./M.Sc. (Art historian)
Inštitut za dediščino Sredozelja, Znanstveno-raziskovalno središče, Univerza na
Primorskem / Institute for Mediterranean Heritage
Science and Research Centre of Koper University of Primorska
Garibaldijeva 1, 6000 Koper - Capodistria
[email protected]
Neža Čebron Lipovec (Koper-Capodistria, Slovenia, 1980) je univ.dipl. prof.
umetnostne zgodovine (Univerza v Ljubljani). Magistrski študij iz konservatorstva
arhitekture je opravila na Raymond Lemaire International Centre for Conservation
na Univerzi v Leuvnu v Belgiji z raziskavo o povojni arhitekturi na Obali in delu
arhitekta Eda Mihevca (2007). Na isti inštituciji je projektno sodelovala med 2006
in 2008 v projektih o preventivnem konservatorstvu stavbne dediščine. Od 2009
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dela na Inštitutu za dediščino Sredozemlja Znanstveno-raziskovalnega središča
Univerze na Primorskem kot raziskovalka in asistentka, kjer raziskuje stavbno
dediščino in konservatorsko prakso na območju Istre in Jadrana, s poudarkom na
20. stoletju. Obenem je asistentka za več predmetov na Fakulteti za humanistične
študije Univerze na Primorskem. Je sourednica knjige Edo Mihevc (Fakulteta z
arhitekturo, Ljubljana, 2011).
Neža Čebron Lipovec (Koper-Capodistria, Slovenia, 1980) is Bachelor of Arts in Art
History (University of Ljubljana) with a Master after Master degree in Conservation of
Monuments and Sites (Raymond Lemaire International Centre for Conservation, Catholic
University Leuven, Belgium) where she carried out a research on post-war architecture
on the Slovenian coast and on the work of the architect Edo Mihevc (2007). In the same
institution she collaborated from 2006 to 2008 in projects related to preventive conservation
of built heritage. Since 2009 she works as researcher at the Institute for Mediterranean
Heritage at the Science and Research Centre of the University of Primorska where she
investigates built heritage and conservation practice in the area of Istria and the Adriatic,
with focus on the 20th century. She is also teaching assistant for several subjects at the
Faculty of humanities, University of Primorska. She is co-editor of the monography Edo
Mihevc (Fakulteta z arhitekturo, Ljubljana, 2011).
Martina Malešič,
univ. dipl. umet. zgod./B. Sc. ( Art historian)
Janežičeva 3, 1000 Ljubljana
[email protected]
Martina Malešič je študij na Oddelku za umetnostno zgodovino Filozofske
fakultete Univerze v Ljubljani zaključila z diplomsko nalogo o arhitektih
Francetu in Marti Ivanšek (2008). Leta 2009 je na istem oddelku nadaljevala
doktorski študij kot mlada raziskovalka. Doktorska disertacija z naslovom Pomen
skandinavskih vplivov za slovensko stanovanjsko kulturo je tik pred zagovorom.
Njeno raziskovalno delo se osredotoča na
slovensko arhitekturo in oblikovanje 20.
stoletja.
Martina Malešič studied art history
at the Faculty of Arts of the University of
Ljubljana. She graduated in 2008 with
the thesis on Slovenian architects France
in Marta Ivanšek. In 2009 she has started
postgraduate Ph.D. study, as an assistant
researcher, at the same faculty with the thesis
The Significance of Scandinavian Influences
for Slovenian Housing Culture. Her research
focuses on Slovenian architecture and design
of 20th century.
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Lovro Ivančič
dr. Eva Sapač, univ. dipl. um. zgod./Ph.D.(Art historian)
doc. dr. Franci Lazarini, univ. dipl. um. zg./Ph.D.( Art historian)
ZRC SAZU, Umetnostno zgodovinskem inštitutu Franceta Steleta / France Stele’s
Institute of Art History, Scientific-research Center of Slovenian Academy of Sciences and Arts
[email protected]
Umetnostni zgodovinar doc. dr. Franci Lazarini, je leta 2007 diplomiral na
Filozofski fakulteti Univerze v Ljubljani z diplomsko nalogo Arhitekturne
preobrazbe Ljuljane med leti 1780 in 1848, leta 2012 pa doktoriral na Filozofski
fakulteti Univerze v Mariboru z doktorsko disertacijo Cerkvena arhitektura
lavantinske škofije v času knezoškofa dr. Mihaela Napotnika (1889-1922). Od oktobra
2007 je zaposlen na Umetnostnozgodovinskem inštitutu Franceta Steleta ZRC SAZU,
od študijskega leta 2010/2011 pa je zaposlen tudi na Filozofski fakulteti Univerze v
Mariboru, kjer na Oddelku za umetnostno zgodovino predava predmete, povezane
z zgodovino arhitekture in umetnostno topografijo. Njegova raziskovalna področja
so: arhitektura 19. in prve polovice 20. stoletja na Slovenskem, cerkvena umetnost
dolgega 19. stoletja, problematika varstva arhitekturne dediščine, v zadnjem času
pa tudi javni spomeniki. Sodeloval je (ali še sodeluje) na več projektih, med drugim
Umetnostna topografija Slovenije, Likovna umetnost v prostoru mesta Maribor
ipd. Rezultate svojih raziskav je objavil v različnih znanstvenih in strokovnih
revijah (Acta historiae artis Slovenica, Studia Historica Slovenica, Annales, Kronika.
Časopis za slovensko krajevno zgodovino, Umetnostna kronika), sodeloval je na
več simpozijih, prav tako skrbi tudi za popularizacijo svojih spoznanj, med drugim
z javnimi vodstvi po spomenikih in s sodelovanjem pri razstavah (npr. razstava
Spomenik cesarja Franca Jožefa I. pred Kadetnico v Mariboru, sodeluje tudi pri
pripravi razstave Arhitektura 19. stoletja na Slovenskem).
Art historian, assistant professor Franci Lazarini, PhD., has graduated in 2007
from Faculty of Arts, University of Ljubljana, subject: art history, with the master thesis
Architecture of Ljubljana between 1780 and 1848 and in the year 2012 he completed his
doctoral study at Faculty of Arts, University of Maribor, with the defence of dissertation The
Church Architecture of the Lavantine Diocese in the Time of Prince-Bishop Mihael Napotnik
(1889-1922). Since October 2007 he is employed at France Stele’s Institute of Art History,
Scientific-research Center of Slovenian Academy of Sciences and Arts. Starting with academic
year 2010/2011 he is also employed at Faculty of Arts, University of Maribor, at the
Department for Art History, where he is teaching several subjects, e. g. History of Architecture
and Art Topography. His main research topics are: architecture of 19th and first half of the
20th century in Slovenia, sacred art of the long 19th century, problematics of the protection of
architectural herritage and in the last time also public monuments. He was or still is included
in several projects e. g. Art Topography of Slovenia, Visual Arts and Arcitecture in the
Spatial Context of the City of Maribor etc. He published the results of his researches in several
scholarly journals (Acta historiae artis Slovenica, Studia Historica Slovenica, Annales,
Kronika. Časopis za slovensko krajevno zgodovino, Umetnostna kronika), attended several
scholarly symposia, beside that he is promoting his researches also to the broader public with
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several public presentations of the monuments and with several exhibitons (he is co-author
of several exhibitirons, e. g. Monument of Emperor Francis Joseph I. in Front of CadettenAnstalt in Maribor. His Meaning and Material Herritage; Architecture of the 19th Century
in Slovenia).
Marija Režek Kambič, univ. dipl. um. zg./B.Sc. ( Art historian)
ZVKDS, OE Ljubljana/ The Slovenian Institute for the Protection of Cultural
HeritageRegional Office Ljubljana
Tržaška 4, 1000 Ljubljana
Diplomirla leta 2000 na Univerzi v Ljubljani, Filozofski fakulteti in si pridobila
naziv Univerzitetna diplomirana umetnostna zgodovinarka. Zaposlitev leta 2002
na Zavodu za varstvo kulturne dediščine Slovenije, Območna enota Ljubljana kot
konservatorka.
