1. No category

oranæni
orange
modri
blue
vokalni
vocal
Foto: Peter Uhan
Spoštovani abonentke in
abonenti, dragi prijatelji
Slovenske filharmonije,
v uvodu bi se rad skupaj z Vami najprej ozrl v preteklo sezono, in sicer
na izjemno uspešno dosežene začrtane cilje. Ob tem naj poudarim,
in gotovo se boste strinjali z mano, da smo predvsem v tujini na
gostovanjih dosegli nekaj presežkov. Za nami so izjemne turneje
z Ano Netrebko in Mišo Majskim po Evropi ter Brynom Terflom v
Omanu. Tovrstna vrhunska doživetja bodo naši cilji tudi v prihodnji
sezoni.
Sezono 2013/2014 smo v okviru naših finančnih možnosti načrtovali
zelo skrbno. Želimo si namreč, da bi kljub težavam, s katerimi se
srečujemo ustvarjalci v kulturi, ustvarili zanimive in kakovostne
programe v vseh treh ciklih. Želimo si seveda odličnih dirigentov in
solistov, ki so ključni za dobre izvedbe naših koncertov, predvsem pa
so eden izmed osnovnih pogojev za vrhunska doživetja. Prepričani
smo, da nam je to uspelo.
V Slovenski filharmoniji se zavedamo pomembnosti naše glasbene
zakladnice in jo tudi negujemo. Tudi letos bomo v programu namenili
kar nekaj pozornosti slovenski glasbeni ustvarjalnosti – stari in novi.
Različne obletnice so lepa priložnost za zahvalo za dediščino, ki smo
jo dobili. Z noviteto bomo tako zaznamovali 65 let Janija Goloba.
Nismo pozabili na 200. obletnico rojstva Richarda Wagnerja, 150.
obletnico rojstva Richarda Straussa in 100. obletnico rojstva Witolda
Lutosławskega ... Naš gost bo tudi sam Krzystof Penderecki ob
svojem 80. rojstnem dnevu.
Na koncu bi se Vam rad zahvalil za zaupanje, ki nam ga izkazujete, ter
Vas hkrati povabil, da skupaj z nami še naprej ustvarjate nepozabna
doživetja. Prepričan sem, da je za dobre koncerte naših glasbenikov
in pevcev vsekakor zelo pomembno tudi nam ljubo občinstvo.
Veseli bomo Vašega obiska.
S spoštovanjem,
Damjan Damjanovič,
direktor Slovenske filharmonije
Dear subscribers
and friends of the
Slovenian Philharmonic,
By way of introduction, I would first like to cast a brief glance back
on the previous season and the extremely successful achievement
of our planned goals. I am sure you will agree that amongst our
most important accomplishments were our tours abroad. Behind
us are extraordinary tours with Anna Netrebko and Mischa Maisky
throughout Europe, and with Bryn Terfel in Oman. It is this kind of
first-rate experience that will be our goal in the coming season.
We have, within the framework of our financial capabilities, planned
the 2013/2014 season with a great deal of care. In spite of the
difficulties that we creative people face in the field of culture, we
have sought to produce an interesting and high quality programme
in all of our three subscription series. Naturally, our aim is to
present outstanding conductors and soloists, who are the key to
the successful staging of our concerts, and one of the fundamental
conditions for creating an exception experience. We are convinced
that we have succeeded in this regard.
At the Slovenian Philharmonic, we are well aware of the importance
of our music tradition, and we make every effort to nurture it. In
our programme, a significant amount of attention will again this
year be devoted to Slovenian musical creativity, both old and new.
Various anniversaries offer a great opportunity to acknowledge the
legacy that we have inherited. We will mark the 65th anniversary of
Jani Golob with the premiere performance of a new work. Nor will
we overlook the 200th anniversary of the birth of Richard Wagner,
or the 150th anniversary of the birth of Richard Strauss, or the
100th anniversary of birth of Witold Lutosławski, while Krzysztof
Penderecki’s 80th anniversary will be marked by an appearance by
the renowned composer and conductor himself.
Finally, I would like to thank you for the trust that you place in us, and
to invite you to continue to create unforgettable experiences with us,
as I am convinced that one of the crucial ingredients of the excellent
concerts by our musicians is our superb audience.
We look forward to seeing you at our concerts.
Yours sincerely,
Damjan Damjanovič,
Director of the Slovenian Philharmonic
modri
blue
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
Gallusova dvorana
Cankarjev dom
ob 19.30
Gallus Hall
Cankarjev dom
at 7.30 p.m.
12. in 13. september 2013 ob 19.30
12 and 13 September 2013 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Ivan Repušić
Emmanuel Pahud flavta/flute
1
Ivan Repušić
Emmanuel Pahud
Izjemnega solista in prvega flavtista Berlinskih filharmonikov Emmanuela
Pahuda smo pričakovali že v prejšnji sezoni, vendar so ga obveznosti
v matičnem orkestru zadržale v Berlinu. Verjamemo, da bo letošnji Modri
abonma odprl »flavtist, ki podaja melodijo kot zelo krhko dragocenost ...
Pristno in ganljivo. « (Die Presse)
Orkester bo vodil Ivan Repušić, »mladi, strastni in muzikalni dirigent srca
in uma, odprtega za nove izkušnje, neobremenjen z ničevostjo in predsodki,
ki bi marsikoga zapeljali ...«. (Jutarnji list)
We were anticipating an appearance by the extraordinary soloist and first
flutist of the Berlin Philharmonic Emmanuel Pahud in the previous season,
but obligations in his own orchestra kept him in Berlin. We are sure that this
year the Blue Series will nonetheless be opened by the “flutist who invests
melody with an extremely fragile preciousness… authentic and moving”.
(Die Presse)
The orchestra will be led by Ivan Repušić, “a young, passionate and musical
conductor with a heart and mind open to new experiences, unburdened
by the vanity and prejudices that would lead many a person astray…”.
(Jutarnji list)
Foto: Peter Adamik
L. M. Škerjanc, Slavnostna uvertura/Festive Overture
J. Ibert, Koncert za flavto in orkester/Flute Concerto
D. Šostakovič, Simfonija št. 1 v f-molu, op. 10
Symphony No. 1 in F Minor, Op. 10
3. in 4. oktober 2013 ob 19.30
3 and 4 October 2013 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent in solist/conductor and soloist Alexander Lonquich
2
Alexander Lonquich
Prvič se bo na našem odru kot dirigent predstavil Alexander Lonquich,
ki smo ga do sedaj poznali le kot izjemnega pianista. Zanj so v reviji Fono
Forum zapisali: »Njegovi roki sta kot specializirana ambasadorja njegovega
uma ... majhna, živahna, a preudarna, včasih celo omahljiva prinašalca misli,
sanj in v njegovi neverjetni interpretaciji zagotovilo enkratne izvedbe.«
Alexander Lonquich, whom we have until now known only as an
extraordinary pianist, will take to our stage for the first time in the role
of conductor. Referring to him, the journal Fono Forum wrote: “His hands
are like specialised ambassadors of his mind… small, lively but penetrating,
sometimes even fickle bearers of thoughts, of dreams, and in his incredible
interpretation they are the guarantee of a unique performance.”
Foto: Guerzoni
F. Schubert/A. Webern, Šest nemških plesov/Six German Dances
W. A. Mozart, Koncert za klavir in orkester št. 24 v C-molu, K. 491
Piano Concerto No. 24 in C Minor, K. 491
F. Schubert, Simfonija št. 6 v C-duru, E. 589
Symphony No. 6 in C Major, D. 589
14. in 15. november 2013 ob 19.30
14 and 15 November 2013 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigentka/conductor Keri-Lynn Wilson
Joseph Johnson violončelo/cello
3
Keri-Lynn Wilson
Joseph Johnson
»Johnsonovo igranje je čudovito,« je zapisal kritik časopisa Milwaukee Journal
Sentinela. »Nastop prve teme je bil ganljivo občuten in nostalgičen, vendar
nikoli pretiran. Njegova melodija se preprosto dvigne nad orkester in napolni
dvorano, hkrati pa zveni, kot da bi igral le zase. Ponotranjena intimnost se
nas je dotaknila tudi na daljavo.«
Dirigentska paličica Keri-Lynn Wilson je [bila] »ostra, sugestivna, ves čas
posvečena glasbenemu dogajanju na odru in občutljiva zanj. Njeno prefinjeno
vodstvo je [bilo] vrhunec večera.« (Bachtrack)
“Johnson’s playing is wonderful”, wrote a reviewer for the newspaper
Milwaukee Journal Sentinel. “The appearance of the first theme was
touchingly sensitive and nostalgic, but never exaggerated. His melody simply
rose above the orchestra and filled the hall, while at the same time sounding
as if he were playing just for himself. The internalised intimacy touched
us even from a distance.”
Keri-Lynn Wilson’s conducting baton was “keen, suggestive, always focused
on and sensitive towards the musical happenings on stage. Her refined
leadership was the highlight of the evening.” (Bachtrack)
Foto: Bo Huang
C. Saint-Saëns, Koncert za violončelo in orkester v a-molu, op. 33
Cello Concerto in A Minor, Op. 33
J. Brahms, Simfonija št. 1 v c-molu, op. 68
Symphony No. 1 in C Minor, Op. 68
28. in 29. november 2013 ob 19.30
28 and 29 November 2013 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Patrick Summers
Valentina Lisitsa klavir/piano
4
Valentina Lisitsa
Foto: Gilbert Francois
Patrick Summers
Foto: Christian Steiner
I. Stravinski, Variacije (V spomin na Aldousa Huxleyja)
Variations (Aldous Huxley in memoriam)
S. Rahmaninov, Rapsodija na Paganinijevo temo, op. 43
Rhapsody on a Theme of Paganini, Op. 43
S. Prokofjev, Simfonija št. 5 v B-duru, op. 100
Symphony No. 5 in B-flat Major, Op. 100
Houston Chronicle hvali »živahno, prefinjeno dirigiranje, ki spoštuje
lepoto glasbe«, New York Times pa »toplo, mogočno in zagnano izvedbo«
ameriškega dirigenta Patricka Summersa, ki bo že drugič na našem odru.
