SFE-BFE 2015 Société Française d’Ethnomusicologie (SFE) and British Forum for Ethnomusicology (BFE) Joint conference, 2-‐5 July 2015, Paris, Musée du quai Branly Border Crossings/Boundary Maintenance Subtopics: I Music crossing boundaries II The bounds of tradition in music III Crossing categories IV Intellectual territories Preliminary programme Salle de cinéma (94 places) Salle de cours (40 places) Thursday 2 July 2015 Thursday 2 July 2015 14h30 Ouverture IV.1 Cognitive approaches to the study of music I. 1 The globalisation of gospel Schema theory in ethnomusicology: a disciplinary boundary-‐ « Rate This MezmuR ». Ethnographie d’un groupe de discussion 15h Widdess, Richard crossing? 15h Ferran, Hugo Facebook sur le gospel éthiopien Transculturation et notion de frontière musicale sous l’angle de l’anthropologie cognitive : diffusion de la microtemporalité afro-‐ Local Praise, Global Worship:The Role of Music in the Globalization of 15h30 Guillot, Gérald diasporique en Occident 15h30 Ingalls, Monique Pentecostal-‐Charismatic Christianity 16h Pause 16h Pause I.2 Music moving into new contexts I.3 PANEL: Heritage, agency and reconfigured bodies: the challenges of exploring mobile matter « Calypso Delight » : d’un calypso de steelband trinidadien à la Border Crossings and Heritage Wars: Indigenous Culture and 16h30 Helmlinger, Aurélie World japonaise, limites d’un genre 16h30 Stobart, Henry; Michelle Proprietary Bigenho, N ationalism in Bolivia. ‘Pan Can Play Anything’: Genre Crossing and Boundary Formation Moving Matters: Caring about Instruments and Circulation in the 17h Hayward, Rachel in Trinidadian Steel Pan Repertoire 17h Joe Browning Transnational Shakuhachi Scene L’émergence du tabla sur la scène mondiale : amplitude et limite 17h30 Bourgeau, Antoine d’une diffusion 17h30 Rachel Willson From reconfiguring the body to reconfiguring the language? 18h fin 18h fin Friday 3 July 2015 Friday 3 July 2015 I.4 Sharing music across ethnic boundaries I.5 PANEL : Negotiating Boundaries in Scotland and Northern Ireland: Bands, Fans, and Musical Scenes Transgressions musicales et processus créatifs. Enjeux sociaux et Performing boundaries: Ritual, space, and song in the Irish rebel 9h30 DeRuyter, Magali relations interethniques dans le rituel Bwete du Gabon central 9h30 Millar, Stephen; scene The Ulster-‐Scots folk revival: The maintainance, subversion and transcendence of musical boundaries in post-‐conflict Northern 10h Léotar, Frédéric Les lamentations de noces en Asie centrale 10h Gordon Ramsey, Ireland Da Merry Boys O Greenland: Musical Reflections of Shetland 10h30 Wilkins, Frances Maritime Culture 10h30 Katy Radford Racism, sectarianism, and all that jazz 11h Pause 11h SFE-BFE 2015 III.1 Listening and being heard 11h30 Alaghband-‐Zadeh, Chloe Listening to North Indian classical music Standing out from the crowd. Vocal and sound techniques for 12h Guillebaud, Christine catching peoples’ attention in an Indian bus stand 12h30 Lunch III.2 Forbidden sounds and practices 14h30 Droutsa, Eftychia Frontières mouvantes, entre mérite et interdit Gabry-‐Thienpont, Quand les femmes « font le zār »… Ambivalences d’un rite de 15h Séverine possession égyptien ‘Happiness is our People’s Right’: Happy in Tehran and the 15h30 Nooshin, Laudan Contesting of Social Boundaries 16h Pause II.2 Music, tradition and the nation state Musiciens maliens à Cuba : la création d’une musique malienne « 16h30 Djebbari, Elina moderne » à l’indépendance 17h Kruger, Simone 17h30 18h fin Sebiane, Maho II.1 Stipulation and style 11h30 Duong, Yvonne “We Don’t Play That”: Music as an Ethnic Classifier in Vietnam Le hát bội contemporain, entre origines chinoises et recherche d’une modernité typiquement vietnamienn 12h Ó Briain, Lonán 12h30 IV.2 Disciplinary boundaries 14h30 Fürniss, Susanne What is a part? Polyphony between perception and conception 15h Schöpf, Jürgen Speech and music, boundaries to be redrawn? 