Izvaja javno službo, ki obsega raznovrstne upravne in strokovne naloge na
področju varstva nepremične in z njo povezane premične in žive dediščine,
ki izhajajo iz ZVKD – 1. Področje delovanja obsega postopke vezane tako na
neposredno ohranitev dediščine 19. in 20. stoletja v mestnem jedru Ljubljane, kot
tudi predstavljanje dediščine javnosti in razvijanje zavesti o njenih vrednostih ipd.
Večji izvedeni projekti so prenova nekdanjega deželnega gledališča, danes
SNG Opera in balet, ki predstavlja t.i. celostno umetnino 19. stoletja (2002
konservatorski program – 2011), prenova Moderne galerije, funkcionalistične
arhitekture (2006, konservatorski program), projekt celovite prenove Trgovina
Urbanc, secesijska celostna umetnina (2006 konservatorski program).
University degree 2000, University of Ljubljana, Faculty of Arts, Department of Art
History. The employee of The Slovenian Institute for the Protection of Cultural Heritage,
Regional Office Ljubljana since 2002 as conservator. Responsible for issuing cultural
heritage protection conditions and approvals. Prepares guidelines on the treatment of
heritage within the procedure of drafting spatial and physical planning documents, and
performs other tasks arising from the Cultural Heritage Protection Act. Main focus is
cultural heritage in Ljubljana from 19. and 20. century with a common goal to preserve and
protect, raise the broader public’s interest in and take care. The key projects: The National
theatre building in Ljubljana, with the characteristics of historical “Gesamtkunstwerke”
from the end of the 19. century, leading from the draft project (conservation plan) made in
2002 until realisation in 2011 (supervisor); the Modern gallery, the functionalist building,
completed in the first half of 20. century, conservation program in 2006, realisation of
the project in 2009; Urbanc department store, the most genuine example of Secessionist
architecture, from 2006 (conservation plan), the work completed in 2010, etch glass panels
in 2012.
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Anita Kranjc,
univ.dipl.geograf. in soc. / B.Sc. in geography and sociology
Občina Postojna /Municipality of Postojna
[email protected]
Anita Kranjc je po izobrazbi geografinja in sociologinja, ki je svoje znanje s
področja urejanja prostora nadgrajevala na interdisciplinarnem podiplomskem
študiju prostorskega in urbanističnega planiranja.
Že več let je zaposlena na Občini Postojna in se ukvarja z urejanjem prostora,
pripravo prostorskih aktov in urbanizmom. Največ veselja pri delu ji prinašajo
predvsem razvojni projekti s področja ohranjanja kulturne
in naravne dediščine, ki predstavljajo osnovo za razvoj turizma in podeželja na
Postojnskem.
Anita Kranjc has a BA/BSc in geography and sociology and has acquired additional
knowledge from the field of spatial planning as part of the interdisciplinary postgraduate
studies in spatial and urban planning.
For a number of years now, she has been employed at the Municipality of Postojna,
where she deals with spatial planning, preparation of spatial planning documents and
town planning. As part of her job she takes most pleasure in working on development
projects from the field of cultural and natural heritage preservation, which are at the core of
development of tourism and rural areas in Postojna and the surrounding area.
Tatjana Adamič,
univ.dipl.umet.zgod./B.Sc. ( Art historian)
ZVKDS, OE Ljubljana/The Slovenian Institute for the Protection of Cultural Heritage
Regional Office Ljubljana
Tržaška 4, 1000 Ljubljana
[email protected]
1996: diplomiram na Univerzi v Ljubljani, Filozofska fakulteta, Oddelek za
umetnostno zgodovino, pridobim naziv univ.dipl.umet.zgod. , 1997: zaposlim se
kot konservatorka na Zavodu za varstvo kulturne dediščine Slovenije (ZVKDS),
Območna enota Kranj, kjer delujem do leta 2000, 1998: pridobim strokovni
naziv konservatorka za nepremično kulturno dediščino, 1998: postanem članica
nacionalne sekcije Mednarodnega sveta za spomenike in spomeniške območja
ICOMOS, 2000: zaposlim se na ZVKDS, Območna enota Ljubljana, kjer še vedno
delujem, 2002: postanem članica izvršnega odbora Združenja ICOMOS/SI, v
katerem aktivno delujem. V sklopu izvajanja javne službe za varstvo kulturne
dediščine na mestu konservatorke za nepremično dediščino se ukvarjam kulturno
dediščino iz 19. in 20. stoletja na območju mestnega jedra Ljubljane. Delo obsega
upravne in strokovne naloge na področju varstva nepremične in z njo povezane
premične dediščine na podlagi Zakona o varstvu kulturne dediščine. Hkrati se
ukvarjam s promocijo dediščine in intenzivno sodelujem z lastniki dediščine v
procesu izvajanja posegov v kulturno dediščino. Na ZVKDS sem v obdobju 2004
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– 2010 vodila interdisciplinarno delovno skupino konservatorjev na področju za
varstvo nepremične kulturne dediščine v primeru potresa, v obdobju 2010-2011
interdisciplinarno delovno skupino konservatorjev na področju varstva dediščine
v primeru poplav.Od leta 2012 sem članica interdisciplinarne strokovne skupine
konservatorjev za arhitekturo 20. stoletja.
Ključni projekti: Vzdrževanje kulturne dediščine: Navodila za upravnike
(2004), Dosje objekta kulturne dediščine: EŠD 354 Ljubljana - Stanovanjski blok
Meksika (2008), Konservatorski programi za revitalizacijo industrijskih območij
v Ljubljani (Tobačna tovarna, Mestna klavnica, Rog), Konservatorski programi za
obnovo večstanovanjskih objektov v Ljubljani (poslovno-stanovanjski kompleks
Nebotičnika, stanovanjski blok Meksika).
University degree 1996, University of Ljubljana, Faculty of Arts, Department of Art
History. The employee of The Slovenian Institute for the Protection of Cultural Heritage,
Regional Office Ljubljana since 1997 as a conservator. Member of the International Council
on Monuments and Sites ICOMOS since 1998, active in the executive board of the National
Committee since 2002
Responsible for issuing cultural heritage protection conditions and approvals. Prepares
guidelines on the treatment of heritage within the procedure of drafting spatial and
physical planning documents, and performs other tasks arising from the Cultural Heritage
Protection Act. Main focus is cultural heritage in Ljubljana from 19th and 20th century
with a common goal to preserve and protect, raise the broader public’s interest in and take
care. Head of the multidisciplinary group of the professionals from conservation field in the
methodology of protecting unmovable heritage in case of natural disasters. Member of the
multidisciplinary group of the conservators in the field of the protection of the architecture of
the 20th century. Work in the group include methodology for valorisation, conservation and
restoration of the 20th century architecture.
Key projects:Conservation plans for revitalizations of the industrial sites in Ljubljana
(Tobacco factory, City slaughterhouse, Rog factory), Conservation plans for renovation
of residential houses in Ljubljana (complex of Ljubljana’s skyscraper, residential
house Meksika), Conservation – restoration treatments in private properties including
restorations façades of historical houses from the 19th and 20th centuries in the city of
Ljubljana (Ljubljana’s Skyscraper…)
Ajda Purger, konservatorka-restavratorka/B.Sc.
Igriška ulica 8, 1000 Ljubljana
[email protected]
Ajda Purger, doma iz Kopra, je leta 2006 v Firencah zaključila študijski program
restavratorstva keramike, arheoloških najdb in kamna. Maja 2012 je opravila
strokovni izpit za »konservatorja-restavratorja«. Trenutno je absolventka na
študiju kiparstva Akademije v Ljubljani. Od leta 2007 občasno sodeluje z Narodnim
muzejem Slovenije, na Oddelku za konserviranje in restavriranje, ter od jeseni 2013
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Assistente di Tecnica delle Costruzioni presso l’Università di Padova (Italia); Ingegnere
Edile e Dottore di ricerca in ‘Modellazione, conservazione e controllo di materiali e
strutture’. Coinvolta in numerosi progetti di ricerca riguardanti il comportamento sismico
e le tecniche di rinforzo per strutture storiche in muratura e in cemento armato. Autore
e co-autore di più di 100 pubblicazioni; membro attivo di comitati normativi nazionali
einternazionali.
z Restavratorskim centrom ZVKDS.