Tokrat se mu bo pridružila mlada pianistka svetovnega slovesa Valentina
Lisitsa. Zanjo je The Guardian zapisal, da je »v vsem, kar počne, posebna
kombinacija popolne samozavestne virtuoznosti ter resnične liričnosti in
komunikacije, ki daleč presega daktilografe hitrih prstov, kakršni so postali
številni današnji pianisti.«
The Houston Chronicle praised the “lively, refined conducting that respects
the beauty of the music”, while the New York Times wrote of the “warm,
powerful and moving performance” of American conductor Patrick Summers,
who will appear on our stage for the second time.
On this occasion, he will be joined by a young pianist with an international
reputation, Valentina Lisitsa, about whom The Guardian wrote “in everything
she does, there is a special combination of utterly self-assured virtuosity
and real lyricism and communication, far removed from the prestidigitatory
typewriters that many pianists have become today”.
5
30. in 31. januar 2014 ob 19.30
30 and 31 January 2014 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Simon Krečič
Vonji Kim Ozim violina/violin
Simon Krečič
Foto: Tamara Tasev
A. Borodin, V stepah srednje Azije/In the Steppes of Central Asia
I. Petrić, Autumn Concerto za violino in orkester – novo delo
Autumn Concerto for violin and orchestra – new work
A. Borodin, Simfonija št. 2 v h-molu/Symphony No. 2 in B Minor
Vonji Kim Ozim
Na uspešnih nastopih v ciklu Pika – Točka – Tačka je Simon Krečič po mnenju
številnih kritikov blestel z izvedbo Simfonije št. 4 P. I. Čajkovskega, saj mu je
»uspelo, da je ta simfonija neštetih razpoloženj vendar v ospredje postavila
tisto, kar lahko prežene zimsko depresijo in zaživi v preprosti, izvirni sreči.«
(Radio Slovenija)
Letos nam bo predstavil slovanski spored. Osrednja skladba bo noviteta
Iva Petrića s solistko Vonji Kim Ozim, ki v svojih izvedbah kaže »tehnično
suverenost in izrazno moč v učinkovitih izmenjavah intimnosti in dramatike.«
(Neuss-Grevenbroicher Zeitung)
In the opinion of numerous critics, Simon Krečič shone in his successful
appearances in the cycle Pika–Točka–Tačka with his performance of
Tchaikovsky’s Symphony No. 4, as he “succeeded in this symphony of
countless moods to nonetheless bring to the fore that which is able to
overcome winter depression and come to life in simple, original joy”.
(Radio Slovenia)
This year he will present a Slavic programme. The central composition will
be a new work by Ivo Petrić featuring the soloist Wonji Kim Ozim, who in her
performances demonstrates “technical mastery and expressive power in the
effective exchanges of intimacy and drama”. (Neuss-Grevenbroicher Zeitung)
6. in 7. marec 2014 ob 19.30
6 and 7 March 2014 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Aleksandar Marković
Alissa Margulis violina/violin
6
Aleksandar Marković
Alissa Margulis
Foto: Aleksandra Hager
I. Sibelius, Tapiola, op. 112
A. Berg, Koncert za violino in orkester/Violin Concerto
R. Strauss, Junakovo življenje, op. 40/Ein Heldenleben, Op. 40
Aleksandar Marković je reden gost naših koncertnih odrov. Občinstvo po Evropi
navdušuje ne samo »s širokim nasmehom, temveč tudi s samozavestno držo
in prepričljivostjo, ki temelji na njegovih zmožnostih ter za mladega dirigenta
bogatih izkušnjah.« (Kleine Zeitung)
Violinistko Alisso Margulis je Ivry Gitlis označil za »odkritje«, Martha Argerich
za »močno glasbeno osebnost«, The Guardian pa je njeno igranje opisal kot
»izjemno«. Predstavila se bo z mojstrovino, ki jo na našem odru redko slišimo,
s Koncertom za violino in orkester Albana Berga.
Aleksandar Marković is a regular guest of our concert stages. He thrills
audiences throughout Europe “not only with his broad smile, but also with
his self-confident manner and convincingness, which is based both on his
abilities and on his rich experience for a young conductor”. (Kleine Zeitung)
Violinist Alissa Margulis was labelled by Ivry Gitlis as a “discovery” and
by Martha Argerich as “a powerful musical personality”, while The Guardian
described her playing as “extraordinary”. She will present herself with
a masterpiece that is rarely heard on our stage, Alban Berg’s Violin Concerto.
3. in 4. april 2014 ob 19.30
3 and 4 April 2014 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Nader Abbassi
7
J. Golob, Simfonija – novo delo/Symphony – new work
N. Abbassi, Nevesta Nila/The Nile Bride
O. Respighi, Rimske pinije/Pini di Roma
Nader Abbassi
Na našem odru bo prvič skladatelj, dirigent, pevec in fagotist Nader Abbassi,
od leta 2002 umetniški vodja in dirigent Kairske opere, umetniški vodja
pariškega Orkestra za mir/Orchestre pour la Paix in nekdanji šef Katarskega
filharmoničnega orkestra ... »S svojim delikatnim vodenjem
in elegantnim niansiranjem je poustvaril izjemno zanimivo izvedbo.
Orkester in zbor sta se odzivala z zaokroženim zvokom ter z občutljivostjo
in močjo hkrati.«
Composer, conductor, singer and bassoonist Nader Abbassi will appear on
our stage for the first time. Since 2002, he has been the artistic director
and conductor of the Cairo Opera. He is also the artistic director of Paris’s
Orchestre pour la Paix and the former director of the Qatar Philharmonic
Orchestra. “With his delicate leadership and elegant nuancing he created
an extraordinarily interesting performance. The orchestra and choir responded
with a rounded sound, displaying both sensitivity and power.”
8. in 9. maj 2014 ob 19.30
8 and 9 May 2014 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Krzysztof Penderecki
Maja Bogdanović violončelo/cello
8
K. Penderecki, Serenada za godalni orkester
Serenade for String Orchestra
K. Penderecki, Koncert za violončelo in orkester št. 2
Cello Concerto No. 2
A. Dvořák, Simfonija št. 7 v d-molu, op. 70
Symphony No. 7 in D Minor, Op. 70
Krzysztof Penderecki
Maja Bogdanović
»Penderecki je vdihnil dušo poznoromantičnim meandrom Dvořákove
simfonije zamolklih mehkih kontur, orkester je pripeljal do vrha v Scherzu
kompaktne enotnosti, v nekoliko prenapihnjenem finalu pa do nevihte.«
(Krönenzeitung)
Maja Bogdanović je »na dragocenem instrumentu Jeana-Baptista Vuillauma
(dobila ga je kot posebno nagrado na Rostropovičevem tekmovanju v Parizu
2005.) interpretirala solistični delež z virtuoznim igračkanjem z epizodnimi
menjavami tempa v skladbi mogočne in razkošne orkestracije Krzysztofa
Pendereckega.« (Tanjug)
“Penderecki breathed soul into the late-Romantic meandering of Dvořák’s
symphony of hushed soft contours, conveying the orchestra to a climax in a
Scherzo of compact unity, and to a storm in the somewhat overblown finale.”
(Krönenzeitung)
“Performing on a precious instrument by Jean-Baptiste Vuillaume, which
she acquired as a special prize at the Rostropovich Competition in Paris
in 2005”, Maja Bogdanović interpreted the solo part with “virtuosic toying
with the episodic changes in tempo in a composition marked by the powerful
and luxuriant orchestration of Krzysztof Penderecki.” (Tanjug)
29. in 30. maj 2014 ob 19.30
29 and 30 May 2014 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
Slovenski komorni zbor/Slovenian Chamber Choir
dirigent/conductor Emmanuel Villaume
Bernarda Fink mezzosopran/mezzo soprano
9
Bernarda Fink
»Francoski dirigent Emmanuel Villaume ima pravi občutek za to [francosko
glasbo, op. prev.], napolni jo s svežino in vitalnostjo, tako značilno za galski
simfonični repertoar 20. stoletja. Sedanji šef dirigent Orkestra Slovenske
filharmonije je svoje glasbenike pripravil do ravni muziciranja, ki jih uvršča
med boljše simfonične ansamble danes.« (Classical Lost & Found/Crocks
Newsletter)
Z mezzosopranistko Bernardo Fink, ki jo je znani angleški pisec in kritik
časnika The Telegraph Rupert Christiansen razglasil za »najelegantnejši glas
v opernem svetu«, bosta v impresionističnem ozračju sklenila Modri abonma.
“French conductor Emmanuel Villaume has a genuine feeling for this [French
music], filling it with the freshness and vitality that is so characteristic of the
Gaelic symphonic repertoire of the 20th century. The current chief conductor
of the Slovenian Philharmonic Orchestra prepared his musicians to a level
of music making that ranks them amongst the best symphonic ensembles
today.” (Classical Lost & Found/Crocks Newsletter)
With Bernarda Fink, whom Rupert Christiansen, the well-known
English writer and reviewer for the newspaper The Telegraph, pronounced
as “the most elegant voice in the opera world”, Villaume will conclude the
Blue Series in an impressionistic atmosphere.