15h30 Lobley, Noel Curating Ethnographic Sound Galleries 16h IV.3 PANEL: Challenging Boundaries between Ethnomusicology and Sound Studies 16h30 The Role of the Guitar in Constructing Paraguayidad (Paraguayan-‐ ness): Rolando Chaparro’s Crossing of Musical Boundaries 17h Traverser la frontière : Musiques et États-‐nations émergents du Golfe arabo-‐persique 17h30 18h fin Bronfman, AlejandraRecords of the Sonic Exotic Tom Western Securing the Aural Border: Radio Fieldwork, the BBC, and Postwar Audio Nationalism Brisdall Carolyn Collection, Library, Archive: Tracking Sound Recordings between Research and Broadcasting ca. 1930-‐1950 Saturday 4 July 2015 Saturday 4 July 2015 II.3 PANEL : La musique classique indienne et ses répertoires : frontières, passages, emprunts I.6 Music and markets 9h30 Le Gargasson, Ingrid, 9h30 Quaintrell, Cecilia 10h Jeanne Miramon-‐Bonhoure, 10h30 William Tallotte 11h Pause III.3 Genres spanning religious categories On the role of music in the delimitation of religious boundaries: a 11h30 Khoury, Stéphanie discussion on the Khmer pinpeat music (Cambodia) The choral genre in Northern Ireland: Crossing boundaries, re-‐ 12h Gibson, Sarah-‐Jane imagining identities. 12h30 Lunch I.7 Traveling and migrating music Sechehaye, Hélène; Des Gnawa à Bruxelles aux Gnawa de Bruxelles : pratiques 14h30 Stéphanie Weisser musicales gnawa dans la capitale de l’Europe Arab Music and Transnational Labor: One Hundred Years in an 15h Rasmussen, Anne Arts Economy 15h30 Luciano Pereira L’annonce du voyage des Batutas en France (1922) 16h Pause 10h Enclosure acts: sheep, goats and musical endings Re-‐crossing borders through materiality: Greek musicians turn into Tsioulakis, Ioannis artisans Strumming Strings: Guitar Accompaniment in the Sliabh Luachra Kearney, Daithí Sound 10h30 11h IV.4 French and British ethnomusicological territories From Paris to London – Learning Ethnomusicology on both sides of 11h30 Balosso-‐Bardin, Cassandre the channel Ethnomusicologies française et britannique dans les années 1930. 12h Gérard, Brice Institutionnalisation et circulation des savoirs. 12h30 III.4 Music and scholarly categorisation Entre frontières inventées et passerelles ignorées : la composition sur 14h30 Belly, Marlène timbre Catégories ethniques, catégories musicales, le cas du chant khap des 15h Lissoir, Marie-‐PierreTai-‐Dam du Laos 15h30 Delétré, Cécile Unité et variété dans les cérémonies des chasseurs yoruba 16h SFE-BFE 2015 II.4 Transmission 16h30 De la transmission communautaire à la patrimonialisation Saint-‐Sardos, Jeanne internationale : l'exemple de la danse des ciseaux (Pérou) 17h Morgan, Deirdre 17h30 18h fin Hofmann, William I.8 PANEL: Orchestras crossing boundaries Jouer du Telemann à La Courneuve: La ‘musique classique’ comme 16h30 Amico Marta musique de l’Autre dans les banlieues parisiennes Revival/Continuation: Paradigms of transmission and boundaries of knowledge in the Norwegian munnharpe smithing tradition 17h Border Crossing: Stylistic Similarities and Musical Dialogues in the Sarod and Afghan Rabab 17h30 18h fin Sunday 5 July 2015 PANEL : On boundaries between performers and audiences 9h30 Doffman, Mark Alone together? Listeners' and musicians' experience of participatory discrepancies in performance 10h Clayton, Martin Performer and audience roles in presentational performance: A perspective from North Indian classical music. 10h30 11h 11h30 12h30 Leante, Laura Pause Final discussion Fin Audience involvement in North Indian classical music Norton, Barley Vietnamese court orchestras, nationalism and heritagization Ramnarine, Tina Comparative reflections on orchestras in two decolonising contexts Sunday 5 July 2015 I.9 Music and inter-‐religious relationships "Silsulim" (improvised 'curls') in the vocal performance of Israeli "oriental" music: Crossing the nationalistic border, maintaining the 9h30 Morad, Moshe cultural boundaries. Transcender les tensions inter-‐ethniques et inter-‐religieuses par la mise en scène du « vivre ensemble ». L’exemple du Festival du monde 10h Roda, Jessica arabe à Montréal Musiques et religions dans le « dialogue des civilisations » : le cas des Bachir-‐Loopuyt, musiques arabes et turques dans des créations interculturelles en 10h30 Talia France
© Copyright 2024