Ajda Purger, from Koper - Slovenia, finished her studies of restoration of ceramics,
archaeological finds and stone in Florence in 2006. She has passed the Slovene professional
exam achieving the title »conservator-restorer« in May 2012. Presently she is preparing
her thesis on sculpture for her fine art studies. She has been cooperating with the National
museum of Slovenia (Conservation Department) since 2007 and has been working for the
Conservation Centre ZVKDS since the present autumn.
Elena Stievanin, Ph.D. Sciences and Technologies for Archaeological and
red. prof. Marija Jenko, univ. dipl. inž. arh./Ph.D. (Arch.)
Architectural Heritage
University of Padova, Italy
[email protected]
Naravoslovnotehniška fakulteta, Oddelek za tekstilsvo,
Katedra za oblikovanje tekstilij in oblačil
Snežniška 5, 1000 LJUBLJANA
[email protected]
Architectural Engineer; Ph.D. in Sciences and Technologies for Archaeological
and Architectural Heritage at the University of Padova (Italy); actually research
fellow for activities focused on the study of reinforced concrete historical buildings
and of new repair and strengthening systems with polymer-modified mortars and
Steel Reinforced Grout technique. Her experimental program is supported by an
intensive campaign of in-situ investigation on several case studies.
Ingegnere Edile e Dottore di ricerca in Scienze e Tecnologie per i Beni Archeologici e
Architettonici presso l’Università di Padova (Italia); attualmente assegnista di ricerca con
attività focalizzata sullo studio di edifici storici in cemento armato e, in particolare, di nuove
tecniche di ripristino e rinforzo con malte cementizie polimero-modificate e sistema ‘Steel
Reinforced Grout’. Il suo programma sperimentale è accompagnato da un’estesa campagna
di indagini in situ su numerosi casi studio.
Marija Jenko se je rodila leta 1961. Leta 1985 je diplomirala na arhitekturi
univerze v Ljubljani, leto kasneje na likovni umetnosti, leta 1990 pa si je prislužila
še magisterij iz grafične umetnosti. Med številnimi umetnostnimi področji, na
katerih deluje, je tekstilno oblikovanje eno od njenih najljubših, saj je med drugim
opravila specializacijo na Univerzi za umetnost in oblikovanje na Finskem.
Njena grafična dela so del zbirk muzeja Albertina na Dunaju in Muzeja moderne
umetnosti v Parizu. Za razstavo Paralela iz leta 2001 je skupaj s svojimi sodelavci na
projektu leta 2002 prejela nagrado Trend Radiotelevizije Slovenija.
Marija Jenko was born in 1961. In 1985 she graduated in architecture from the
University of Ljubljana, earning an additional degree in ﬁne arts a year later, as well as
an MA in graphic art in 1990. Among the various ﬁelds of art she works in, textile design
is one of her favourites, having specialized in textiles at the University of Art and Design
Helsinki in Finland. Her graphic works are in the collections of the Albertina in Vienna
and the Museum of Modern Art in Paris. For the exhibition Parallel in 2001, she received
the Trend Award from the Slovenian Radio and Television in 2002, along with her
collaborators in the project.
Francesca da Porto, Ph.D. (Arch.)
Assistant Professor of Structural Engineering at the University of Padova (Italy);
Architectural Engineer, Ph.D. in “Modelling, conservation and control of materials
and structures”. Involved in several research projects on seismic behaviour and
strengthening of historic masonry and reinforced concrete structures. Author and
co-author of over 100 publications; active member of national and international
committees for standardization.
10
Nina Gorišek
University of Padova, Italy
[email protected]
11
dr. Alenka Mauko Pranjić, univ. dipl. inž. geol. /Ph. D. (Geol.)
Zavod za gradbeništvo Slovenije/ Slovenian National Building and Civil Engineering
Institute
Dimičeva ulica 12, 1000 Ljubljana
[email protected]
Alenka Mauko Pranjić, doktorica geoloških znanosti, je na Zavodu za
gradbeništvo Slovenije (ZAG) zaposlena kot strokovnjakinja za raziskave
naravnega kamna in recikliranih materialov. Je koordinatorka nacionalnega
projekta s področja biokorozije naravnega kamna (ARRS projekt L15453 Razvoj
novih kamnitih površin, odpornih na biokorozijo in nastanek madežev) in
dveh mednarodnih raziskovalnih projektov s področja recikliranih materialov
(LIFE10INDSI138 Promocija recikliranja industrijskih in gradbenih odpadkov in
njihove uporabe v gradbeništvu in LIFE12ENVSI443 Remediacija vode iz malih
čistilnih naprav z nano delci in ponovna uporaba očiščene vode ter blata iz procesa
čiščenja), kot raziskovalka pa sodeluje tudi v projektih s področja zaščite kulturne
dediščine in moderne arhitekture. V svoji doktorski nalogi je leta 2010 obravnavala
korelacijo med hitrostjo propadanja in mikrostrukturo modernih kamnitih fasad.
Alenka Mauko Pranjić is employed by the Slovenian National Building and Civil
Engineering Institute (ZAG) as an expert for researching natural stone and recycled
materials. She is currently a coordinator of one domestic research project in the fields of
biocorrosion of natural stone (ARRS project L15453 Development of novel bioresistant and
stainfree stone surfaces of cultural heritage) and two international projects in the field of
recycled materials (LIFE10INDSI138 Promotion of the recycling of industrial waste and
building rubble for the construction industry and LIFE12ENVSI443 Nanoremediation
of water from small waste water treatment plants and reuse of water and solid remains
for local needs). As a research, she is also involved in projects of cultural heritage and
modern architecture protection. In her Ph.D. thesis in 2010 she studied correlation between
microstructure and durability of natural stones used for modern stone claddings.
mag. Dušica Drobnič, univ.dipl.inž.grad./M.Sc. (Civ. Eng.)
Zavod za gradbeništvo Slovenije/Slovenian National Building and Civil Engineering
Institute
Dimičeva 12, 1000 Ljubljana
[email protected]
Dušica Drobnič, mag. gradbeništva, je na ZAG-u zaposlena kot strokovnjakinja
za armiranobetonske konstrukcije in konstrukcijskih sider. V okviru svojih
dejavnosti se ukvarja s pregledovanjem armiranobetonskih konstrukcij, statično
in potresno analizo armiranobetonskih konstrukcij, izdelavo evropskih tehničnih
ocen za sidra in kontrolo proizvodnje armiranobetonskih montažnih elementov. V
okviru EOTA-e je članica delovne skupine za sidra.
12
Dušica Drobnič, M.Sc. (civ.eng.), is employed by the Slovenian National Building
and Civil Engineering Institute (ZAG) as an expert of reinforced concrete structures and
anchors. A part of her activities, Dušica Drobnič works in inspection of reinforced concrete
structures, static and earthquake analyse of reinforced concrete structures, preparing
of European Technical Assessments for anchors and inspection of production control
of prefabricated concrete elements. In EOTA she is the member of Working groups for
Anchors.
dr. Tomaž Pazlar, univ.dipl.inž.grad./ Ph.D. (Civ. Eng.)
Zavod za gradbeništvo Slovenije/Slovenian National Building and Civil Engineering
Institute
Dimičeva 12, 1000 Ljubljana
[email protected]
Tomaž Pazlar na Zavodu za gradbeništvo Slovenije pokriva področje lesenih
konstrukcij: pregleduje in podaja ocene stanja lesenih konstrukcij, koordinira
preiskave inovativnih gradbenih proizvodov na osnovi lesa, pripravlja slovenska
in evropska tehnična soglasja oz. ocene in opravlja certificiranje gradbenih
proizvodov na osnovi lesa. Aktivno sodeluje tudi v evropskih platformah
sodelovanja na področju znanosti in tehnologije (COST), sodeluje pa tudi pri
nacionalnih raziskovalnih projektih (Razvrščanje konstrukcijskega lesa po
trdnosti).