Foto: Klemen Breitfuss
Emmanuel Villaume
Foto: Akos
C. Debussy, Izvoljena gospodična/La damoiselle élue
M. Ravel, Dafnis in Hloa/Daphnis and Chloé
oranæni
orange
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
Gallusova dvorana
Cankarjev dom
ob 19.30
Gallus Hall
Cankarjev dom
at 7.30 p.m.
19. in 20. september 2013 ob 19.30
19 and 20 September 2013 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Michael Stern
Johannes Moser violončelo/cello
1
Michael Stern
Johannes Moser
Za Sternovo dirigentsko tehniko pravijo, da je »žlahtna, skorajda kičasta,
z dodatnimi okraski med glavnimi dobami. Glasbeniki se nanjo odzivajo
s toplino in entuziazmom; počasne pasaže še posebej odlikujejo izjemne
barve in obilica lirike.« (Orange County Register)
K nam ponovno prihaja violončelist Johannes Moser, po besedah kritika
LA Timesa »... čisti užitek. Njegov ton poje in preprosto nosi. Glasbenik
animira orkestrske glasbenike in zdi se, da postajajo z vsakim taktom,
ki ga odigrajo z njim, boljši.«
Stern’s conducting technique is said to be “precious, almost kitsch,
with additional ornaments between the main beats. Musicians respond
to it with warmth and enthusiasm; the slow passages in particular are
distinguished by colour and abundant lyricism.” (Orange County Register)
We will once again enjoy an encounter with cellist Johannes Moser, who,
in the words of a reviewer for The LA Times, is a “...pure pleasure. His tone
sings and simply carries. He animates the orchestral musicians, who seem
to get better with every bar they play with him.”
Foto: Manfred Esser
R. Wagner, Rienzi – uvertura/Rienzi – Overture
W. Lutosławski, Koncert za violončelo in orkester/Cello Concerto
H. Berlioz, Fantastična simfonija, H. 48
Symphonie fantastique, H. 48
24. in 25. oktober 2013 ob 19.30
24 and 25 October 2013 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor sir Neville Marriner
2
J. S. Bach/A. Webern, Ricercare a 6 voci
B. Britten, Sinfonia da Requiem, op. 20
G. Mahler, Simfonija št. 1 v D-duru, »Titan«
Symphony No. 1 in D Major, “Titan”
Neville Marriner
Vrača se tudi dirigentska legenda – naš orkester bo ponovno nastopil pod
taktirko sira Nevilla Marrinerja, ki se je lani »potrdil kot interpret, ki se giba
po žlahtno zmernih, 'srednjih' strujah, je zgodovinsko dovolj točen, pa tudi
sodobno 'avtorsko' subjektiven, je zadržan, a zna in želi angažirano izstopiti,
v takšni drži pa je avditoriju ponudil predvsem enega večjih izvajanj
klasicistične simfonike v zadnjem času.« (Dnevnik)
This season will see the return of a conducting legend – our orchestra
will again appear under the baton of Sir Neville Marriner, who last year
“confirmed his abilities as an interpreter who moves through preciously
moderate ‘mainstream’ currents, is sufficiently precise historically, while
at the same time having a contemporary ‘original’ subjectivity; he is reserved
but he knows how to and wants to stand out in an engaged way, and it is in
this manner that he offered the auditorium one of the greatest performances
of a classical symphony in recent times”. (Dnevnik)
21. in 22. november 2013 ob 19.30
21 and 22 November 2013 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Naci Özgüç
Fazil Say klavir/piano
3
Naci Özgüç
Fazil Say
Foto: Marco Borggreve
W. A. Mozart, Beg iz seraja – uvertura
The Abduction from the Seraglio – Overture
W. A. Mozart, Koncert za klavir in orkester št. 23 v A-duru, K. 488
Piano Concerto No. 23 in A Major, K. 488
F. Say, Istanbulska simfonija, op. 28/Istanbul Symphony, Op. 28
»Istanbulska simfonija, op. 28, je polna nasprotij in slikovitih, skorajda
onomatopejskih trenutkov; eksotični solistični instrumenti [tolkalo kudum,
citram podobni kanun in pihalo naj, op. prev.] zvenijo brezčasno in neresnično ...
Prečudoviti motivi se vrstijo en za drugim, očitno pa je, da ima Say toliko idej,
da je celo potraten.« (MjuzNews.rs)
To je le nekaj utrinkov po beograjski izvedbi prve izmed treh simfonij, ki jih
je do zdaj napisal Fazil Say. Poznali smo ga le kot pianista, a v tej sezoni se
bo predstavil tudi kot avtor, čigar dela izvajajo priznani orkestri po svetu.
“The Istanbul Symphony, Op. 28 is full of contradictions and picturesque,
almost onomatopoeic moments; the exotic solo instruments [the kudum,
a percussion instrument, the zither-like kanun and the naj, a wind instrument]
sound timeless and unreal… Beautiful motives follow one after another –
it is clear that Say has so many ideas that he is even wasteful.” (MjuzNews.rs)
These are just a few responses to the Belgrade performance of the first
of the three symphonies that Fazil Say has written to date. So far, we have
known him only as a pianist, but in the present season he will also present
himself as a composer whose works are performed by recognised orchestras
throughout the world.
12. in 13. december 2013 ob 19.30
12 and 13 December 2013 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Uroš Lajovic
Matej Grahek flavta/flute
4
Uroš Lajovic
Foto: Tomislav Čuvelljak
W. A. Mozart, Simfonija št. 25 v g-molu, K. 183
Symphony No. 25 in G Minor, K. 183
T. Bajželj, novo delo/new work
F. Martin, Passacaglia za veliki orkester
Passacaglia for Large Orchestra
O. Messiaen, Vnebohod/L’ Ascension
Matej Grahek
»Uroš Lajovic, maestro svetovnega slovesa, je vodil impozantni orkestrski
aparat ... na pamet, odkrivajoč posebno naklonjenost glasbi, ki je polna
eruptivne energije, kontinuirane evolucije vsebine ter izjemno diferencirane
orkestracije.« (Vjesnik)
V noviteti Tomaža Bajžlja bo solist naš prvi flavtist Matej Grahek, »ki je s
svojim tonom eden najboljših novodobnih flavtnih interpretov pri nas.« (Delo)
“Uroš Lajovic, a maestro with an international reputation, led an imposing
orchestral apparatus… by heart, revealing a special fondness for music that
is full of eruptive energy, continually evolving content and extraordinarily
differentiated orchestration.” (Vjesnik)
A new work by Tomaž Bajželj will feature our first flutist Matej Grahek,
“who, with his tone, is one of the very best present-day interpreters
of flute repertoire in Slovenia”. (Delo)
27. in 28. februar 2014 ob 19.30
27 and 28 February 2014 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Matthias Pintscher
Saar Berger rog/horn
5
Matthias Pintscher
Foto: Andrea Medici
V. Žuraj, Koncert za rog in orkester – novo delo
Horn Concerto – new work
G. Mahler, Simfonija št. 3/Symphony No. 3
Saar Berger
Letos bo Matthias Pintscher prvič »samo« v vlogi dirigenta. Njegovo vodenje
orkestra »karakterizirata vljudno vedenje ter odločna in precizna tehnika.
Enako pozornost namenja mirnim podajanjem velikih strukturalnih linij kot
priložnostim za nenadne obrate artikulacije, reze v dinamiki in spremembe
razpoloženja.« (The Australian)
Saara Bergerja, člana Ansambla Modern, naše občinstvo že pozna – nastopil
je na koncertih Festivala Slowind in Slovenskih glasbenih dni, marca lani pa je
krstil in posnel Žurajevo skladbo Warm Up, ki je mlademu skladatelju potem
prinesla velik uspeh – drugo mesto na 59. mednarodni skladateljski tribuni
Rostrum v Stockholmu. Sodelovanje se je nadaljevalo in pred nami je Koncert
za rog in orkester.
This year, Matthias Pintscher will appear “just” in the role of conductor.
His leading of the orchestra “is characterised by polite conduct along with
a decisive and precise technique. He devotes equal attention to calmly
conveying the main structural lines as to opportunities for sudden twists
of articulation, cuts in dynamics and changes of mood.” (The Australian)
Saar Berger, a member of Ensemble Modern, is already known to the
Slovenian audience, having appeared at concerts of the Slowind Festival
and the Slovenian Music Days. Last March, he premiered and recorded
Žuraj’s composition Warm Up, which brought the young composer a major
success when he was awarded second place in the 59th International
Composers’ Rostrum in Stockholm. Their collaboration has continued,
as we will witness with the Horn Concerto.
27. in 28. marec 2014 ob 19.30
27 and 28 March 2014 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigentka/conductor Keri-Lynn Wilson
Andrew von Oeyen klavir/piano
6
S. Prokofjev, Koncert za klavir in orkester št. 3 v C-duru, op. 26
Piano Concerto No. 3 in C major, Op. 26
D. Šostakovič, Simfonija št. 8 v c-molu, op. 65
Symphony No. 8 in C Minor, Op. 65
Kery-Lynn Wilson
Andrew von Oeyen
»Gospa Wilson ima prirojeno dirigentsko prezenco. Ima avro naravnega
vodenja, ki je potrebna za upravljanje odra, polnega virtuozov ... Takšne
izvedbe lahko celotne nove generacije prepričajo, da sta glamur in umirjeno
dostojanstvo dobri lastnosti.« (The Dallas Morning News)
»Nikoli nismo slišali boljšega Tretjega klavirskega koncerta Sergeja Prokofjeva
kot s solistom Andrewom von Oeynom. Lirske pasaže so vsebovale lepoto,
ki je ni mogoče zaznati na posnetkih; če ne bi slišali briljantnega finala, ki
vsebuje veličastno melodijo, virtuozne prebliske, kot tudi dvojne glissande v
prestissimu, ne da bi verjeli, da je to sploh mogoče.« (Portland Press Herald)
"Ms. Wilson has the presence of a conductor to the manor born.