Mr. Tomaž Pazlar is employed at Slovenian National Building and Civil Engineering
Institute as an expert in timber structures. He performs inspections and assessments of
timber structures, coordinates laboratory tests of innovative timber based construction
products, prepares Slovenian and European Technical Approvals – Assessments and
performs certification audits of timber based construction products. He is actively involved
in European Cooperation in Science and Technology platform (COST) and also in national
research projects (Grading of structural timber).
doc.dr. Karmen Fifer Bizjak, univ.dipl.inž.geol./ Ph.D. (Geol),
Zavod za gradbeništvo Slovenije/Slovenian National Building and Civil Engineering
Institute
Dimičeva 12, 1000 Ljubljana
[email protected]
Karmen Fifer Bizjak vodi Oddelek za geotehniko in prometnice na Zavodu
za gradbeništvo Slovenije in je zaposlena kot strokovnjakinja za geološke in
geomehanske raziskave v katero so vključene tudi sanacije temeljnih tal objektov
kulturne dediščine. Vključena je v domače in mednarodne raziskovalne projekte
s področja geološko-geomehanskih raziskav, predvsem izgradnje zahtevnejših
13
Karmen Fifer Bizjak, PhD (Geol), is a Head of Department for Geomechanics and
Traffic Infractructure at the Slovenian National Building and Civil Engineering
Institute (ZAG) as an expert for geological and geomechanical research which
is needed for the renovating of culture heritage when there are problems with
the foundation and soil stability. She is a coordinator of several domestic and
international research projects in the field of geological-geomechanical research.
In recent years, she was involved in a geotechnical project for a nuclear waste
repository, a nuclear power station in Krško and renovation geotechnical work
for the renovation of structures of culture heritage. Karmen Fifer Bizjak is also a
lecturer at the University Ljubljana.
mag. Helena Cvenkel, /M.Sc.
BSC Kranj d.o.o. Regionana razvojna agencija Gorenjske
Cesta Staneta Žagarja 37, 4000 Kranj
[email protected]
Helena Cvenkel, namestnica direktorja BSC Kranj,se že vrsto let ukvarja z
regionalnim razvojem. Je vodja vrste domačih in mednarodnih projektov ali
predstavlja BSC kot partnerja v navedenih projektih. Delokrog obsega tudi projekte
iz področij kulturne dediščine ter zmanjševanja CO2 ter uporabe obnovljivih virov
energije..
Helena Cvenkel, deputy director of BSC Kranj is dealing with matters of regional
development for several years. She is leader or represent BSC as partner in many domestic
or transnational project, also in the field of natural, cultural heritage, reduction of CO 2,
usage of renewable sources.
Friderik Knez,
univ.dipl.fiz./B.Sc.
Zavod za gradbeništvo Slovenije/Slovenian National Building and Civil Engineering
Institute
Dimičeva 12, 1000 Ljubljana, Slovenia
[email protected]
Knez je končal študij na Fakulteti za matematiko in fiziko Univerze v Ljubljani
leta 1993. Od leta 1993 je zaposlen kot raziskovalec na Zavodu za gradbeništvo
( ZAG) . Od leta 1997 je vodja Laboratorija za učinkovito rabo energije in od leta
2008 vodja Oddelka za gradbeno fiziko . Od leta 2011 je tudi tehnični svetovalec
14
direktorja .
Na evropski ravni je član skupine priglašenih organov , CPD- GNB SG 19 in CPDGNB SG 06 , in član EOTA Je tudi član GBC Slovenija in član tehničnega odbora
Slovenskega inštituta za standardizacijo ( SIST) .
Njegovo težišče raziskovalnega dela v gradbeni fiziki je: toplotne lastnosti in
energetska učinkovitost stavb, notranja klima in vlaga v zgradbah . Je specialist za
merilne protokole, razvoj programske opreme in analize meritev. V zadnjem času
dela na področju ocenjevanja življenjskega cikla.
Knez je sodeloval pri številnih raziskovalnih projektov na nacionalni in
mednarodni ravni : Tehnično- ekonomska analiza za energijo Rekonstrukcija v
stanovanjskih stavbah , varstva kulturne dediščine in povezanih podorčij: CHEF,
Cosst-effective, GE2O, HEAT4U, BRIMEE ter TIGR ( kompetenčni center) .
Knez completed her studies at the Faculty of Mathematics and Physics, University
of Ljubljana with a diploma degree as a physicist in 1993. He has been employed as a
researcher at the Slovenian National Building and Civil Engineering Institute (ZAG) since
1993. From 1997 he is head of Laboratory for thermal performance and from 2008 head of
Department of building physics. From 2011 he is also director’s technical adviser.
His focus of research work into building physics is the following: thermal performance
and energy efficiency of buildings, indoor climate and moisture in buildings. He specializes
in measurement protocols, software development and measurement analyses. Recently he
has been working in the field of life cycle assessment.
At European level he is a member of the Group of notified bodies, CPD-GNB SG 19 and
CPD-GNB SG 06, and member of EOTA. He is also a member of Green Building Council
Slovenia and a member of Technical Board of Slovenian Institute for standardization
(SIST).
Research projects: Technical-Economic Analysis of Energy Retrofit in Residential
Buildings, The protection of cultural heritage and associated conservation strategies:
Cultural Heritage Protection against Flooding (CHEF), Resource- and Cost-Effective
integration of renewables in existing high-rise buildings (Cost-Effective), Geo-clustering
to deploy the potential of energy efficient buildings across Europe (GE2O), Gas absorption
heat pumps solution for
existing residential buildings
(HEAT4U), Cost-effective and
sustainable Bio-Renewable
Indoor Materials with high
potential for customisation
and creative design in Energy
Efficient buildings (BRIMEE),
National project TIGR
(competence centre).
(kompetenčni center za
trajnostno in inovativno
gradbeništvo).
15
Mateja Klobas, soba z črkami
objektov kot so odlagališče radioaktivnih odpadkov, izgradnja novih objektov za
jedrsko elektrarno v Krškem in sanacijo temeljnih tal starejših objektov v Sloveniji,
ki spadajo pod okrilje kulturne dediščine. Karmen Fifer Bizjak je tudi predavatelj na
Univerzi v Ljubljani.
mag. Sabina Jordan, univ. dipl. inž. arh./M.Sc.(Arch.)
Luka Škrlep,
univ.dipl.kem./ B.Sc. (Chem.)
Zavod za gradbeništvo Slovenije/Slovenian National Building and Civil Engineering
Institute
Dimičeva 12, 1000 Ljubljana
[email protected]
Zavod za gradbeništvo Slovenije/ Slovenian National Building and Civil Engineering
Institute
Dimičeva ulica 12, 1000 Ljubljana, Slovenija
[email protected]
16
Luka Škrlep, univ.dipl.kem. je študiral kemijo na Fakulteti za kemijo in kemijsko
tehnologijo, Univerze v Ljubljani. Diplomiral je leta 2002 s področja organske
sinteze. Trenutno dela na Zavodu za gradbeništvo Slovenije kot raziskovalec. Delal
je na sintezi in razvoju dodatkov za cementne materiale z namenom izboljšanja
obdelavnosti in trdnosti. V projektu EUREKA Cleantile je razvijal visoko termično
stabilen fotokatalitski titanov dioksid in v EUREKA Project E!5861 MULTIPROTECT pri razvoju titanovega dioksida fotokatalitsko aktivnega v vidni svetlobi.
Trenutno dela v projektu HEROMAT na razvoju izboljšanih utrjevalcev na osnovi
etil silikata za materiale na silikatni osnovi in novih utrjevalcev za karbonatne
materiale.
Luka Škrlep, B.Sc. Chem, studied chemistry at Faculty of Chemistry and Chemical
Technology, University of Ljubljana. He graduated on the field of organic synthesis in 2002.
He currently works at Slovenian National Building and Civil Engineering Institute in
Ljubljana as a researcher. He worked on the design and synthesis of organic additives for
cement materials for improving workability and hardness. In a project EUREKA Cleantile
he worked on synthesis of doped highly thermostable photocatalytic nano titanium dioxide
and in EUREKA Project E!5861 MULTI-PROTECT on synthesis of photocalalytic titanium
dioxide active in visible light. His currently works in HEROMAT project for development of
ethyl polysilicate based consolidant for silicate type historical substrates and soluble calcium
compound based consolidants for carbonate type historical substrates.
Krštinc Martin,
dipl. inž./B.Sc. (Civ. Eng.)
Bramac Strešni sistemi d.o.o.
Dobruška vas 45, 8275 Škocjan, Slovenija
[email protected]
Sindi Btrescak
Sabina Jordan je leta 1992 z diplomsko nalogo uspešno zaključila študij
arhitekture na Fakulteti za arhitekturo Univerze v Ljubljani. Nato je študij
nadaljevala na področju gradbene fizike na Fakulteti za gradbeništvo in geodezijo,
kjer je bila med leti 1992 in 1997 zaposlena kot mlada raziskovalka. Leta 1997 je
magistrski študij uspešno zaključila.
Od leta 1998 je kot raziskovalka zaposlena na Zavodu za gradbeništvo Slovenije.
Deluje kot vodja raziskovalnega dela na Oddelku za gradbeno fiziko in je
namestnica vodje Laboratorija za toplotno zaščito in akustiko.
V Sloveniji je članica Zbornice za arhitekturo in prostor Slovenije ter Slovenske
solarno-termalne tehnološke platforme. Na evropskem nivoju pa je članica v
evropske gradbeno-tehnološke platforme (ECTP) in od same ustanovitve članica
evropskega združenja za energetsko učinkovitost stavb (E2BA), kjer je aktivna
članica znanstvenega sveta (SC).
Njeno delo obsega raziskave in strokovno delo na področju gradbene fizike
in sicer: toplotni odziv stavb, toplotni mostovi, energetska učinkovitost stavb,
uporaba obnovljivih virov energije, notranji pogoji in pojav vlage v stavbah,
vseživljenjske analize.
Sabina Jordan je sodelovala oziroma sodeluje v številnih raziskovalnih projektih,
tako v Sloveniji kot na mednarodnem nivoju: Pametna hiša, Koncept nacionalnega
programa energetske sanacije obstoječih zgradb, Prevent: preventive conservation,
Tehnično-ekonomska analiza energetske prenove stanovanjskih stavb, The
protection of cultural heritage and associated conservation strategies: Cultural
Heritage Protection against Flooding (CHEF), Resource- and Cost-Effective
integration of renewables in existing high-rise buildings (COST-EFFECTIVE),
Geo-clustering to deploy the potential of energy efficient buildings across
Europe (GE2O), Modern Art Conservation
Centre (MACC), Cost-effective and
sustainable Bio-Renewable
Indoor Materials with high
potential for customisation
and creative design in
Energy Efficient
buildings
(BRIMEE),
Slovenski
nacionalni
projekt TIGR
Rojen sem 02.08.1975 v Novem mestu. Po končani srednji strojni šoli, sem študij
nadaljeval na Fakulteti za strojništvo v Ljubljani. Po končanem višje šolskem
študiju, sem študij nadaljeval še na Visoko strokovnem študiju, smer proizvodno
strojništvo. Študij sem zaključil z diplomsko nalogo na temo orodja kakovosti. Prve
delovne izkušnje sem začel nabirati v takratnem podjetju Novoles v Straži. Kasneje
sem se zaposlil v razvojnem oddelku podjetja TPV d.d. Novo mesto in nadaljeval
svojo poslovno pot, kot vodja kakovosti, v podjetju Sun Roller d.o.o. Črnomelj. Od
leta 2010 sem zaposlen v podjetju Bramac Strešni sistemi d.o.o., kot vodja tehnične
službe.
I was born on 2 August 1975 in Novo mesto. After finishing Secondary School of
17
Mechanical Engineering, I continued my studies at the Faculty of Mechanical Engineering
in Ljubljana. After graduating from the post-secondary vocational programme, I enrolled
into the higher education programme of Production Engineering. I concluded my studies
with a diploma paper to the topic of quality tools. I gathered my first work experiences at
the company Novoles in Straža. Later, I worked in R&D Department at TPV d.d. in Novo
mesto and then pursued my career as the Head of Quality Department at the company Sun
Roller d.o.o. in Črnomelj. I have been working as the Head of the Technical Department at
the company Bramac Strešni sitemi d.o.o. since 2010.
mag. Mateja Golež,
univ.dipl.inž.geol./ M.Sc. (Geol.),
Zavod za gradbeništvo Slovenije /Slovenian National Building and Civil Engineering
Institute
Dimičeva 12, 1000 Ljubljana, Slovenija
[email protected]
Mateja Golež, mag. geoloških znanosti, je na ZAG-u zaposlena kot
strokovnjakinja za raziskave historičnih materialov in razvoj ustreznih
nadomestnih materialov za potrebe prenove kulturne dediščine. Je koordinatorka
domačih in mednarodnih raziskovalnih projektov s področja kulturne dediščine,
od katerih je v preteklih letih uspešno zaključila projekt Enciklopedija naravne
in kulturne dediščine na Slovenskem (DEDI II), Revitalizacija Žičke kartuzije in
Varovanje kulturne dediščine pred poplavami (CHEF), v teku pa je mednarodni
projekt »Postavitev centra za koordinacijo, raziskave in restavriranje
modernih in sodobnih umetnosti (MACC)”, v okviru katerega Mateja Golež, ki
ima opravljen strokovni izpit iz konservatorsko-restavratorske stroke, koordinira
delovni sklop za postavitev Centra za moderno in sodobno umetnost v Benetkah in
postavitev Laboratorija za arhitekturno dediščino 20. stol. na ZAG-u.
Mateja Golež, M.Sc. (Geol.), is employed by the Slovenian National Building and Civil
Engineering Institute (ZAG) as an expert for researching historic materials and developing
suitable substitute materials for the purposes of renovating cultural heritage. She is a
coordinator of several domestic and international research projects in the field of cultural
heritage. In recent years, she successfully completed the projects entitled Encyclopaedia of
Natural and Cultural Heritage in Slovenia (DEDI II), the Revitalisation of the Carthusian
Monastery at Žiče and Cultural Heritage Protection against Flooding (CHEF), while the
international project “Modern art conservation center (MACC)” is still pending. Within the
frame of the latter, Mateja Golež, who has passed the proficiency exam for conservation and
restoration specialists, coordinates the working package for the erection of a Modern Art
Conservation Centre in Venice and a Laboratory for 20th century architectural heritage at
the Slovenian National Building and Civil Engineering Institute in Ljubljana.
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Lado Bras, univ.dipl.inž.grad./B.Sc. (Civ. Eng.)
Zavod za gradbeništvo Slovenije/Slovenian National Building and Civil Engineering
Dimičeva ulica 12, SI 1000 Ljubljana, Slovenija
[email protected]
Lado Bras je končal študij gradbeništva v Ljubljani. Celotno tridesetletno
službeno kariero je zaposlen na Zavodu za gradbeništvo Slovenije oz. njegovemu
predhodniku ZRMK. Področje njegovega delovanja je preskušanje svežih in strjenih
betonov v laboratoriju kot tudi na terenu. Sodeluje pri večini razvojnih projektov s
področja betonov, tehnoloških rešitvah in tudi pri izvajanju betonskih del. Eno od
področij delovanja je tudi uvajanje novih metod preskušanja betonov.
Lado Bras finished his studies of civil engineering in Ljubljana. He works at Slovenian
National Building and Civil Engineering Institute (ZAG) for more than thirty years. His
field of work is testing and researching fresh and hardened concrete in laboratory and on
site. He also takes part in research projects in the field of concrete, concrete technology and
execution of concrete works. One of his tasks is also introduction of new methods of testing
concrete.
iz. prof. Maruša Zorec, univ. dipl. inž. arh./Ph.D. (Arch.)
Univerza v Ljubljani, Fakulteta za arhitekturo/University of Ljubljana Faculty of
architecture
Zoisova 12, 1000 Ljubljana, Slovenia
[email protected]
Diplomirala na Fakulteti za arhitekturo, Univerza v Ljubljani. Delovne izkušnje
si je začela pridobivati v arhitekturnem biroju Vojteha Ravnikarja, nato pa leta
1996 pričela s samostojno prakso. Predava na Fakulteti za arhitekturo v Ljubljani.