She has the aura of natural command it takes to drive a stage full
of virtuosos... Performances like these could persuade a whole new
generation that glamour and self-possessed dignity are good things."
(The Dallas Morning News)
“We have never heard a better performance of Sergei Prokofiev’s Third
Piano Concerto than that by soloist Andrew von Oeyen. The lyrical passages
contained beauties that are impossible to perceive on recordings; and the
brilliant finale, which has both a glorious melody and virtuoso coruscations,
such as prestissimo double glissandos, had to be heard to be believed.”
(Portland Press Herald)
17. in 18. april 2014 ob 19.30
17 and 18 April 2014 at 7.30 p.m.
Simfonični orkester RTV Slovenija
RTV Slovenia Symphony Orchestra
Slovenski komorni zbor
Slovenian Chamber Choir
dirigent/conductor Matthias Bamert
Theresa Plut sopran/soprano
Nuška Drašček Rojko mezzosopran/mezzo soprano
Matjaž Stopinšek tenor/tenor
Jože Vidic bariton/baritone
Janko Volčanšek bas/bass
7
F. Martin, Golgota/Golgotha
Simfonični orkester RTV Slovenija/RTV Slovenia Symphony Orchestra
Za rednega gosta naših abonmajskih sezon je kritik Dela lani zapisal:
»Matthias Bamert je vsakemu stavku vtisnil temperament in preglednost
nad razmeroma gostobesednim, izvorno pač v okvirih komornega diskurza
zamišljenim tkivnim razraščanjem, obenem pa z orkestrom do konca ohranjal
stopnjevalske zaloge, celo nesluteno zagretost zvočnih gest. ... Bamert je
povzdignil SF v ansambel, katerega skupine in posamezniki (soli) se osmišljajo
kot glasovi in zavedajo svojih vlog v hierarhičnem oblikovnem redu.« Tokrat
bo z »gostujočim orkestrom«, s Simfoničnim orkestrom RTV Slovenija, solisti
in našim zborom poustvaril veličastni oratorij švicarskega skladatelja Franka
Martina Golgota.
Referring to a regular guest of our subscription series, a reviewer for
Delo wrote last year: “On every movement, Matthias Bamert imprinted
the temperament and clarity of vision of the relatively wordy interstitial
ramification, originally conceived within the frameworks of chamber music
discourse. At the same time, he maintained the reserves of increasing
intensity, the unimagined passion of the sonic gestures, until the very end…
Bamert raised the Slovenian Philharmonic to an ensemble whose groups and
individuals (soloists) gave meaning to themselves as voices, while also being
aware of their roles in the hierarchically formed order.” On this occasion,
with our “guest orchestra” the RTV Slovenia Symphony Orchestra, soloists
and our own choir, Matthias Bamert will perform the magnificent oratorio
Golgotha by Swiss composer Frank Martin.
22. in 23. maj 2014 ob 19.30
22 and 23 May 2014 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Emmanuel Villaume
Sabina Cvilak sopran/soprano
8
Sabina Cvilak
Foto: Matjaž Vezonik
Emmanuel Villaume
Foto: Akos
R. Wagner, Siegfriedova idila, WWV 103/Siegfried Idyll, WWV 103
R. Strauss, Dan vernih duš, op. 10, št. 8/Allerseelen, Op. 10, No. 8
Posvetilo, op. 10, št. 1/Zueignung, Op. 10, No. 1
Jutro, op. 27, št. 4/Morgen, Op. 27. No. 4
R. Strauss, Smrt in poveličanje, op. 24/Tod und Verklärung, Op. 24
R. Strauss, Daphné, op. 82 − sklepni prizor
Daphné, Op. 82 – Final Scene
»Cvilakova je Dan vernih duš izvedla elegantno, melodija je bila osupljiva.
To je bila resnično ganljiva izvedba in brez dvoma ena izmed najboljših
interpretacij te pesmi, kar sem jih slišal. Posvetilo je bilo izvedeno
impozantno, z osupljivim fortissimo A5 v sklepu. Veselje je bilo poslušati
tudi njeno prelepo fraziranje v Jutru; zdelo se je, kot da njen glas brez napora
lebdi na dihu,« smo lahko prebrali po nastopu Sabine Cvilak v uglednem
londonskem ciklu Rosenblattovih recitalov. Z našim nekdanjim šefom
dirigentom Emmanuelom Villaumom bosta predstavila tudi sklepni prizor
iz Straussove opere Daphné.
After Sabina Cvilak’s performance at London’s celebrated Rosenblatt Recitals,
we could read: “Cvilak performed Allerseelen elegantly, the melody was
astonishing. It was a genuinely moving performance, and without a doubt
one of the best interpretations of these songs I have ever heard. The
performance of Zueignung was imposing, with an amazing fortissimo A5
at the end. It was also a joy to listen to her beautiful phrasing in Morgen;
her voice seemed to float effortlessly on her breath.” With our former chief
conductor Emmanuel Villaume, Sabina Cvilak will also perform the final scene
from Strauss’s opera Daphné.
5. in 6. junij 2014 ob 19.30
5 and 6 June 2014 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Vladimir Fedosejev
9
C. M. von Weber, Oberon – uvertura/Oberon – Overture
C. M. von Weber, Simfonija št. 1 v C-duru, op. 19
Symphony No. 1 in C Major, Op. 19
D. Šostakovič, Simfonija št. 5 v d-molu, op. 47
Symphony No. 5 in D Minor, Op. 47
Vladimir Fedosejev
V avstrijskem časniku Die Presse smo lahko prebrali, da v trenutku,
ko »Vladimir Fedosejev stopi pred Dunajske simfonike – čeprav je dela
s sporeda že mnogokrat dirigiral – slišimo 'stare, dobre' skladbe kot nove.«
Urednik francoske internetne revije ResMusica Jean-Christophe Le Toquin
pa je zapisal: »Osemdesetletni Vladimir Fedosejev nam je dal pravo lekcijo
iz lepote in dramatike, hkrati pa je s francoskimi glasbeniki delil dih 'velike
Rusije' in njene posebne barve.« Z našim orkestrom bo poustvaril dela
Carla Marie von Webra in Dmitrija Šostakoviča.
In the Austrian newspaper Die Presse, we could read that at the moment
when “Vladimir Fedosejev stands before the Vienna Symphony – even
though he has conducted the works on the programme many times – we
hear ‘good old’ compositions as new”. Jean-Christophe Le Toquin, the editor
of the French internet magazine ResMusica, wrote: “The 80-year-old Vladimir
Fedosejev gave us a real lesson in beauty and drama, while at the same time
sharing the breath of ‘great Russia’ and its special colours with the French
works.” With our orchestra, he will perform works by Carl Maria von Weber
and Dmitri Shostakovich.
vokalni
vocal
Slovenski komorni zbor
Slovenian Chamber Choir
Dvorana Marjana Kozine
Slovenska filharmonija
ob 19.00
Marjan Kozina Hall
Slovenian Philharmonic
at 7.00 p.m.
22. september 2013 ob 19.00
22 September 2013 at 7.00 p.m.
Slovenski komorni zbor/Slovenian Chamber Choir
dirigentka/conductor Martina Batič
1
Slovenski komorni zbor
Foto: Janez Kotar
B. Britten, Pet pesmi o rožah/Five Flower Songs
J. Mäntiyjärvi, Še nekaj Shakespearovih pesmi
More Shakespeare Songs
F. Poulenc, Sedem pesmi/Sept Chansons
P. Hindemith, Šest pesmi/Six Chansons
A. Čopi, novo delo/new work
P. Quaggiato, novo delo/new work
L. Rančigaj, Tiho pada mrak/Dusk Silently Falls
Novo sezono Vokalnega abonmaja bo uvedla Martina Batič. Kot je pisalo
v časniku Delo, »njeno roko usmerja jasna gestikulacija, njena sugestivnost
se prenaša na izvedbo, ki je živa in pripovedna. Domiselno in domišljeno
razume lokovnost melodike, različnost skladb in njihovo filigranskost ...«.
The new season of the Vocal Series will be opened by Martina Batič. As was
written in the newspaper Delo: “…her hand is guided by clear gesticulation,
her suggestiveness is passed on to a performance that is vital and evocative.
She ingeniously and imaginatively understands the arch-like quality of the
melody, the diverse character of the compositions and their filigree quality….”
2
20. oktober 2013 ob 19.00
20 October 2013 at 7.00 p.m.
Ruben Drole bariton/baritone
Jens Fuhr klavir/piano
Ruben Drole
Burkhard Schaeffer
Foto: foto Marc Dahinden
program pozneje/programme TBA
»Že na prvi pogled je jasno, da je operni oder njegov svet. To je baritonist,
ki ne samo čudovito poje, ampak se izraža tudi z mimiko in se hkrati odlično
giblje po sceni. Ruben Drole je operni pevec z dušo in srcem,« je po recitalu
švicarskega pevca slovensko-španskih korenin zapisal kritik dnevnika
Neue Zürcher Zeitung. Nastopil bo z nemškim pianistom, umetniškim
sodelavcem številnih priznanih pevcev, Jensom Fuhrom.