Živi in dela v Ljubljani. Ukvarja se z zaščito moderne arhitekturne dediščine in
problematiko njenega ohranjanja.
Sodelovala je pri projektu Evidenca in valorizacija moderne arhitekturne
dediščine 1945-70 (s T.Gregoric, N.Koselj, V.Ravnikar); http://www.evidenca.org/
(2000) in pripravila razstavo in publikacijo Piranesi o delu arhitekta Otona Jugovca
(2001).
Prenova vile Ventrelli na Seči pri Portorožu, 1996, (z R. Potokar, krajinska
arhitektura A. Kučan), dnevna kapela v Frančiščkanskem samostanu v Ljubljani,
1997, nova knjižnica na gradu Ravne na Koroškem, 2001, ( z M.Živec, krajinska
arhitektura A.Kučan), poslovilni objekt Šmarje - Sap, 2007, (z M.Novak), prenova
trga in oltar na prostem, Brezje, 2008 (z M. Tepina), prenova Vetrinjskega dvorca,
Maribor, 2010 (z M. Bolčina), prenova grajske pristave v muzej in glasbeno šolo,
Ormož, 2011, (z M. Živec), mladinski hotel na Ravnah na Koroškem, 2012 ( z
U.Rustja, M.Tepina, M.Novak).
Za svoje delo je leta 2012 prejela nagrado Prešernovega sklada za prenovo grajske
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Matevž Čelik,
univ. dipl. inž. arh./B.Sc.(Arch.)
Muzej za arhitekturo in oblikovanje Ljubljana/Museum of Architecture and Design in
Ljubljana
Pot na Fužine 2, 1000 Ljubljana, Slovenija
[email protected]
Matevž Čelik je arhitekt, raziskovalec in pisec o arhitekturi. Leta 2002 je
soustanovil Trajekt, zavod za prostorsko kulturo. Do leta 2010 je sodeloval v
uredniškem odboru revije Oris in v letu 2007 izdal knjigo ‘New Architecture
in Slovenia’ pri založbi Springer. Od leta 2010 vodi Muzej za arhitekturo in
oblikovanje. Pod njegovim vodstvom v MAO nastaja nov program razstav in
razprav kot so MAO Debate, Arhitektura v živo, Odprti Depoji, Oblikovanje
republike in Pod skupno streho.
Matevž Čelik is an architect, architectural researcher and writer. In 2002 he co-founded
Trajekt, Institute for Spatial Culture in Ljubljana. He contributed to Oris magazine
in Zagreb and published a book New Architecture in Slovenia in 2007. Since 2010 he
runs Museum of Architecture and Design in Ljubljana. Under his leadership MAO has
established new program of discussions and exhibitions such as MAO Debates Architecture
Live, Open Depot, Designing the Republic and Under a Common Roof.
20
dr. Tina Potočnik, univ. dipl. inž. arh./Ph.D. (Arch.)
RI19+, Slovenija
[email protected]
Tina Potočnik je leta 2007 diplomirala na Oddelku za umetnostno zgodovino
Filozofske fakultete Univerze v Ljubljani. Izobraževanje je nadaljevala na
navedenem oddelku in leta 2010 zaključila znanstveni magisterij s področja
muzeologije in konservatorstva. Leta 2013 je doktorirala na Fakulteti za
arhitekturo Univerze v Ljubljani. Ob študiju, katerega del je opravila v tujini
(Universita Ca’ Foscari di Venezia, Institut für Städtebau, Technische Universität
Graz), je delala v Mestni galeriji Ljubljana, od leta 2009 pa je bila zaposlena na
Umetnostnozgodovinskem inštitutu Franceta Steleta, Znanstvenoraziskovalnem
centru Slovenske akademije znanosti in umetnosti (ZRC SAZU). Za svoje delo je
prejela več štipendij, mdr. štipendijo Avstrijske vlade ÖAD, ameriško štipendijo
Keepers Preservation Education Fund Fellowship ter štipendijo ZRC SAZU. Grajeni
dediščini 20. stoletja se v več izvirnih znanstvenih in strokovnih tekstih ter
prispevkih na domačih in mednarodnih konferencah posveča od leta 2007, poleg
tega je na povabilo organizacije DOCOMOMO Venezuela leta 2013 v Caracasu
izvedla predavanje na temo slovenske moderne arhitekture in prejela 2. nagrado
na študentskem natečaju za kratki dokumentarni film TR – spomeniškovarstveni
manifest v okviru mednarodne konference Dediščina socializma (Maribor 2012,
EPK).
Tina Potočnik graduated in History of Art from Faculty of Arts, University of Ljubljana
in 2007. She proceeded with her studies and research in History of Art and in 2010 gained
master’s degree in Conservation and Museology. In 2013 she completed her doctoral studies
at the Faculty of Architecture, University of Ljubljana. She carried part of her studies
abroad (Università Ca’ Foscari di Venezia, Institut für Städtebau, Technische Universität
Graz). After working in the City Gallery of Ljubljana, she has been employed since 2009
as an assistant researcher at the France Stele Institute of Art History, Scientific Research
Centre of the Slovenian Academy of Sciences and Arts (UIFS ZRC SAZU). For her work
she was awarded several scholarships, among others the ÖAD scholarship awarded by
the Austrian government, the American Keepers Preservation Education Fund Fellowship
and ZRC SAZU scholarship. Tina Potočnik has been focusing on built heritage of the
20. century since 2007 in several scientific and
professional articles and national and international
conference contributions. She was also invited by
the DOCOMOMO Venezuela organisation to
give a lecture on Slovenian modern architecture
in Caracas (2013) and won the second prize for
the short documentary TR – Monument Protection
Manifest at the international student competition
in the framework of international conference The
Heritage of Socialism (Maribor 2012, ECOC).
21
Marusa Kranjc
pristave v Ormožu ter Steletovo priznanje za prenove in nekaj drugih strokovnih
nagrad za ostala dela.
Study at the Faculty of Architecture Ljubljana, working practice in the office of the
architect Vojteh Ravnikar, established own pactice in 1996, teaching at he Faculty of
arcitecture in Ljubljana. Lives and works in Ljubljana.
Projects, works, writings, exhibitions:
Evidence and valorization of the Slovene Modern architecture 1945-70, catalogue and
poster (with T.Gregoric, N.Koselj, V.Ravnikar) 2001; http://www.evidenca.org/
Renovation of the Vetrinje (Nasko) manor in Maribor, realized 2007-2010 (with Matjaž
Bolčina)
Renovation of the Vila Ventrelli complex at Seča near Portorož, (with R. Potokar and
A. Kučan) realized in 1994-96; Renovation of the Grajska pristava in Ormož (Castle
outbuildings in Ormož), realized 2008-2011 (with Maša Ivec, Žiga Ravnikar). New
burial hall at the cemetery Šmarje-Sap, competition, first prize, built 2003-07, Renovation
of the main square and open air altar in front of the Brezje pilgrimage church, realized
from 2005-08; Youth hostel Punkl at Ravne na Koroškem, 2009-2011 (with Uroš Rustja,
Martina Tepina, Mitja Novak)
Prešeren found award 2012 for the renovation of the castle outbuildings in Ormož.
Stele medal for the renovation projects, 2012. Plečnik medal for the renovation of the
Vetrinje (Nasko) Manor in Maribor (with Matjaž Bolčina, architect), 2011.
Janko Rožič, uni.dipl. ing. arh./ B.Arch.
Odprti krog
Ulica na grad 8, 1000 Ljubljana, Slovenija
[email protected]
je arhitekt, urbanist, esejist in kulturni delavec. Deluje kot arhitekt v svobodnem
poklicu, kot urednik ter publicist v literarnih in filozofskih revijah, vodja
kulturnega programa v Hostlu Celica in predavatelj na Arhitekturi Fakultetete za
gradbeništvo v Mariboru. Bil je asistent raziskovalec na Fakulteti za arhitekturo
v Ljubljani (1988 do 1996) in svetovalec ministra za kulturo (2005 do 2007). Na
Arhitekturi – Fakulteta za gradbeništvo na Univerzi v Mariboru od leta 2011/12
predava predmet Razvoj arhitekturne in urbanistične forme. Je pobudnik in
arhitekt Hostla Celica, ustvarjalnega procesa preobrazbe vojaških zaporov, ki so ga
skupaj z umetniki iz KUD Sestava izvedli v letih od 1993 do 2003. Lonely Planet je
Celico leta 2006 razglasil za »the hipest hostel on the world«. Je soavtor projekta in
zagovornik poglobitve železnice v Ljubljani (Odprti krog, 2002-2012). Bil je komisar
razstave Ljubljana - Benetke na Arhitekturnem bienalu Architecture Beyond
Building v Galerija A A v Benetkah (2008). Skupaj s sodelavci iz Odprtega kroga je
vodil in sodeloval na številnih arhitekturno urbanističnih delavnicah od Bohinja,
Bleda, Gorij, Bovca, Gornje Radgone, Kopra,
Maribora do Cetinja in Cambridgea. V letu 2008 je skupaj s sodelavci
(Drašler,Ostan, Moll) oblikoval stalno razstavo Narodnega muzeja na Blejskem
gradu. Z arhitektom Gašperjem Drašlerjem, s katerim stalno sodeluje od leta
2001,sta avtorja Mladinskega centra in hotela v Ajdovščini, ki so ga odprli leta 2011.
V zadnjih letih se jima je v ateljeju pridružil še mlajši kolega Matjaž Suhadolc. V
Hiši Raduha v Lučah ob Savinji so preuredili stari kozolec v v sodoben apartma s
spoštovanjem do dediščine, tako da se fasade in konstrukcije skoraj niso dotaknili.
Za ta projekt so dobili nagrado STO Snovalec leta 2010. V Lučah so v letu 2013
odprli tudi dva apartmaja v stari Štali in notranjo prenovo Hiše Raduha. Je soavtor
večnamenske hiše Nova Rinka na glavnem trgu v Solčavi, za katero so skupaj z
Urošom Lobnikom, Andrejo Podlipnik - AU arhitekti letih 2012/13 dobili Zlati
svinčnik ZAPSa, Plečnikovo medaljo in evropsko nagrado.Constructive Alps. Z
arhitektko Metko Černe sta leta 2012 prenovila hotel Jelka na Pokljuki. Eseje in
teoretske razprave objavlja v arhitekturnih, filozofskih in literarnih revijah. Je
pobudnik in soavtor knjige Sporočila prostora, ki so jo skupaj s kolegi arhitekti in
arheologi izdali pri ZRC SAZU 2008. Med drugim je ob tisočletnici prve omembe
Blejskega gradu leta 2011 za reprezentančni zbornik Blejski grad – 1000 let napisal
pripevek Tisočletni (g)rajski zid. Skozi teoretično in praktično delo, ki temelji
na uvidih v prostorske in jezikovne vzorce, povezuje lastno ustvarjalnost z
najstarejšimi modrostmi umeščanja v prostor in z najsodobnejšimi umetniškimi,
znanstvenimi in filozofskimi uvidi. V skladu z izvirno razvito metodologijo v
svojem delu in delovanju povezuje naravo in kulturo v smeri razvoja, ki ni samo
22
trajnosten, temveč zares trajen.
Janko Rožič is an architect, urban planner, essayist and cultural worker. He works as
an architect in liberal profession and an editor and publicist in literary and philosophical
magazines. He is the head of the cultural programme at the Celica Hostel and a lecturer at
the Faculty of Civil Engineering in Maribor, lecturing architecture. He also worked as a
research assistant at the Faculty of Architecture in Ljubljana (1988 to 1996) and an adviser
to the Minister of Culture (2005 to 2007). He has been lecturing the subject “Development of
architectural and urban form” at the Architecture study programme of the Faculty of Civil
Engineering, University of Maribor, since 2011. He is the initiator and architect of the Celica
Hostel, a creative transformation process of military detention facilities that was carried
out between 1993 and 2003 in cooperation with artists of the Sestav Cultural and Arts
Society. In 2006, Lonely Planet declared Celica as “the hippest hostel in the world”. Rožič is
the co-author of the project and an advocate for deepening the railway in Ljubljana (Odprti
krog, 2002-2012). He was the exhibition commissioner of Ljubljana – Venice exhibition at
the Architecture beyond Building Biennial at A+A Gallery in Venice (2008). Together with
his colleagues from Odprti krog (Open Circle), he managed and participated in a number of
architectural and urban planning workshops ranging from Bohinj, Bled, Gorje, Bovec, Gornja
Radgona, Koper and Maribor to Cetinje (Montenegro) and Cambridge (Great Britain). In
2008, he and his colleagues (Drašler, Ostan and Moll) created a permanent exhibition of
the National Museum at the Bled Castle. Janko Rožič and Gašper Drašler, an architect who
has been Rožič’s regular associate since 2001, are the authors of a Youth Centre and Hotel
in Ajdovščina that opened in 2011. In recent years, a young associate, Matjaž Suhadolc,
has joined them in their studio. At the Raduha House in the settlement Luče ob Savinji, they
rearranged an old hayrack into a modern suite. They expressed their respect for the heritage
by leaving the façade and structural frame as is. This project brought them the Snovalec prize
in 2010, which is presented by the Slovenian Tourist Board. In 2013, they opened two small
suites in the old Štala (Stable) in Luče and designed the interior of the Raduha House. Rožič
is the co-author of the multi-purpose Nova Rinka house on the main square in Solčava, which
brought him and his associates, Uroš Lobnik and Andreja Podlipnik of AU arhitekti, the 2012
“Zlati svinčnik” or Golden Pencil Award, which is presented by the Slovenian Chamber of
Architecture and Spatial Planning, the 2013 Plečnik Award and the 2013 Constructive Alps
European award. In 2012, architects Metka Černe and Rožič renovated the Jelka Hotel in
Pokljuka. Rožič publishes his essays and theoretical debates in architectural, philosophical
and literary magazines. He is the initiator and co-author of a book entitled “Sporočila
prostora”, which was issued by him and his colleague architects and archaeologists with
ZRC Publishing in 2008. Among other things, he also wrote an article entitled “Tisočletni
(g)rajski zid” upon the millennium anniversary of the first mention of the Bled Castle for a
representative journal entitled “Blejski grad – 1000 let” in 2011. With his theoretical and
practical work based on his insights into the spatial and linguistic patterns, he has connected
his own creativity with the oldest wisdoms of spatial planning, whereby applying state-ofthe-art artistic, scientific and philosophical insights. Pursuant to the methodology originally
developed, he has linked nature and culture following the course of development that is not
only sustainable, but indeed permanent.
23
Andreja Pondelak,
mag. graf. Inž. / B. Sc.
Zavod za gradbeništvo Slovenije / Slovenian National Building and Civil Engineering
Institute
Dimičeva 12, 1000 Ljubljana
[email protected]
lecturer on Faculty of tourism studies Portorož – Turistica. Acknowledgments and
awards: 1996 Faculty of arts of the University of Ljubljana award, 2000 honorary
doctorate of philosophical studies (Leopold Franz University Innsbruck), 2002
Slovenian archaeological association award, 2006 Science and research centre
Koper award; 2007 Slovenian archaeological association national professional
award for his lifelong work; 2008 he was conferred the title of honorary senator of
the University of Primorska.
Andreja Pondelak se je rodila leta 1985 v Celju. Po končani gimnaziji v Celju se
je leta 2006 vpisala na Naravoslovnotehniško fakulteto Univerze v Ljubljani, smer
grafične in interaktivne komunikacije, kjer je leta 2010 dobila naslov diplomantka
grafičnih komunikacij, septembra leta 2012 pa magistrica grafična inženirka.
Decembra 2012 se je zaposlila na Zavodu za gradbeništvu kot mlada raziskovalka
doktorskega programa Fakultete za kemijo in kemijsko tehnologijo Univerze v
Ljubljani.