“It is immediately clear that the opera stage is his world. Here is a baritone
who not only sings wonderfully but supports his singing with a shifting glance
and content evoked by facial expressions, while at the same time moving
superbly on stage. Ruben Drole is an opera singer with heart and soul,”
wrote a reviewer for the newspaper Neue Zürcher Zeitung after a recital
by the Swiss singer with Slovene-Spanish roots. He will appear with German
pianist Jens Fuhr, who collaborates with numerous recognised singers.
24. november 2013 ob 19.00
24 November 2013 at 7.00 p.m.
Slovenski komorni zbor/Slovenian Chamber Choir
dirigent/conductor Ragnar Rasmussen
3
F. Poulenc, Štiri molitvice sv. Frančiška Asiškega
Quatre petites prières de Saint François d'Assise
A. Nordheim, Tri tožbe/Tres Lamentationes
P. Ramovš, Dyptihon orationis
B. A. Drage, Potovanje presvetlega gospoda Petra Kvirina
Viaggio del magnifico messer Piero Quirino
G. Ligeti, Lux Aeterna
A. Schnittke, Requiem
Ragnar Rasmussen
»Komorni zbor SAGA in Ragnar Rasmussen predstavljata alternativo
tradicionalni zborovski glasbi. Z iskanjem specifičnega, severnonorveškega
vokalnega podajanja in z intenzivnim izrazom podarjata občinstvu mnogo
več kot stereotipne klasične zborovske izvedbe. Kot takšna sta pomembna
nosilca razvoja zborovskega petja.« (Speilet, Tingvoll Blad)
“The SAGA Chamber Choir and Ragnar Rasmussen represent an
alternative to traditional choral music. With their search for a specific,
Northern Norwegian approach to conveying vocal music and their intense
expression, they offer the audience more than stereotypical classical choral
performances. As such, they are important bearers of the development
of choral singing.“ (Speilet, Tingvoll Blad)
22. december 2013 ob 19.00
22 December 2013 at 7.00 p.m.
Slovenski komorni zbor/Slovenian Chamber Choir
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigentka/conductor Martina Batič
4
Marta Močnik Pirc sopran/soprano
alt pozneje/alto TBA
Peter Martinčič bas/bass
Ambrož Bajec Lapajne, Martin Logar tenor/tenor
Marcos Fink, Jože Vidic bas/bass
Martina Batič
Foto: Anka Batič
G. F. Händel, Mesija/Messiah HWV 56
»Martino Batič, umetniško vodjo Slovenskega komornega zbora, smo
v preteklosti že lahko spoznali kot zborovodjo, ki je izčistila zbor ljubljanske
Martina
Batič
Opere in ga »prenovila« s kleno, celo mogočno zvočnostjo. /.../ dirigentka
se kaže kot mojstrica marcialnih pasaž, v katerih dominirata ritem in skoraj
usodna zvočna teža. Zato se je grozljivo razpirala sekvenca Dies irae, fugirani
odsek Ofertorija pa se je stopnjeval do majestetičnega vrhunca v neizprosni
zvočno-ritmični logiki.« (Dnevnik).
Konec adventnega časa nam bo polepšala z veličastnim Händlovim oratorijem
Mesija, katerega prvi del govori prav o Jezusovem rojstvu.
“We had a opportunity to become familiar with Martina Batič, the artistic
director of the Slovenian Chamber Choir, as the choral conductor who refined
the chorus of the Ljubljana Opera and “renewed” it with a vigorous, even
powerful sonic quality. /…/ the conductor shows herself to be a master
of martial passages dominated by rhythm and an almost fateful sonic weight.
Thus she opened up the Dies irae in a way that was almost terrifying, while
intensifying the fugal section of the Ofertorio to a majestic climax with
an unrelenting sonic-rhythmic logic.” (Dnevnik)
The end of Advent will be graced by Handel’s magnificent oratorio Messiah,
the first part of which speaks of the birth of Jesus.
26. januar 2014 ob 19.00
26 January 2014 at 7.00 p.m.
Slovenski komorni zbor/Slovenian Chamber Choir
dirigent/conductor Kaspars Putniņš
5
J. S. Bach/K. Nystedt, Nesmrtni Bach/Immortal Bach
S. D. Sandström, Hvalimo te/Laudamus te
J. S. Bach, Pridi, Jezus, pridi/Komm, Jesu, komm, BWV 229
A. Pärt, Magnificat
Po zmagi/Dopo la vittoria
S. Gubajdulina, Sončna pesem sv. Frančiška Asiškega
The Canticle of the Sun of St Francis of Assisi
Kaspars Putniņš
»Putniņš je vodil koncert Zbora Srednjenemškega radia (MDR) z izjemnim
smislom za prostor, zvok in poudaril sposobnosti tega vrhunskega zbora.
Kdorkoli je imel priložnost poslušati ta koncert, je užival v najvišji obliki
glasbene senzualnosti.« (Leipziger Volkszeitung)
To je le eden izmed neštetih hvalospevov, ki že leta spremljajo ustanovitelja
Latvijskega radijskega zbora (1992) in utemeljitelja Komornih pevcev
Latvijskega radia (1994), gostujočega dirigenta vrste najboljših zborovskih
ansamblov po svetu, Kasparsa Putniņša.
“Putniņš led the MDR Radio Choir with an extraordinary sense for space,
sound and the capabilities of this superb choir. Everyone who had an
opportunity to listen to this concert enjoyed the highest form of musical
sensuality.” (Leipziger Volkszeitung)
This is just one of countless songs of praise that have for years accompanied
the founder of the Latvian Radio Choir (1992) and the Latvian Radio Chamber
Singers Kaspars Putniņš, who also serves as a guest conductor with a series
of the best choral ensembles throughout the world.
9. marec 2014 ob 19.00
9 March 2014 at 7.00 p.m.
Slovenski komorni zbor/Slovenian Chamber Choir
dirigent/conductor Matjaž Šček
6
A. Srebotnjak, Bori/Pine Trees
M. Kogoj, Trenutek/Moment
A. Lajovic, Lan/Flax
Pomladni spev/Spring Song
J. Pavčič, Če rdeče rože zapade sneg
If the Snow of the Red Flower Falls
M. Tomc, Pesem svitanica/ Song from the Matins
M. Lipovšek, Sveti Štefan/St Stephen
R. Simoniti, Balada/Ballad
U. Vrabec, Rdeč zaton/Red Sunset
Kresno jutro/Midsummer Morning
L. Lebič, Ne vem, kdo bolj je tožen
I Do Not Know Who Is More Melancholy
Tihi gaj/Silent Grove
U. Krek, Prekmurska/Prekmurian Song
J. Ravnik, Ženjica/Reaper Woman
E. Adamič, Večerna pesem/Evening Song
A. Kumar, Na livadi/In the Meadow
P. Merkù, Jablana/Apple Tree
Matjaž Šček
V Primorskih novicah smo lahko prebrali, da je »Matjaž Šček zborovodja,
ki petju pospešeno vrača eleganco, aristokratsko držo in visoke poustvarjalne
standarde. Je, skratka, estet s prefinjenim občutkom za vokalni stavek.«
We could read in the newspaper Primorske novice that “Matjaž Šček
is a choral conductor who is rapidly returning elegance, aristocratic poise
and high performance standards to singing. In short, he is an aesthete with
a refined feeling for vocal technique”.
27. april 2014 ob 19.00
27 April 2014 at 7.00 p.m.
Slovenski oktet/Slovene Octet
umetniški vodja/artistic director Jože Vidic
7
Slovenski oktet
Foto: Studio Wilke
D. Božič, Gospa/Madam
P. Mihelčič, Kost/Bone
Vrnitev v Belo krajino/Return to Bela krajina
A. Danev, Diptih/Diptych
V. Hrovat, Človek ni sam/A Man Is Not Alone
J. Jež, Idile Jurija Vodovnika/The Idylls of Jurij Vodovnik
L. Vrhunc (na prekmurski motiv), Dve prekmurski
Two Prekmurian Songs
Ljudska/I. Štuhec, Je pa davi slanca pala
White Frost Covered the Meadows this Morning
Ljudska/D. Božič, Drumlca/Jew’s Harp
Ljudska/L. Lebič, Zmi rom moram bondrati/Always Must I Wander
Ljudska/Z. Švikaršič, A. Misson, Pu bi pojo/The Lads Are Singing
Ljudska/K. Pustinek Rakar, Pr' zil /By the Zilja River
Od leta 1951 Slovenski oktet plemeniti našo vokalno glasbeno poustvarjalnost,
pri tem pa posebno pozornost namenja slovenski glasbeni ustvarjalnosti (ljudski
in umetniški) ter jo uspešno predstavlja na vseh celinah. »Slovenski oktet v novi
ali zadnji zasedbi /.../ učinkuje kot zelo homogen ansambel; poje zlito, doživeto,
občutljivo ... Izgovorjava vseh pevcev je vseskozi odlična in razumljiva, tudi na
zelo zapletenih in hitrih mestih ... Oktet poje intonančno zelo čisto, sam sebe
na odru dobro sliši ...«. (Delo)
Since 1951, the Slovene Octet has enriched vocal music in Slovenia, devoting
particular attention to the performance of Slovene music, both folk and art genres,
which it presents successfully at concerts on all of the continents. “In its new
or most recent line up /.../ the Slovene Octet functions as a very homogeneous
ensemble, with singing that is always flowing, sensitive and lived to the full… The
pronunciation of all of the singers is consistently excellent and comprehensible,
even in the most complicated and rapid passages… The Octet sings with a very
pure intonation and the musicians listen carefully to one another on stage…”.
(Delo)
15. junij 2014 ob 19.00
15 June 2014 at 7.00 p.m.
Slovenski komorni zbor/Slovenian Chamber Choir
dirigent/conductor Stephen Layton
8
Stephen Layton
Foto: Benjamin Ealovega
Th. Tallis, In govorili so v različnih jezikih/Loquebantur variis linguis
Odrešenik sveta, reši nas/Salvator mundi, salva nos
W. Byrd, R
ešnje je Telo nam dano/Ave verum corpus
Vriskajte Bogu/Sing joyfully
H. Purcell, Ne spominjaj se, Gospod/Remember not, Lord
Gospod, usliši mojo molitev/Hear my prayer, o Lord
Ch. Stanford, Trije moteti, op. 38/Three motets, Op. 38
J. Taverner, Hvalnica Materi božji/Hymn to the Mother of God
J. MacMillan, Kristus zmaguje/Christus vincit
B. Britten, Himna Devici/Hymn to the Virgin
H. Howells, Requiem
Verjetno ni primernejše osebe, ki bi nam predstavila presek britanske
zborovske glasbe, kot je Stephen Layton – glasbeni direktor Kolidža Svete
trojice (Trinity College) ter umetniški vodja in prvi dirigent Londonske Sinfonie
(City of London Sinfonia). Kritik časnika The Oxford Times je po enem izmed
njegovih koncertov zapisal, da je izvedbo »zaznamoval svetel, jasen zvok, ki je
bil pod avtoritativnim vodstvom Stephna Laytona strogo discipliniran – bila je
to učna ura inteligentnega fraziranja, brezhibne dikcije
in popolnega 'timinga'.«
There is probably no one better to present the achievements of British choral
music than Stephen Layton, the Musical Director of the Trinity College
in Cambridge and the Artistic Director and Chief Conductor of the City
of London Sinfonia. After one of his concerts, a reviewer for the newspaper
The Oxford Times wrote that the performance was “marked by a bright,
clear sound, that was strictly disciplined under the authoritative leadership
of Stephen Layton – it was a lesson in intelligent phrasing, faultless diction
and perfect timing”.
Mednarodni cikel Pika – Točka – Taчкa že tretjo sezono skupaj
pripravljajo orkestri Slovenske, Zagrebške in Beograjske filharmonije. Vladimir Kulenović, eden izmed dirigentov prejšnje sezone,
je dejal, da je »ta projekt na najboljši možen način postavil piko,
točko in tačko na težave iz preteklosti, hkrati pa začel novo poglavje
sodelovanja in razumevanja.«
Do sedaj smo gostili vrsto mladih umetnikov, letos pa se bodo na
prvih dveh koncertih kot solisti predstavili člani orkestrov. Program bo
obarvan lahkotneje – še posebej pa bo privlačen projekt Zagrebške
filharmonije z naslovom Suvenir Latinoamericano.
For the third consecutive season, the international cycle Pika –
Točka – Taчкa (literally: Dot – Dot – Dot in Slovenian, Croatian and
Serbian respectively) is being jointly prepared by the orchestras of
the Slovenian, Zagreb and Belgrade Philharmonics. Vladimir Kulenović, one of the conductors from the previous season, commented
that “this project is the best possible way to place a pika, točka and
taчкa [a full stop] on the difficulties from the past, while at the same
time opening a new chapter in cooperation and understanding.”
At previous concerts from the series, we have hosted a series of
young artists, but this year members of the orchestras will present
themselves as soloists at the first two concerts. The programme will
have a lighter flavour – particularly attractive is the project
of the Zagreb Philharmonic entitled Souvenir Latinoamericano.
Pet koncertov slovenskega dela projekta bo v Slovenski filharmoniji,
v Dvorani Marjana Kozine:
The five concerts of the Slovenian part of the project will be held
in the Marjan Kozina Hall of the Slovenian Philharmonic:
6. december 2013 ob 19.30
6 December 2013 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Martin Sieghart
spored/programme Fernandez, Villa Lobos, Albeniz
17. januar 2014 ob 19.30
17 January 2014 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Uroš Lajovic
Tijana Milošević violina/violin
Aleksandar Milošev viola
Renata Penezić flavta/flute
Urška Križnik Zupan harfa/harp
spored/programme Hačaturjan, Jusupov, Schnittke, Rota
12. april 2014 ob 19.30
12 April 2014 at 7.30 p.m.
Zagrebška filharmonija/Zagreb Philharmonic
SUVENIR LATINOAMERICANO
dirigent/conductor Alan Bjelinski
23. april 2014 ob 19.30
23 April 2014 at 7.30 p.m.
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent in solist/conductor and soloist Julian Rachlin
spored/programme Mozart, Schumann
(ponovitvi koncerta 24. aprila v Zagrebu in 25. aprila v Beogradu/repeat
performances in Zagreb on 24 April and Belgrade on 25 April)
27. maj 2014 ob 19.30
27 May 2014 at 7.30 p.m.
Beograjska filharmonija/Belgrade Philharmonic
dirigent/conductor Muhaj Tang
Liana Isakadze violina/violin
spored/programme Bernstein, Barber, Rahmaninov
Vstopnice bodo na voljo v tednu pred vsakim koncertom pri blagajni
Slovenske filharmonije vsak delovnik od 11. do 13. in od 15. do 18. ure
ter uro pred začetkom koncerta.
Tickets will be available in the week prior to each concert at the
Slovenian Philharmonic box office, each working day from 11.00 a.m.
to 1.00 p.m. and 3.00 p.m. to 6.00 p.m., as well as one hour before
the commencement of the concert.
KLASIKA
NeskonËno ljubljena
Endlessly beloved
Ne mine dan, da vsaj enkrat ne bi pomislili na
ljubezen, ne glede na to, kakšno ljubezen imamo v
mislih – do staršev, otrok, partnerja, morda do živali,
narave in ne na koncu celo do umetnosti. Umetnost
napolni ter obogati dušo in vpliva na naše počutje.
Verjamemo, da se strinjate z nami.
Glasbeniki vsakič znova stremimo k vrhunskim
izvedbam in naše poslanstvo delimo z Vami. V tretji
sezoni nedeljskih matinej Godalnega kvarteta
Slovenske filharmonije bo rdeča nit LJUBEZEN v
vseh svojih razsežnostih.
Že naslov letošnjega cikla sam nam pove veliko – Neskončno
ljubljena. Pri tem vsak izmed nas zagotovo pomisli na lastne intimne
dogodke, ki jih nikoli v življenju ne želi pozabiti. Kot tudi veliki skladatelj
L. van Beethoven ni nikoli pozabil svoje ljubezni (muzikologi menijo,
da je bila ta skrivnostna oseba grofica Josephina Brunswick), ki ji
je ljubezen izpovedal v pismih. Ker je svojo ljubezen pretopil tudi v
glasbo, bo na našem sporedu njegov Godalni kvartet št. 4 v c-molu,
op. 18. Ob tem bomo prisluhnili besedam, ki jih je namenil svoji
»neskočno ljubljeni« (bral jih bo Gašper Tič). Na koncertih bomo gostili
tudi Godalni kvartet Beograjske filharmonije ter našega nekdanjega
kolega, sedaj člana Berlinskih filharmonikov, hornista Andreja Žusta. V
nizu skladb, ki se vrtijo okrog ljubezenskih sporočil in izpovedi, bodo še
dela Schumanna, Brahmsa, Raffa, Mahlerja ter izjemni Godalni kvartet
B-la-F, ki so ga skupaj ustvarili štirje veliki ruski skladatelji: RimskiKorsakov, Glazunov, Borodin in Ljadov (to bo hkrati poklon Ljadovu
ob 100. obletnici smrti). Cikel pa bomo sklenili z deli »železnega«
komornega repertoarja – Drugim godalnim kvartetom R. Schumanna
in Godalnim sekstetom J. Brahmsa. Odlomke Brahmsovih pisem
Clari Schumann pa bo predstavil priljubljeni igralski par Nataša Tič
Ralijan in Gašper Tič.
Naj bo sezona 2013/14 polna ljubezni.
Godalni kvartet Slovenske filharmonije
Vstopnice bodo na voljo pri blagajni Slovenske filharmonije pred vsakim
kon-certom, informacije pa tudi na spletni strani (www.filharmonija.si).
6. oktober 2013
6 October 2013
spored/programme Rimski-Korsakov,
Glazunov, Borodin, Ljadov
10. november 2013
10 November 2013
Godalni kvartet Beograjske filharmonije
Belgrade Philharmonic String Quartet
gost/guest Ognjen Popović klarinet/clarinet
spored/programme Webern, Brahms
19. januar 2014 19 January 2014 spored/programme Mahler, Raff
23. marec 2014 23 March 2014
gost/guest Andrej Žust rog/horn
spored/programme Mozart, Beethoven
18. maj 2014 18 May 2014
gosta/guests Nataša Tič Ralijan, Gašper Tič
spored/programme Brahms, Schumann
Not a single day passes during which we fail to think at least once
about love, whether it is love of our parents, our children, our partner,
perhaps love of animals, of nature, and not least of art. We hope you
agree that art has an ability to fill the soul and to influence our mood.
We musicians therefore attempt over and over again to provide a
first-rate performance and share our mission with you. In the third
season of Sunday matinees of the Slovenian Philharmonic String
Quartet, the connecting thread will be LOVE in all of its meanings.