Andreja Pondelak was born in 1985 in Celje, Slovenia. She attended the University
of Ljubljana, receiving a master´s degree of Graphic and interactive communication in
September 2012. In December 2012 she started working at the Slovenian National Building
and Civil Engineering Institute as a young researcher of doctoral program Faculty of
chemistry and chemical technology at the University of Ljubljana.
prof. dr. Mitja Guštin, univ.dipl.arheolog /prof.Ph.D.
1987 completed his doctoral dissertation The Soča Region during the La Tène
Period in archaeology, 1997 he became ordinarius on University of Ljubljana. In
his professional experience he covered different functions: between 1974 and
1985, he was a curator of archaeology at the Posavje Museum in Brežice, then a
freelancer, and between 1987 and 1989 the editor in chief of the Scientific Press of
the Slovene Academy of Sciences and Arts in Ljubljana. Between 1989 and 1997,
he was the Head of the Department of Archaeology and between 1990 and 1992,
he was a Vice-Dean of the Faculty of Arts of the University of Ljubljana. Between
1986 and 1990 he was chief editor of Yugoslav archeological editions and 19881990 president of the Commission for Scientific Publications by the Committee on
Science of the Republic of Yugoslavia; 1988 and 1992 he was President of Slovenian
archaeological association. In 1993, until 1996 he was President of the Humanities
council and a member of National committee for science and development at
Ministry for education. Since 2003 he is Head of the Institute for Mediterranean
heritage, Science and research centre of Koper on University of Primorska, 20062011 he was Head of Department for Heritage at Faculty of humanities Koper and
24
Anže Jurkovšek, Brst2012,30x30x40cm,lakirana terakota
Inštitut za dediščino Sredozelja, Znanstveno-raziskovalno središče, Univerza na
Primorskem / Institute for Mediterranean Heritage
Science and Research Centre of Koper University of Primorska
Garibaldijeva 1, 6000 Koper - Capodistria
[email protected]
25
Anže Jurkovšek,
Quando entriamo nel mondo del giovane scultore Anže Jurkovšek, si apre davanti ai
nostri occhi la vista su modelli (sculture) reali e di forme dalla preistoria. Nel realizzare
queste forme lo scultore ha utilizzato anche le possibilità offerte dall’arte astratta e
dall’espressione astratta. Ciò che ci mostra quest’artista, è un tentativo d’integrare (unire)
le forme primordiali con le forme moderne. Quindi tutto quello che è stato creato in natura
fare che s’interpreta con il linguaggio artistico di quest’epoca. Tuttavia lo scultore non deve
dimenticare che con l’imitare le forme crea sensazioni, come se queste forme siano esseri
viventi, e con questo ci avvicina alla crudele realtà del processo evolutivo, nel quale tutte le
specie animali e piante lottano per la sopravvivenza. Alcune forme fossili della preistoria
somigliano agli animali di oggi perciò i sentimenti vengono ancora più fortemente espressi.
Naturalmente, lo scultore crea le sue opere d’arte subordinato al desiderio di perfezione,
perciò crea forme sofisticate con linee seducenti e giocose, con le quali si combinano colori
intensi e attraenti. Da quì deriva il desiderio di perfezione, di ciò che interpreta. Anže
certamente dimostra, che uno dei ruoli della scultura moderna è l’interpretazione del
mondo visibile e che al tempo stesso l’autore ha tutte le possibilità di avventurarsi nel
mondo della fantasia, il quale si sceglie solo e con il quale migliora le sue realizzazioni
scultoree. Queste può collegare con interessanti, particolari forme antiche, le quali sono state
scoperte nelle roccie sotto forma di fossili, come testimoni diretti di mondi lontani, i quali
governavano o esistevano milioni di anni fa. Senz’altro lo scultore cerca la propria identità
artistica attraverso linee pure e piene. In questo tempo che offre all’artista un estremamente
ampia scelta di temi e quando il pluralismo degli stili consente la parallele integrazione di
esperienze di tutta la storia dell’espressione artistica, il giovane scultore sta creando una
piattaforma da cui continuerà un passo sicuro verso il futuro. Dopo aver conquistato i
fondamentali compiti che uno scultore deve sapere, egli sta già con successo scoprendo ciò che
dà senso a lui come ad un’artista e alle sue realizzazioni artistiche.
Ko vstopimo v kiparski svet mladega kiparja Anžeta Jurkovška, se pred
našimi očmi odpre pogled na forme iz resničnosti in oblike iz pradavnin. Seveda
je pri slednjih kot pomagalo mladi ustvarjalec izrabil tudi možnosti, ki jih
ponuja abstraktna umetnost in abstraktno izražanje. Tisto, kar nam s svojimi
oblikami prikazuje ta ustvarjalec, je namreč poskus integriranja oblik prasveta s
sodobnimi, torej vse to, kar sta ustvarili narava in pranarava in preinterpretirati
z današnjim likovnim jezikom. Vendarle je pri tem treba posebej izpostaviti, da
umetnik s snovanjem vseh teh oblik ustvarja občutke, kot so žive tvorbe, da so
del evolucijskega procesa, ki ga pri živih bitjih sproža boj za obstanek. Gre za
organske oblike, ki imajo tudi paralele v živalskem in rastlinskem svetu, kakršnega
razpoznavamo okrog sebe.
Seveda je njegovo kiparsko snovanje podrejeno želji po perfekciji, po izbrušenem
videzu teh oblik, ki se ponašajo tudi z zapeljivimi in igrivimi linijami. Zato tudi
tako intenzivne in privlačne barvne komponente, zato želja po popolnosti tega,
kar obravnava. Anže Jurkovšek vsekakor dokazuje, da je ena izmed vlog sodobnega
kiparstva interpretiranje videnega sveta in hkrati, da ima avtor vse možnosti
stopiti v svet imaginacije, kakršnega si izbere sam in z njim nadgradi svoje
kiparske dosežke. Lahko pa jih, kot je bilo že ugotovljeno, poveže tudi z neskončno
zanimivim svetom praoblik, kakršne so raziskovalci odkrili v nedrih našega
planeta v obliki okamenin, neposrednih pričevalcev daljnih svetov, ki so vladali
ali obstajali pred milijoni let. Vsekakor kipar s svojim pretanjenim odnosom do
vendarle čistih, a izrazno polnih oblik, išče svojo lastno umetniško samobitnost.
V času, ki likovnikom ponuja skrajno širok nabor tem in ko pluralizem slogov
omogoča paralelno združevanje izkušenj vse preteklosti človekovega likovnega
izražanja, si mladi kipar ustvarja platformo, s katere bo še v prihodnje trdno stopal
naprej. Zaveda se osnovnih kiparskih nalog in že uspešno odkriva tisto, kar osmišlja
njega kot ustvarjalca in njegove likovne dosežke.
Iztok Premrov
26
Anže Jurkovšek, Povezava2012,20x12x7cm,lakirana terakota
rojen 15. avgusta 1983 v Ljubljani. Leta 2009 je na
Akademiji za likovno umetnost in oblikovanje v Ljubljani diplomiral iz kiparstva
pri prof. Alenu Ožboltu. Deluje na področju abstraktnega in figuralnega kiparstva.
Do sedaj je imel več samostojnih in skupinskih razstav. Leta 2004 je prejel
nagrado Študentskega festivala ŠTUNF. Od leta 2012 je član DSLU. Je avtor treh
javnih plastik v občini Dol pri Ljubljani, kjer tudi živi in ustvarja. Anže Jurkovšek was born on 15 August 1983 in Ljubljana. In 2009, he graduated
from the Academy of Fine Arts and Design in Ljubljana, majoring in sculpture under the
mentorship of Prof. Alen Ožbolt. He works in the field of abstract and figurative sculpture.
He has held several independent in group exhibitions. In 2004, he was presented an
award by the ŠTUNF Student Festival. He has been a member of the Slovenian Fine Artists
Society since 2012. He is the author of three public plastic arts in the Municipality of Dol pri
Ljubljana, where he also lives and works. Iztok Premrov
Prevod/Tanslation to Italian language: Mateja Štefančič
27
Anže Jurkovšek, List
Izdal in založil/Published by: ZAG | Oblikovanje/Design: Primer d.o.o. | Tisk/Print: Primer d.o.o. | Naklada/Number of copies: 100 | Ljubljana, 2013