The title of this year’s cycle itself tells us a great deal – Endlessly
Beloved. It probably reminds each of us of some intimate event that
we will never forget as long as we live. Thus the great composer
Ludwig van Beethoven never forgot his secret love (musicologists
believe that it was Countess Josephine Brunswick), to whom he
declared his love in letters. He also melted his love into music,
which is why our programme includes his String Quartet No. 4 in C
minor, Op. 18. In conjunction with this performance, we will listen
to texts that Beethoven dedicated to his “endlessly beloved” read
by Gašper Tič. In November, we will host the Belgrade Philharmonic
String Quartet. The series of compositions centred around messages
and declarations of love will include works by Schumann, Brahms,
Raff and Mahler, as well as the extraordinary String Quartet “B-La-F”,
which was a joint creation of four great Russian composers: RimskiKorsakov, Glazunov, Borodin and Ljadov (thus we also mark the 100th
anniversary of Ljadov’s death). In January, we will host our former
colleague horn player Andrej Žust, now a member of the Berlin
Philharmonic. The cycle will be concluded with works from the
established chamber repertoire: String Quartet No. 2 by R. Schumann
and the String Sextet by J. Brahms. Excerpts from Brahms’s letters
to Clara Schumann will be read by actor couple Nataša Tič Ralijan and
Gašper Tič.
May the 2013/14 season be full of love!
Slovenian Philharmonic String Quartet
Tickets will be available at the Slovenian Philharmonic ticket office prior
to each concert. Further information can be found on the Slovenian Philharmonic
website (www.filharmonija.si).
Uživajte v harmoniji
svežine in topline
vašega doma.
MIKrovent®
Lokalni prezračevalni sistem, ki samodejno
ogreva svež zrak. Na voljo kot razširitev
okna ali kot samostojna enota.
mikrovent.si
Ohranimo energijo. PRIHRANIMO.
15./15th FESTIVAL SLOWIND 2013
Prodajanje vetra
Vendre le vent
festival ob 79-letnici Vinka Globokarja
Festival on the 79th Anniversary of Vinko Globokar
umetniško vodstvo/artistic direction Vinko Globokar
9. oktober 2013 ob 20.00, Slovenska filharmonija
9 October 2013 at 8.00 p.m., Slovenian Philharmonic
1
Ječa/La prison
ansambel unitedberlin/ensemble unitedberlin
Slowind
V. Globokar, Ječa/La prison
T. Bajželj, novo delo/new work
V. Globokar, Prodajanje vetra/Vendre le vent
Mednarodna glasbena delavnica
International music workshop
Filozofska fakulteta Univerze v Ljubljani/
Faculty of Arts of the University of Ljubljana
10. oktober 2013/10 October 2013
predavatelji/lecturers: V. Globokar, T. Bajželj, Ch. Utz, C. Gadenstätter
11. oktober 2013 ob 20.00, Slovenska filharmonija
11 October 2013 at 8.00 p.m., Slovenian Philharmonic
Talci/Les otages
Orkester Slovenske filharmonije
Slovenian Philharmonic Orchestra
dirigent/conductor Vinko Globokar
V. Globokar, Poti svobode/Les chemins de la Liberté
V. Globokar, Izžarevanja/Ausstrahlungen
V. Globokar, Talci/Les otages
2
12. oktober 2013 ob 20.00, Slovenska filharmonija
12 October 2013 at 8.00 p.m., Slovenian Philharmonic
3
Tribadabum
Ansambel S/Ensemble S
Slowind
Dekliški zbor iz Hannovra/Hannover Girls Choir
dirigentka/conductor Gudrun Schröfel
V. Globokar, Kvadrat
M. Marelli, Voltfast 50
V. Globokar, Idol/L'Idôle
R. Leibowitz, »Marihuana« – Neresne variacije, op. 54
Variations non sérieuses, Op. 54
V. Globokar, Obsežni tribadabum na fantomski ritem
Tribadabum extensif sur rhytme phantôme
14. oktober 2013 ob 20.00, Slovenska filharmonija
14 October 2013 at 8.00 p.m., Slovenian Philharmonic
4
Variété
Jérôme Thomas žongler/juggler
Ansambel Aleph/Ensemble Aleph
Slowind
B. Šaljić Podešva, novo delo/new work
V. Globokar, Skozi gozd simbolov/Par une forêt de symboles
M. Kagel, Variete/Variété
14. oktober 2013 ob 22.30, Slovenska filharmonija
14 October 2013 at 10.30 p.m., Slovenian Philharmonic
5
Harlekin
Michele Marelli klarinet/clarinet
V. Globokar, Razpolovitev/Dédoublement
K. Stockhausen, Harlekin
15. oktober 2013 ob 20.00, Slovenska filharmonija
15 October 2013 at 8.00 p.m., Slovenian Philharmonic
Eksil/L'exile
Ansambel Aleph/Ensemble Aleph
Ansambel S/Ensemble S
Slovenski tolkalni projekt/Slovenian Percussion Project
Slowind
V. Globokar, Fluide
L. Vrhunc, novo delo/new work
L. Berio, Ljudske pesmi/Folk Songs
V. Globokar, Eksil/L'exile
Prodaja vstopnic pri blagajni Slovenske filharmonije.
Tickets will be available at the Slovenian Philharmonic box office.
6
NaËini plaËevanja
Spoštovani abonenti Slovenske filharmonije,
vsi, ki želite obnoviti abonma za sedeže,
ki ste jih imeli v sezoni 2012/2013:
• vplačajte abonma s priloženo položnico najpozneje do 31. maja 2013
(prijavnice ni potrebno poslati)
• znesek vpišite sami – glede na izbrani način plačevanja (načini
plačevanja so v tabelah)
• abonmajsko izkaznico boste prejeli po pošti v začetku septembra
Vsi, ki želite spremembo sedežev, zamenjavo abonmaja, vpis
novega člana ali zamik plačila:
• pošljite izpolnjeno prijavnico najpozneje do 31. maja 2013
in se potem oglasite ob vpisu od 17. do 21. junija 2013 (abonmaja za dosedanje sedeže ne plačajte)
• dodatne informacije lahko dobite po telefonu 01 24 10 800,
01 24 10 810 po 12. uri
Če se do 31. maja 2013 ne boste odzvali,
bomo vaše sedeže primorani oddati.
Za zamenjave in nove abonente imamo na voljo le omejeno število
sedežev. Ker vpis abonmajev poteka po pošti, Vas prosimo, da
upoštevate datume in navodila. SF in CD zagotavljata abonentu,
ki ima poravnane obveznosti za sezono 2012/2013, v novi sezoni
2013/2014 isti sedež v istem abonmaju. Obisk koncerta je mogoč
le z abonmajsko vstopnico za tekočo sezono.
Študentje, dijaki in upokojenci imajo 50 % popusta za en sedež v
vsakem abonmaju. Popust pa je mogoče uveljavljati le za sedeže
II. in III. kategorije. Dokazila so veljavni indeks, potrdilo o šolanju
in upokojenska kartica.
Če se odločite za plačilo v celoti, Vam pripada 10 % popusta na polno
ceno abonmaja.
Če se odločite za plačilo v obrokih, plačate polno ceno abonmaja.
Za plačilo obrokov boste prejeli položnice.
Za nove abonente in vse, ki bodo poslali prijavnico
za kakršnokoli spremembo, bo vpis:
od 17. do 21. junija 2013
od 11. do 13. ure in od 15. do 18. ure
v Slovenski filharmoniji,
Kongresni trg 10, 1000 Ljubljana.
Zamenjava termina v okviru istega abonmaja pri blagajni CD
Če ne morete obiskati koncerta v svojem terminu, Vam bo CD
izdal vstopnico za drugega. Abonmajsko kartico je treba deponirati
pri blagajni CD najpozneje dva dni pred koncertom. CD bo izdal
vstopnico za drugi koncert v okviru istega abonmaja brezplačno.
Abonmajska kartica ostane v Informacijskem središču CD do dneva
po drugem koncertu.
Cene abonmajev v sezoni 2013/2014
Modri abonma
Oranæni abonma
Orkester Slovenske filharmonije
Gallusova dvorana, Cankarjev dom
9 koncertov
Modri 1 – četrtek
Oranžni 1 – četrtek
Modri 2 – petek
Oranžni 2 – petek
2. balkon
Upper circle
1. balkon
Dress circle
Gallusova dvorana, Cankarjev dom
Gallus Hall, Cankarjev dom
I. kategorija/Category I
II. kategorija/Category II
III. kategorija/Category III
Parter
Ground floor
Redni abonenti
prostor
plačilo v celoti
10 % popusta
polna cena
abonmaja
obrok polne
cene (4 ob.)
I. kategorija
144,00 €
160,00 €
40,00 €
II. kategorija
115,00 €
128,00 €
32,00 €
III. kategorija
97,00 €
108,00 €
27,00 €
I. kategorija
II. kategorija
plačilo v celoti
10 % popusta
−−−−−
57,50 €
polna cena
abonmaja
−−−−−
64,00 €
obrok polne
cene (4 ob.)
−−−−−
16,00 €
III. kategorija
48,50 €
54,00 €
13,50 €
Upokojenci, študentje in dijaki
prostor
Cene vstopnic za posamezne koncerte
Modri in Oranžni abonma
Ticket prices
Blue & Orange Series Concerts
Oranžni/Orange 4, 7
I. kategorija/Category I
20,00 €
Modri/Blue 5, 7
II. kategorija/Category II
16,00 €
III. kategorija/Category III
12,00 €
IV. kategorija/Category IV
8,00/6,00* €
Oranžni/Orange 1, 5, 8, 9 I. kategorija/Category I
26,00 €
Modri/Blue 2, 3, 6, 9
II. kategorija/Category II
20,50 €
III. kategorija/Category III
16,00 €
IV. kategorija/Category IV
10,00/8,00* €
Oranžni/Orange 2, 3, 6
I. kategorija/Category I
33,00 €
Modri/Blue 1, 4, 8
II. kategorija/Category II
26,00 €
III. kategorija/Category III
20,00 €
IV. kategorija/Category IV 13,50/10,00* €
* popust za mlajše od 25 in starejše od 65 let
discount for persons younger than 25 years and older than 65 years of age
Cankarjev dom
Informacijsko središče in prodaja vstopnic
Information Centre and Box Office
T +386 1 24 17 299, 24 17 300
F +386 1 24 17 322
E [email protected], [email protected]
www.cd-cc.si
Prodaja vstopnic v Informacijskem središču CD (podhod Maximarketa).
Odprto vsak delovnik od 11. do 13. in od 15. do 20. ure, ob sobotah
od 11. do 13. in uro pred začetkom prireditev. Imetniki kartic (NLB,
Eurocard/Mastercard, Visa, Diners, American Express) si lahko
vstopnice zagotovite po telefonu.
Tickets for concerts at the Gallus Hall, Cankarjev Dom, can be
purchased at the CD Information Centre/Box Office (Maximarket lower
arcade). Open weekdays from 11 am to 1 pm and from 3 pm to 8 pm,
Saturdays from 11 am to 1 pm, and an hour before the performance.
Credit cards are welcome (NLB, Eurocard/Mastercard, Visa, Diners,
American Express). Tickets can be purchased by telephone.
Cene abonmajev v sezoni 2013/2014
Vokalni abonma
Slovenski komorni zbor
Dvorana Marjana Kozine, Slovenska filharmonija
8 koncertov
Parter
Ground floor
Dvorana Marjana Kozine,
Slovenska filharmonija
Marjan Kozina Hall,
Slovenian Philharmonic
I. kategorija/Category I
II. kategorija/Category II
Balkon
Dress circle
Cene vstopnic za posamezne koncerte
Vokalni abonma
Ticket prices
Vocal series concerts
Prodaja vstopnic uro pred koncertom
pri blagajni Slovenske filharmonije.
Tickets are available at the venue
one hour before the performance.
Rezervacije vstopnic/Ticket reservations:
T +386 1 2410 804
E [email protected]
I. kategorija/Category I: 13,00/11,00*€
II. kategorija /Category II: 11,00/9,00*€
* dijaki, študenti, upokojenci/school pupils, students, senior citizens
Redni abonenti
prostor
plačilo v celoti polna cena obrok polne
10 % popusta abonmaja cene (4 ob.)
I. kategorija/Category I
82,00 €
92,00 €
23,00 €
II. kategorija/Category II
63,00 €
70,00 €
17,50 €
Upokojenci, študentje in dijaki
prostor
plačilo v celoti polna cena obrok polne
10% popusta abonmaja cene (4 ob.)
I. kategorija/Category I
50,00 €
56,00 €
14,00 €
II. kategorija/Category II
39,00 €
44,00 €
11,00 €
Orkester Slovenske
filharmonije
Slovenian Philharmonic
Orchestra
Šefinja dirigentka/Chief Conductor:
Keri-Lynn Wilson
Koncertna mojstra/Concert Masters:
Miran Kolbl
Janez Podlesek
Prve violine/1st Violins:
Vera Belič
Monika Ivančev
Viole/Violas:
Aleksandar Milošev
Maja Rome
Matic Anžej
Žiga Cerar
Oliver Dizdarević Škrabar
Bojan Erjavec
Žiga Faganel
Mojca Fortin
Katarina Jurca
Matjaž Matevž Porovne
Mojca Rukavina
Maja Savnik
Rado Šteharnik
Matjaž Žižek
Maja Babnik Ravnikar
Tomaž Malej
Druge violine/2nd Violins:
Irina Kevorkova
Violončeli/Cellos:
Andrej Petrač
Igor Škerjanec
Roman Leskovic
Rok Zgonc
Milena Dostal
Želimir Đonlić
Marijana Gregorič
Romana Kokalj
Damjana Kožar
Ajda Kralj
Natalija Popov Vesel
Petar Prendžov
Miloš Simić
Jelena Šarc
Eva Kacjan
Emil Kopše
Marina Kopše
Ivan Krstić
Zoltan Kvanka
Nejc Mikolič
Marjetka Šuler Borovšak
Marjeta Škrjanc
Sonja Vukovič
Gregor Marinko
Ivan Šoštarič
Petra Gačnik Greblo
Klemen Hvala
Gordana Keller Petrej
Jošt Kosmač
Alenka Helena Kovačič
Pavel Rakar
Martin Sikur
Foto: Janez Kotar
Kontrabasi/Double Basses:
Petar Brčarević
Jakob Ivan
Borut Blaž Kantušer
Đorđe Malkoć
Krešimir Mikulčić
Mateja Murn Zorko
Blaž Zupan
Flavte/Flutes:
Matej Grahek
Aleš Kacjan
Patricija Mihelač Korica
Jana Trošt
piccolo
Oboe/Oboes:
Matej Šarc
Matjaž Rebolj
Rogovi/Horns:
Justin Felicijan
Aurelie Roussel
Jože Rošer
Metod Tomac
Maja Burger Zgonc
Robert Prednik
Trobente/Trumpets:
Tibor Kerekeš
Franc Kosem
Dejan Glamočak
Igor Konečnik
Pozavne/Trombones:
Marko Ilić
Domen Jeraša
Žan Tkalec
Wolf-Hagen Hoyer
baspozavna/bas trombone
Melina Todorovska
angleški rog/cor anglais
Klarineti/Clarinets:
Jurij Jenko
Massimiliano Miani
Dušan Sodja
Fagoti/Bassoons:
Paolo Calligaris
Zoran Mitev
Miha Petkovšek
Tuba/Tuba:
Janez Žnidaršič
Timpani:
Darko Gorenc
Tolkala/Percussion:
Barbara Kresnik
Matevž Bajde
Franci Krevh
Harfa/Harp:
Urška Križnik Zupan
Aleksandra Verbicka
harfa in instrumenti s tipkami
harp and keyboard instruments
Foto: Janez Kotar
Slovenski komorni zbor
Slovenian Chamber Choir
Umetniški vodja,
Pomočnica direktorja za zbor
Artistic Director,
Assistant to the Manager
for the Choir:
Martina Batič
Asistent dirigenta zbora
Assistant Choir Conductor:
Fernando Pablo Mejias
Soprani/Sopranos:
Zdenka Anžur Tozon
Helena Čebul
Rosana Jarm
Anamarija Lazarevič
Katarina Lenarčič
Mateja Langus
Renata Oberstar
Suzana Omejc
Polonca Ribič Žnidaršič
Monika Popivoda
Urška Šemrov
Renata Vereš Klančič
Tenorji/Tenors:
Igor Drnovšek
Marjan Jančič
Robert Kožar
Andrej Levec
Martin Logar
Fernando P. Mejias
Peter Pirnat
Marjan Podgrajšek
Marjan Ravnik
Alti/Altos:
Mihaela Artač
Urška Bernik
Katjuša Košir Bukovec
Mateja Kunstek
Emilija Lavriha
Marta Marolt
Marjetka Prelovšek
Romana Vengust
Darja Vevoda
Vladimira Vremšak
Anja Trilar
Korepetitorka
Piano Accompaniment:
Tatjana Kaučič
Basi/Basses:
Matija Bizjan
Mateo Debevec
Matevž Kink
Tomaž Koder
Jan Kuhar
Tadej Osvald
Rok Rakar
Matjaž Strmole
Boris Vremšak
Recite vrtnici, da jo ljubite,
in živela bo dlje kot druge.
Kongresni trg · Vegova ulica 2, Ljubljana
odprto ponedeljek – sobota 9.00 – 20.00
01–244 53 80 / 031–366 355
sveži cvetlični šopki · dostava cvetja · poročni
šopki in slavnostna dekoracija · svečana
žalna dekoracija · aranžiranje daril · darilni
boni · okrasne cvetlične posode za interier
in eksterier · celostne ozelenitve domov in
poslovnih prostorov ter negovanje nasadov
www.emporia.si
Slovenska filharmonija/Slovenian Philharmonic
Kongresni trg 10
1000 Ljubljana
Tel.: + 386 1 2410 800
Faks: + 386 1 2410 900
e-mail: [email protected]
Slovenski komorni zbor/Slovenian Chamber Choir
Kongresni trg 10
1000 Ljubljana
Tel.: + 386 1 2410 800
Faks: +386 1 2410 900
e-mail: [email protected]
www.filharmonija.si
Izdala: S
lovenska filharmonija,
zanjo direktor Damjan Damjanovič
Uredila: Snježana Drevenšek
Prevod: Neville Hall
Jezikovni pregled: Eva Blumauer
Oblikovanje in prelom: arnoldvuga+
Fotografije: Arhiv SF
Tisk: Bori
Naklada: 10.000 izvodov
Ljubljana, april 2013
Ustanoviteljica Slovenske filharmonije je vlada Republike Slovenije.
Slovensko filharmonijo finančno omogoča Ministrstvo za kulturo.
Slovenska filharmonija si pridržuje pravico do sprememb
v programu.
MEDIJSKI POKROVITELJ